Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady's man. Having lost his place in the state orchestra, he must make ends meet by playing ... See full summary »
In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true ... See full summary »
Story of a small boy is forced to move out of Prague during World War 2 to a small village of Slavonice where he meets the rest of his family. He needs to make new friends and get used to a... See full summary »
Robert works for a travel agency and helps to arrange scenes from the everyday lives of "ordinary" Czech families as an attraction for Japanese tourists. He also works as a kind of ... See full summary »
Fate has been harsh to Standa but he took all the hard knocks without much fuzz. Being released from a prison, he believes everything would change for the better now. His former boss Zdenek... See full summary »
Two guys bought a car and travelled through the country untill they met a lonely girl on the road. So they begin to travel together having so much fun. And there is another guy who has a ... See full summary »
This movie is based on texts of Bohumil Hrabal, world-known Czech prosaic. It's a story (in a form of a mosaic of short episodes and pictures) about the sadness and happiness of inhabitants... See full summary »
March 15, 1939: Germany invades Czechoslovakia. Czech and Slovak pilots flee to England, joining the RAF. After the war, back home, they are put in labor camps, suspected of anti-Communist ideas. This film cuts between a post-war camp where Franta is a prisoner and England during the war, where Franta is like a big brother to Karel, a very young pilot. On maneuvers, Karel crash lands by the rural home of Susan, an English woman whose husband is MIA. She spends one night with Karel, and he thinks he's found the love of his life. It's complicated by Susan's attraction to Franta. How will the three handle innocence, Eros, friendship, and the heat of battle? When war ends, what then?Written by
Czech Republic's official submission to 74th Academy Award's Foreign Language in 2002. See more »
The RAF-commissioned officer conducting the life raft training is shown wearing "shoulder flashes" with an embroidered eagle. These were not worn by commissioned officers, only by Warrant Officers and below. See more »
I understand how you feel. A German officer would shoot himself in a situation like this. But you can... You are a different type of person. Heil Hitler!
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I've been a devoted IMDB visitor for a few years. This is the movie that finally compelled me to write in a review.
I caught this movie by chance (the opening credits happened to be scrolling past when I turned my TV on one morning). I thoroughly enjoyed the film for many reasons, all of which have been well covered by other reviewers -- the moodiness, the forgotten history of the Czech pilots, the subtle charm of the supporting characters, the fatalism of the main characters, and the first person view during the battle scenes.
But the element of "Dark Blue World" that really stood out was the lack of dramatic effects, especially during combat (and this is a good thing!). While the pilots were flying in battle no musical score accompanied them, no manipulative shots of worried spouses/girlfriends were interwoven, every little aerial maneuver did not elicit trite patriotic cheers, and viewers weren't asked to swallow unbelievable James Bond-esque pilot heroics. Instead the audience is allowed to feel the melancholy, fear and isolation of these single pilot fighters while they try to stay aloft during combat. As comrades are shot down we are spared tearful howls and the typical (but audience pleasing) revenge based heroics. Instead the other pilots sadly and quietly observe their fellow pilot's fate -- in reality they still need to remain intensely focused on their own safety and objectives at that very moment. We only briefly experience the pilot's breathing and the background roar of the engines as we, the audience, witness a friend spiral quietly down to his death. And then immediately 'we' need to jump back into combat mode and focus on survival.
Too often in Hollywood we're spoon-fed the emotions we're supposed to feel and no room is left for the viewer's imagination. "Dark Blue World" maintains a sparseness that captivates and involves the viewer, allowing us to invest in the movie and fill in the gaps and spaces using our own thoughts and feelings.
Excellent film, well worth seeing.
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