- 2 wins & 2 nominations.
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Photos and Videos
Cast
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Cory McAbee | ... |
Samuel Curtis / Silverminer
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Rocco Sisto | ... |
Professor Hess
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Gregory Russell Cook | ... |
The Boy Who Actually Saw a Woman's Breast
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Annie Golden | ... |
Cloris
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James Ransone | ... |
Bodysuit
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Joshua Taylor | ... |
Blueberry Pirate
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Tom Aldredge | ... |
Old Man
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Bill Buell | ... |
Eddie
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Peter McRobbie | ... |
Lee Vilensky
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Mark Manley | ... |
Henchman #1 (Hey Boy!)
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Ned Sublette | ... |
Henchman #2 (Hey Boy!)
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Joseph McKenna | ... |
Doorman
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Doug McKean | ... |
Silverminer Jake
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Rest of cast listed alphabetically: | |||
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Charles Pendelton | ... |
Miner at Bar
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George Piscopo | ... |
Mars Worker
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Bentley Wood | ... |
Young Johnny R.
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Derrick Damions | ... |
Astronaut (uncredited)
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Amir Darvish | ... |
Mars Worker (uncredited)
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Darryl Reuben Hall | ... |
Astronaut (uncredited)
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Robert Philip Marcus | ... |
Goggles (uncredited)
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Melissa Wilder | ... |
Lady Venus (uncredited)
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Directed by
Cory McAbee |
Written by
Cory McAbee | ... | (writer) |
Produced by
Michael Krantz | ... | co-producer |
Robert Lurie | ... | producer (as Bobby Lurie) |
William Perkins | ... | producer |
Joshua Taylor | ... | producer |
Music by
The Billy Nayer Show |
Cinematography by
W. Mott Hupfel III | ... | director of photography |
Editing by
Pete Beaudreau |
Editorial Department
Fred Heid | ... | color timer |
Patricia Sztaba | ... | negative matcher |
Stan Sztaba | ... | negative matcher |
Joe Violante | ... | telecine coordinator: Technicolor |
Casting By
Ann Goulder |
Production Design by
Geoff Tuttle |
Art Direction by
Bentley Wood | ... | (as Bentley Addison Wood) |
Costume Design by
Dawn Weisberg |
Makeup Department
Loretta Alston | ... | additional hair/makeup swing |
Sasha Cummins | ... | additional key hair stylist (as Alexandra Sasha Cummins) |
Renee Didio | ... | additional hair/makeup swing (as Rene Didio) |
Dana Elder | ... | key hair stylist / key makeup artist |
Hildie Ginsberg | ... | additional hair/makeup swing |
Maya Hardinge | ... | additional hair/makeup swing |
Persefone Karakosta | ... | additional hair/makeup swing |
Julia Lallas | ... | additional hair/makeup swing |
Maryann Marchetti | ... | additional hair/makeup swing |
Sanja Milic | ... | additional hair/makeup swing |
Susan Reilly LeHane | ... | additional hair/makeup swing (as Susan Reilly) |
Nuria Sitja | ... | additional hair/makeup swing |
Mia Thoen | ... | additional key hair stylist / additional key makeup artist |
Production Management
Melanie Decoppet | ... | post-production supervisor (as Melanie de Coppet) |
Howard Gertler | ... | post-production supervisor |
Becky Glupczynski | ... | production manager |
Second Unit Director or Assistant Director
Marco Ajello | ... | second second assistant director |
Linda Perkins | ... | first assistant director |
Aida Rodgers | ... | second assistant director |
Ann Taylor | ... | additional second assistant director |
Art Department
Jill Alexander | ... | property master |
Catharine Belluschi | ... | shopper (as Cat Belluschi) |
John Borruso | ... | graphic designer |
Michael F. Connolly III | ... | key construction |
Terence Dunlop | ... | set dresser (as Terry Dunlop) |
Stephan Georges | ... | propmaker (as Stephan 'Maze' Georges) |
Chris Giammaluo | ... | carpenter |
Devorah Herbert | ... | on-set dresser |
Rob Hightower | ... | head carpenter |
Michael Jortner | ... | additional art |
Linda Krantz | ... | set dresser |
Cory McAbee | ... | ship paintings |
Alex Miller | ... | factotum |
Eric Novak | ... | puppet maker |
Maria Schoenherr | ... | ship paintings |
Geoff Tuttle | ... | ship paintings |
John Widger | ... | carpenter |
Kent Woolridge | ... | additional art |
Sound Department
Philip A. Aromando | ... | assistant sound editor (as Phil Aromando) |
Walker Barnard | ... | boom operator |
Marko A. Costanzo | ... | foley artist (as Marko Costanzo) |
Dan Ferat | ... | additional sound mixer |
Robert Fernandez | ... | re-recording mixer |
David Guilford | ... | sound intern |
Bradford L. Hohle | ... | sound consultant: Dolby (as Bradford L. Hohly) |
George A. Lara | ... | foley mixer / foley recordist |
Doug McKean | ... | adr engineer / sound designer / sound effects recordist / sound engineer |
Mary Ellen Porto | ... | adr editor / sound effects editor / sound effects recordist / supervising sound editor |
Jeff Pullman | ... | sound mixer |
Esther Regelson | ... | dialogue editor |
Karl Wasserman | ... | additional boom operator (as Karl G.E. Wasserman) |
