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Anders W. Berthelsen,
The good-hearted Harbour has spent his whole life trying to take care of his motherless and suicidal little brother, Wilbur. The brothers are inseparable. When in their thirties, they lose ... See full summary »
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Stine Holm Joensen
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Nikolaj Lie Kaas,
Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big ... See full summary »
A Danish business man sells his company after his quadriplegic wife dies. With no relatives, he's off to Spain with his girlfriend of 5 years. At the airport he's stopped by his lawyer. He has a 25 y.o. daughter - or does he?
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Tomas Villum Jensen,
A young minister, a widower, is temporarily assigned to a church whose suspended pastor drove parishioners away; he stays at a hotel where he meets Jørgen, who's alone approaching middle age. Jørgen's friend Finn, a temperamental restaurant manager, may be about to be fired. Finn's assistant is Giulia, a lovely young Italian who prays for a husband. Olympia, a clumsy bakery clerk, has an ornery father; Karen, a hairdresser, has a mother who is very ill. The paths of these six characters cross at church, in the restaurant, at the hotel, and at an Italian class at the local adult school. Loneliness, grief, solace, romance, and love may meet 'nel mezzo del cammin di nostra vita.'Written by
Thoroughly enjoyable and totally devoid of Hollywood-style contrivance
I had the pleasure of seeing Italiensk for begyndere in a pretty small, intimiate cinema, which set the audience up beautifully for this movie.
The characters really drive this story, rather than the film pushing the characters around. What results is a movie that takes its own time to say what it needs to say, and that allows us to gain insight on what really is a broad spectrum of very human, very diverse personalities.
Romantic comedies-dramas, by and large, are pretty hit-and-miss, though more miss than hit if they come from Hollywood. They're bogged down in clichés, saccarine melodrama and characters that don't at all behave like real people. Italiensk for begyndere avoids all that, giving us characters that could just as well be the person sitting three seats from you in the cinema, that's how human they are.
I didn't feel at all cheated with this film, and left the cinema feeling like I saw a film that speaks to people. Superb.
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