During her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.During her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.During her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and spirits, and where humans are changed into beasts.
- Director
- Writer
- Stars
- Daveigh Chase(English version)
- Suzanne Pleshette(English version)
- Miyu Irino(voice)
Top credits
- Director
- Writer
- Stars
- Daveigh Chase(English version)
- Suzanne Pleshette(English version)
- Miyu Irino(voice)
- Won 1 Oscar
- 58 wins & 31 nominations total
Daveigh Chase
- Chihiro
- (English version)
- (voice)
Suzanne Pleshette
- Yubaba
- (English version)
- (voice)
- …
Miyu Irino
- Haku
- (voice)
Rumi Hiiragi
- Chihiro Ogino
- (voice)
- …
Mari Natsuki
- Yubaba
- (voice)
- …
Takashi Naitô
- Akio Ogino
- (voice)
Yasuko Sawaguchi
- Yûko Ogino
- (voice)
Tatsuya Gashûin
- Aogaeru
- (voice)
Ryûnosuke Kamiki
- Bô
- (voice)
Yumi Tamai
- Rin
- (voice)
Yô Ôizumi
- Bandai-gaeru
- (voice)
Koba Hayashi
- Kawa no Kami
- (voice)
Tsunehiko Kamijô
- Chichiyaku
- (voice)
Takehiko Ono
- Aniyaku
- (voice)
Bunta Sugawara
- Kamajî
- (voice)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDespite having a rich plot with developed characters, Henkien kätkemä (2001) was not made with a script. In fact, Miyazaki's films never had scripts. "I don't have the story finished and ready when we start work on a film," the filmmaker told Midnight Eye. "I usually don't have the time. So the story develops when I start drawing storyboards. The production starts very soon thereafter, while the storyboards are still developing." Miyazaki does not know where the plot is going, and he lets it happen organically. "It's not me who makes the film. The film makes itself and I have no choice but to follow".
- GoofsAfter Haku flies out of the bedroom we see Sen's left hand touching more of the blood on the railing. The elevator attendant sees it on the same hand after grabbing her arm as she tries to board it. Not much later we see her looking at the same hand again before running across the pipe. It isn't till after being held captive by the baby under the cushions that the blood switches hands as he holds her by the left arm revealing no blood on that hand at all.
- Crazy creditsThe credits have a series of still images from the film. The last image before the film fades is Chihiro's shoe in the river.
- Alternate versionsVarious dialog is added to the English dub to explain settings, translate Japanese text, or traditions; for example, when Chihiro first sees the bathhouse, in the English dub, she says "It's a bathhouse", which isn't present in the Japanese version.
- ConnectionsEdited into Miyazaki Dreams of Flying (2017)
Review
Featured review
Mystical, engaging, wonderful!
Spirited Away is one of the most perfect movies I have ever seen. The least I can say about it is that there was not a single moment during it that my attention wasn't completely focused. The plot was fantastic and full-bodied. Each character was given so much personality, even the little soot spiders weren't treated as two-dimensional.
In a way the whole film felt like a dream, in that it is seamless. It flows, effortlessly, from scene to scene, from emotion to emotion - straight from terror and tragedy to comedy - without the subtle bump that wakes you up, that lets you know that the makers of the movie and the creator of the script had wanted you to be crying but now you really should be laughing. It was so LIFELIKE. Sometimes in real life the most grim moments contain honest elements of comedy that do not seem out-of-place. But trying to put that sort of convoluted emotion into a film creates a very thin line that too many have fallen off of.
There was no part of the film that felt fake, or rushed, or shaky; the intensity of the story line and the determination of the lead character was obvious throughout. More than causing interest, this movie made me FEEL. I was sucked into the drama. I can rarely say that a movie made me laugh and cry without feeling like an idiot, but the caliber of this picture is so high that I don't even feel embarrassed. I laughed. I cried. And you will too.
In a way the whole film felt like a dream, in that it is seamless. It flows, effortlessly, from scene to scene, from emotion to emotion - straight from terror and tragedy to comedy - without the subtle bump that wakes you up, that lets you know that the makers of the movie and the creator of the script had wanted you to be crying but now you really should be laughing. It was so LIFELIKE. Sometimes in real life the most grim moments contain honest elements of comedy that do not seem out-of-place. But trying to put that sort of convoluted emotion into a film creates a very thin line that too many have fallen off of.
There was no part of the film that felt fake, or rushed, or shaky; the intensity of the story line and the determination of the lead character was obvious throughout. More than causing interest, this movie made me FEEL. I was sucked into the drama. I can rarely say that a movie made me laugh and cry without feeling like an idiot, but the caliber of this picture is so high that I don't even feel embarrassed. I laughed. I cried. And you will too.
helpful•35973
- Vapaja
- Oct 16, 2002
Details
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $13,750,644
- Opening weekend US & Canada
- $449,839
- Sep 22, 2002
- Gross worldwide
- $355,725,195
- Runtime2 hours 5 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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