8 user 7 critic

Il mestiere delle armi (2001)

Not Rated | | Drama, History, War | 11 May 2001 (Italy)
The history of the first victim of modern artillery and its moving agony, amidst conspiracies and betrayals of the powerful. Life and death of Giovanni De' Medici, a young brave captain in ... See full summary »


Ermanno Olmi


Ermanno Olmi
21 wins & 8 nominations. See more awards »


Learn more

More Like This 

Drama | War
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A group of soldiers face the difficulty of war during one night at the Italian Front.

Director: Ermanno Olmi
Stars: Claudio Santamaria, Camillo Grassi, Niccolò Senni
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

An alcoholic man wants to return the money he has borrowed.

Director: Ermanno Olmi
Stars: Rutger Hauer, Anthony Quayle, Sandrine Dumas
Drama | History
    1 2 3 4 5 6 7 8 9 10 8/10 X  

The life inside a farm in Italy at the end of the 19th century. Many poor country families live there, and the owner pays them by their productivity. One of the families has a very clever ... See full summary »

Director: Ermanno Olmi
Stars: Luigi Ornaghi, Francesca Moriggi, Omar Brignoli
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  
Director: Ermanno Olmi
Stars: Marco Esposito, Simona Brandalise, Stafania Busarello
Centochiodi (2007)
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

An Italian professor seeks refuge in the quiet, peaceful ruins of an old building.

Director: Ermanno Olmi
Stars: Raz Degan, Luna Bendandi, Andrea Lanfredi
Drama | History | Music
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

A young man enters a brothel and sees a staged narration of a Chinese folk tale concerning a female pirate.

Director: Ermanno Olmi
Stars: Bud Spencer, Jun Ichikawa, Sally Ming Zeo Ni
Il Posto (1961)
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

A very young college graduate attempts to obtain a position with a large corporation.

Director: Ermanno Olmi
Stars: Sandro Panseri, Loredana Detto, Corrado Aprile
Documentary | Biography
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  
Directors: Ermanno Olmi, Giacomo Gatti
Stars: Carlo Maria Martini, Ermanno Olmi
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

When a group of African immigrants builds a cardboard village between the pews of a church soon to be closed, an elderly priest must choose between his calling and his orders.

Director: Ermanno Olmi
Stars: Michael Lonsdale, Rutger Hauer, Massimo De Francovich
Keep Walking (1983)
Drama | History
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

The assuming of responsibility by individuals, the use of science for man and not against him, the duty of truth to increase the stature of people, all together: these are the important ... See full summary »

Director: Ermanno Olmi
Stars: Alberto Fumagalli, Antonio Cucciarrè, Eligio Martellucci
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Based on the diary Pope John XXIII kept between the ages of 14 and 18, his lifelong concern for tolerance, the underprivileged, and world peace is told. Rod Steiger, in the central role, ... See full summary »

Director: Ermanno Olmi
Stars: Rod Steiger, Adolfo Celi, Giorgo Fortunato
I Fidanzati (1963)
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

In the industrial North, Giovanni is a skilled factory worker offered a promotion if he'll go to Sicily for 18 months to assist in a new department. His impending absence strains his ... See full summary »

Director: Ermanno Olmi
Stars: Anna Canzi, Carlo Cabrini


Cast overview, first billed only:
Christo Jivkov ... Giovanni de Medici dalle Bande Nere
Sergio Grammatico Sergio Grammatico ... Federico Gonzaga
Dimitar Ratchkov Dimitar Ratchkov ... Luc'Antonio Cuppano
Fabio Giubbani Fabio Giubbani ... Matteo Cusastro
Sasa Vulicevic Sasa Vulicevic ... Pietro Aretino
Dessy Tenekedjieva ... Maria Salviati de Medici (as Desislava Tenekedjieva)
Sandra Ceccarelli ... Nobildonna di Mantova
Franco Andreani Franco Andreani ... Ambasciatore di Carlo V
Kalin Arsov ... Barcarolo
Giancarlo Belelli Giancarlo Belelli ... Alfonso d'Este
Bruno Bendoni Bruno Bendoni ... Benedetto Agnello
Silvio Cappellini Silvio Cappellini ... Maestro Habram
Vittorio Corcelli Vittorio Corcelli ... Frate domenicano
Marco De Biagi Marco De Biagi ... Ercole d'Este
Alessandro Genovesi Alessandro Genovesi ... Ufficiale posto di guardia


The history of the first victim of modern artillery and its moving agony, amidst conspiracies and betrayals of the powerful. Life and death of Giovanni De' Medici, a young brave captain in the war of Charles V against the Pope, in the first half of 1500. Written by Francesco Benzi <f.benzi@libero.it>

Plot Summary | Add Synopsis


Drama | History | War


Not Rated | See all certifications »



Italy | France | Germany | Bulgaria



Release Date:

11 May 2001 (Italy) See more »

Also Known As:

El oficio de las armas See more »

Filming Locations:

Italy See more »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital



Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


Narrator: [in the beggining of the movie] Who created these horrible weapons? From there, the war and carnage started And the way to a cruel death was open. However, don't blame this miserable. We're the ones who don't know how to use what he gave us. To defend ourself from the wild animals.
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Olmi gets under the skin of the Renaissance and brings it to life for us
9 May 2007 | by Asa_Nisi_Masa2See all my reviews

