A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
In order to foil a terrorist plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
When the DEA shut down its dummy corporation operation codenamed SWORDFISH in 1986, they had generated $400 million which they let sit around; fifteen years of compound interest has swelled it to $9.5 billion. A covert counter-terrorist unit called Black Cell, headed by the duplicitious and suave Gabriel Shear, wants the money to help finance their raise-the-stakes vengeance war against international terrorism, but it's all locked away behind super-encryption. He brings in convicted hacker Stanley Jobson, who only wants to see his daughter Holly again but can't afford the legal fees, to slice into the government mainframes and get the money.Written by
Jeff Cross <email@example.com>
In the film's opening speech, Gabriel Shear discusses Dog Day Afternoon as being a "1976" work of "fiction" that didn't "push the envelope" and showed Hollywood's "lack of realism." Dog Day Afternoon was a true story, not fiction, depicted realistically. While the film didn't adhere to every detail of the true story, the ending was accurate. It was released in 1975, and the film's action takes place in 1972. See more »
You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic ...
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The opening studio logos for Warner Bros and Village Roadshow Productions flicker as if they were on a problematic computer screen. Other than those logos and the movie's title, there are no opening credits. See more »
Alternate television takes were shot for the scene with Ginger at the pool (she wears a bikini) and where Stanley hacks into the main frame of the Departement of Defense (Helga is not there). See more »
I think people have been a little to harsh on this movie. No it is not revelatory but it is a nice glossy diversion. The all-star cast, especially Hugh Jackman, is more than competent though they aren't really challenged. There are enough special effects and stunts intermixed with a fairly compelling narrative (it is not confusing if you just pay attention) to make the film more than worthwhile. Overall good entertainment, 7/10.
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