| Cast overview, first billed only: | |||
| Tim Roth | ... | Herschel Steinschneider / Erik Jan Hanussen | |
| Jouko Ahola | ... | Zishe Breitbart | |
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Anna Gourari | ... | Marta Farra |
| Max Raabe | ... | Master of Ceremonies | |
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Jacob Wein | ... | Benjamin Breitbart |
| Gustav-Peter Wöhler | ... | Alfred Landwehr (as Gustav Peter Woehler) | |
| Udo Kier | ... | Count Helldorf | |
| Herbert Golder | ... | Rabbi Edelmann | |
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Gary Bart | ... | Yitzak Breitbart |
| Renate Krößner | ... | Mother Breitbart | |
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Ben-Tzion Hershberg | ... | Gershon |
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Rebecca Wein | ... | Rebecca |
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Raphael Wein | ... | Raphael |
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Daniel Wein | ... | Daniel |
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Chana Wein | ... | Chana |
The film is based on the true story of Zishe Breitbart, a Jewish blacksmith's son from Poland who becomes a sensation in Weimar, Berlin as a mythical strongman. His employer Hanussen dreams of establishing an all-powerful Ministry of the Occult in Hitler's government. Yet as Hitler's hold on power grows more sure, and Berlin erupts in a ferment of anti-Semitism, Zishe must decide how he will use his strength. Plagued by nightmares, he takes counsel from a local rabbi. He becomes convinced that he has been chosen by God to warn his people of the grave danger they face. Written by Sujit R. Varma
The great Werner Herzog uses grandly designed set pieces to deliver a foreboding period piece about the nature of facism in pre-WW2 Berlin. The focus of the story revolves around the opposing philosophies of the sinister, renowned clairvoyant Hanussen, and one of his performers, a naive strongman, lured off the farm to make his fortune in the big city. Needless to say, both of these powerful characters provide the symbolic thrust of Herzog's visionary statement, and he presents them as extreme opposites. Roth really delivers as a refined cynic, while real-life strongman Ahola is a childlike brute, an amateur hero challenging the authority of a professional villain. While parts of the picture are heavy-handed and obvious, it has a refreshing, unsentimental neutrality about it's subject matter, and it's mise-en-scene pleasures are many. My favorite scene follows our hero on his way to Berlin: he's picked up by a couple of farmers, one of them unable to control wild outbursts of laughter as he listens to the naive strongman tell about his dreams. A worthy film in the Herzog repertoire and interesting enough even for non-enthusiasts.