Giovanni Dé Medici was the ultimate Renaissance "condottiere" (military commander), Captain of the Pope's Army, dubbed "Giovanni of the Black Bands". He was truly fierce, ruthless and proud, but relentlessly audacious on the battlefield. Yet he was also aristocratic, charming, articulate, witty, urbane, and a libertine off the battlefield. Furthermore, as a soldier he was the antithesis of a Machiavellian, and rejected the idea that war was a politician's game. Giovanni Dè Medici may have been cruel, but no one could accuse him of cowardice. In the end, dying from a gun-shot wound at the youthful age of 28, he was also a victim of a very different, new and subtler form of warfare. Olmi's amazing, award-winning movie is set in the last few weeks of the life of Giovanni "dalle Bande Nere", played very convincingly by Bulgarian actor Hristo Jivkov. The movie also features other notable historic figures of the Renaissance, such as Pietro Aretino (the ultimate Renaissance man of letters) and the German army veteran Georg von Frundsberg. As one critic put it, it isn't so much a historic movie, as an "intimate confession from the most visceral folds of history".

The story starts from the end, with Giovanni Dè Medici's funeral. It then goes back to the cause of his death, dating a few months earlier, in the autumn of 1526, when the Imperial Army of German Lutheran soldiers led by von Frundsberg are travelling through Italy from the North. The narrating Pietro Aretino informs us that these "noble and beautiful people" are on their way to invade and punish Rome, following an act of betrayal on the Pope's part. Aware that the Germans are at a military disadvantage, Dè Medici uses quick, sudden ambushes with his fire-armed cavalry. But as an act of ultimate individualism, the Marquis of Mantua, Federico Gonzaga welcomes the Lutheran troops through his fortified gates at Curtatone. He thus allows them easy access to the papal states in order to save his own territory. Meanwhile, just a few hours later, Federico Gonzaga denies access to Giovanni and his Papal troops! This beautifully illustrates the way that the notion of national solidarity simply did not exist among different Italian Duchies and kingdoms.

To add insult to injury, Alfonso D'Este, Duke of Ferrara gives some sophisticated pieces of artillery to the Germans in exchange for von Frundsberg's daughter's hand. Yet Giovanni still manages to catch up with the Germans, despite the fact they are now no longer militarily at such a disadvantage. Meanwhile, the young Medici Captain keeps asking the Pope for additional troops through his wife Maria, who mediates. But all that the Pontiff is willing to do is send the leader of his army his blessings!

Familiar Olmi themes surface. While Olmi's magnificent movie Il Posto (1961) was about human beings as insignificant clogs in the faceless machine of a typical corporation, Il Mestiere is about man's vain individual efforts within the "faceless machine" that is history and fate. But even while being aware that he will probably be defeated, Giovanni's determination to stop the Germans survives. Ultimately, his philosophy is the opposite of a Machiavellian one: actions, even when completely useless, are still important for what they stand for. When Giovanni is shot in the leg in a final skirmish with the Germans, he is taken to the D'Este Palace in Ferrara to have his leg dressed and then later amputated. The final scenes of Giovanni lying in his sick chamber are cinematically flawless, spectacular and subtle. For the first time in his life, he is truly helpless, often in a fevered state, languishing in those magnificently frescoed interiors painted in the style of High Renaissance art. The concept of human beings always dying alone - even when they die young and are supervised by servants and medics - is poignantly conveyed.

Rather than being chockful of the spectacular battle scenes we have come to expect from lavish historical movies, Il Mestiere is mostly a meditative and quiet war movie. Olmi's flick is outstanding at bringing across the nitty gritty of life as a Renaissance soldier. Hypnotic images of ghostly soldiers on horseback and on foot, trudging through the mist, or tending to their weapons daily, also gives a tangible sense of what happened "in between" those battle, which took up maybe only about 10% of a soldier's time. The grim, damp, relentlessly cold weather, the extreme discomfort of constantly wearing an armour and the way that battles were often sudden, fast and deadly is perfectly conveyed by Olmi's movie. Which isn't to say there are no beautifully filmed, and spectacular battle scenes in Il Mestiere…

Other scenes, such as those of Renaissance aristocrats at social gatherings and at court, really create the impression you're watching an animated Italian Renaissance painting. The language spoken by the characters in this movie is achingly beautiful, but none of the lines are delivered in a contrived or actory manner - you just simply get the impression that Renaissance aristocrats spoke in such a sublimely articulate and poetic way. Giovanni's wife Maria (not Caterina Dè Medici, as listed by the IMDb!) is shown all the way through the movie reading and replying to her spouse's letters. They contain things as mundane as his detailed laundry lists, alongside crucial requests for political mediation. These were requests that every high-born Renaissance wife should have had the intelligence and sophisticated diplomatic ability to carry out. Meanwhile, Giovanni's mistress, a married Mantuan lady, is sympathetically shown living her clandestine purgatory. Last but not least, the movie has a lovely, evocative score.

The film's final quote regarding fire-arms could be lifted exactly as it is and be applied to our very own "weapons of mass destruction" - a bitter, disheartening paradox. I don't think this is a movie for everyone, but those who believe they might appreciate it are really in for a treat.

19 of 20 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 8 user reviews »

Contribute to This Page

Stream Trending TV Series With Prime Video

Explore popular and recently added TV series available to stream now with Prime Video.

Start your free trial

Recently Viewed