8.2/10
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10 user 6 critic

Satyakam (1969)

| Drama
The tale begins in the final days of the British Raj in India. A cohort of engineering students graduate a few months before Independence. Satyapriya and Naren are among the graduate ... See full summary »

Writers:

Rajinder Singh Bedi (dialogue), Bimal Dutta (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
Ashok Kumar ... Satyasharan 'Dadji' Acharya
Dharmendra ... Satyapriya 'Sath' Acharya
Sharmila Tagore ... Ranjana
Rabi Ghosh ... Anantho Chatterjee (as Robi Ghosh)
Sanjeev Kumar ... Narendra 'Naren' Sharma
David Abraham ... Rustom (as David)
D.K. Sapru ... Diwan Bajridhar Talwar (as Sapru)
Tarun Bose ... Mr. Ladia
Rajan Haksar ... Shyam Sunder (Manager Director) (as Rajen Haksar)
Manmohan ... Kunver Vikram Singh
Sarika ... Kabul S. Archarya (as Baby Sarika)
Paul Mahendra Paul Mahendra ... (as Pal Mahinder)
Dina Pathak ... Harbhajan's mother (as Deena Pathak)
Dev Kishan Dev Kishan
Uma Dutt Uma Dutt ... Chief Engineer
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Storyline

The tale begins in the final days of the British Raj in India. A cohort of engineering students graduate a few months before Independence. Satyapriya and Naren are among the graduate engineers. The principality of Bhawanigarh is run by a cruel and dissolute man, Vikram Singh who knows his days of absolute power are numbered. Satyapriya Acharya finds employment in Bhawanigarh, meets and marries Ranjana under peculiar circumstances. This creates huge issues in his family, in particular his grandfather who raised him. Orthodoxy of the teacher clan of the Acharyas precludes admission of Ranjana into the household. Satyapriya is the epitome of integrity, refuses to utter any untruth as a consequence of which he and his family face difficulties. It takes a death in the family to bring a reinterpretation of tradition and relationships. Written by MG Gopalan

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Genres:

Drama

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Soundtracks

Abhi Kya Sunoge, Suna Toh Hasoge, Ke Hai Geet Adhura, Tarana Adhura
Sung by Lata Mangeshkar
Lyrics by Kaifi Azmi
Music by Laxmikant Shantaram Kudalkar, Pyarelal Ramprasad Sharma
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User Reviews

 
The path leading to truth is bound to be thorny
13 September 2014 | by jmathur_swayamprabhaSee all my reviews

This classic Hindi movie directed by the legendary filmmaker Hrishikesh Mukherjee starts with the assertion that the most sacrosanct quest is the quest for truth. One should strive for getting the truth, reaching the truth. But pious intentions do not and cannot ease out the difficulties, hardships and pains to be faced in this regard. The hero of this movie named as Satyapriy Acharya is determined to follow his family ideals in his practical life. Like Mahatma Gandhi, truth is God to him. And he sets out in pursuit of truth only after obtaining an engineering degree.

The story starts in the period when India was on the verge of getting political independence from the colonial rule and the princely states were, in all likelihood, going to lose their existence in the sovereign republic of India. The common psyche of the Indians was filled with enthusiasm, optimism and hope for a better future. Our hero whose the only relative is his grandfather Satyasharan (Ashok Kumar) living in isolation, away from the practical (and cruel) world,also shares this psyche with his countrymen.

The movie tells Satyapriy's journey towards truth. He speaks truth. He lives truth. However the thing that he forgets that in this practical world, truth also needs the worldly might to survive. A man like Satyapriy may be able to pursue truth through sheer inner strength but if he is not living in isolation and has to survive among those who are not like himself, day-to-day life may become hell for him. Following truth only in his life, he is likely to find that gaining worldly comforts, peace of mind and a normal life has become a mirage for him.

And that's where the real inner strength is required. The path leading to truth can never be flowery. It's bound to be thorny and the traveller of this path should be mentally prepared to sustain all the resultant wounds and the pain emanating from them. The hero of this movie, i.e., Satyapriy is such a person only. He sustains everything and lays down his life in the end while treading the path of truth only. Does his death matter for anybody ? Yes, for his wife Ranjana (Sharmila Tagore) and her kid whose biological father is not the hero but a rapist (Manmohan). And through them only, the aged grandfather of the hero realizes what it takes to follow truth in the real sense.

According to a Hindu mythological tale, Lord Vishnu had taught a similar lesson to Sage Naarad who was proud of his devotion to Vishnu but could not utter his name even once during the execution of an assignment of carrying a brimful container of oil on his head in which he was not allowed to spill even a single drop of oil out. Similar is the test for the follower of truth. Following truth while living in isolation or in your comfort zone is no achievement. You are a proved a genuine truth lover only when you are able to follow it amidst the worldly life in which this love of yours is tested on almost every step. Once realizing it like Sage Naarad, the hero's aged grandfather adopts his daughter-in-law and her kid and takes them to his place while earlier he had not allowed the kid to ignite the pyre of Satyapriy (the Hindu custom of Mukhaagni) owing to the kid's not being the biological son of Satyapriy.

It's a pain-soaked movie rendering a message to the residents of politically independent India that their real test lies in maintaining their inner strength to follow the ideals of the freedom struggle in free India which was (and is) a much more difficult task than to gain political freedom from the foreign rulers. When this movie was made, the Indian masses had started feeling disenchantment from the words of the leaders and the ideals propagated for decades with the promise of a better future, better life to the commoners.

Satyakaam is based on a novel of eminent Bangla author Naarayan Saanyal telling a heart-piercing story. How a person who is determined to follow the path of truth only, suffers in the hands of the greedy, biased and cruel world; is shown realistically in this story. As said earlier, truth also needs tangible might to take on its worldly adversaries and survive their onslaught. However, asserting quite pessimistically, the genuinely truth loving, non-compromising people seldom gain such a might. Ruination only is their destiny. Hrishi Da, one of the greatest film directors of India, has done complete justice to the spirit embedded in the novel.

The writer and after him, the director has presented the truth-loving hero as a normal human-being only with the human weaknesses of hesitation and momentary cowardice in him. Besides, it's also underscored that maintaining a normal conjugal relationship with a raped woman is even more difficult than to marry her as the hero is never able to be normal with his wife in their intimate moments and the wife deeply feels the pinch of it.

Performance wise talking, all including the heroine - Sharmila Tagore and child artiste Saarika who used to play the roles of a boy child those days (credited as Master Suraj), have done pretty well. Sanjeev Kumar who plays the role of Dharmendra's close friend Narendra who only is the narrator of this story, is also perfect.

However the movie belongs to Dharmendra and Dharmendra only. He did not get any award for his role in this movie but it seems that he has not acted but lived Satyapriy on celluloid. This is perhaps the best performance of his career.

Late Hrishi Da himself had termed Satyakaam as the best movie ever made by him. This masterpiece is not meant for the regular entertainment seekers. It's for the audience of profound, well-meant cinema only.


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Country:

India

Language:

Hindi

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Sound Mix:

Mono

Color:

Color (Eastmancolor)
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