Stunts
Elliot Santiago | ... | stunt coordinator |
Manny Siverio | ... | stunt coordinator |
Camera and Electrical Department
George Bianchini | ... | steadicam operator |
Ariel Boles | ... | additional grip |
Jose V. Cabiya-Morales | ... | second assistant camera (as José V. Cabiya) |
Greg Canicio | ... | additional grip |
Pierrot Colonna | ... | additional grip |
Ryan Cooke | ... | best boy grip |
David Gorn | ... | key grip (as Dave Gorn) |
Justin Scott Gravatt | ... | third electrician (as Justin Gravatt) |
Melissa Guimaraes | ... | additional electric |
David Harges | ... | additional grip (as David Lee Harges) |
Dan Hersey | ... | first assistant camera |
Alan Jacobsen | ... | gaffer |
David Kaufmann | ... | additional grip |
Ed Mattson | ... | additional grip (as Edward Mattson) |
Seth F. McAllister | ... | additional grip (as Seth McAllister) |
Caitlin McCaffrey | ... | still photographer |
Paul E. McCarthy | ... | additional grip (as Paul McCarthy) |
Alan McIntyre Smith | ... | additional electric (as Alan Smith) |
Steven C. O'Neill | ... | grip |
Jake Pollock | ... | third electrician |
Perry Unjang | ... | additional grip |
Tom Vulliez | ... | third grip |
Bryan Wachtel | ... | best boy electric |
Justin Whittaker | ... | additional electrician |
Jung-Min Yoon | ... | camera loader |
Casting Department
Kristine Bulakowski | ... | extras casting |
Aimee Howard | ... | casting assistant |
Driss Tijani | ... | extras casting assistant |
Costume and Wardrobe Department
Cara Borrelli | ... | costume constructor (as Cara Czekanski) |
Stephanie S. Kim | ... | additional wardrobe |
Danita Knight | ... | additional wardrobe |
José Pavon | ... | costume constructor |
Stacey Saltzman | ... | additional wardrobe |
Maria Schoenherr | ... | additional wardrobe |
Sara Tosetti | ... | costume constructor (as Sara Tosseti) |
Laura Wehrman | ... | wardrobe supervisor (as Laura E. Wehrman) |
Location Management
Alexander Cohen | ... | location manager |
Jennifer Quesenbery | ... | location scout |
Hunter Thompson | ... | additional location assistant |
Hughroy Williams | ... | assistant location manager (as Hughroy William) |
Music Department
James Beaudreau | ... | assistant musical director |
Matt Cowan | ... | additional musician: reeds |
Erik Jekabsen | ... | additional musician: trumpet |
Robert Lurie | ... | musical director (as Bobby Lurie) / musician: drums, percussion, keyboards (as The Billy Nayer Show) |
Cory McAbee | ... | musician: vocals, autoharp, ukulele (as The Billy Nayer Show) |
Doug McKean | ... | music editor / music mixer / score mixer / score recordist |
Paul Olenick | ... | additional musician: trombone |
Marshall Sealy | ... | additional musician: french horn |
Michael Silverman | ... | musician: bass, pipe (as The Billy Nayer Show) |
Script and Continuity Department
Janna DeLury | ... | additional script supervisor |
Michael Taylor | ... | script supervisor |
Transportation Department
Jim Buckman | ... | additional transportation captain |
Joe Mallon | ... | transportation captain (as Joseph Mallon) |
Additional Crew
Alan Aguilar | ... | chef |
Percy Lee Anderson | ... | parking production assistant |
Nuri Bell | ... | additional production assistant |
Winston Binch | ... | additional production assistant |
Carol Binion | ... | puppeteer |
Casey Block | ... | assistant accountant |
John Borruso | ... | title designer |
Maurice Cabrera | ... | parking coordinator |
Leroy Campbell | ... | parking production assistant |
Raphael Carman | ... | parking production assistant |
Adam Carroll | ... | additional production assistant |
Jared Cauliffe | ... | office production assistant: pre-production |
David Chambers | ... | additional production assistant |
Jen Cox | ... | production auditor |
Angel Dejesus | ... | parking production assistant |
Marnie Drucker | ... | additional production assistant |
Ian Edelman | ... | additional production assistant |
David Matthew Feldman | ... | puppeteer (as David Feldman) |
Barry Felson | ... | legal counsel |
John B. Finn | ... | post-production accountant (as John Finn) |
Greg S. Gordon | ... | production assistant |
Desmond Harvey | ... | craft service |
Brooke Henderson | ... | cat wrangler |
Joshua C. Hersko | ... | additional production assistant |
Sam Huntington | ... | additional production assistant |
Lisa Janelli | ... | production intern |
Kristen Kusama | ... | office production assistant (as Kristen M. Kusama) |
Victoria Lang | ... | set production assistant (as Victoria C. Lang) |
Eric Richard Lasko | ... | additional production assistant (as Eric Lasko) |
Melissa Lintinger | ... | pre-production auditor |
Marc Mendez | ... | additional production assistant |
Scott Mickulas | ... | additional production assistant |
Ross Miller | ... | insurance |
Kristal D. Moseley | ... | production assistant (as Kristal Mosley) |
Jeff Murry | ... | office production assistant |
Eric Novak | ... | puppeteer |
Austin Redd | ... | parking production assistant |
Rebecca Rivo | ... | production coordinator |
Josh Schneider | ... | assistant accountant |
Kimberly Shea | ... | assistant production coordinator |
Timothy Shea | ... | catering assistant |
Yvette Shin | ... | production assistant |
Markham Sindeband | ... | additional production assistant |
Carolyn Sivitz | ... | office production assistant |
Tess Smalley | ... | additional production assistant (as Teresa Reilly) |
Luis Soto | ... | parking production assistant |
Spring Sutter | ... | post-production accountant |
Michael L. Walker | ... | key set production assistant (as Mike Walker) |
Marc White | ... | additional craft service |
Steven Widerman | ... | puppeteer |
Marcus Woods | ... | additional production assistant |
Thanks
Jello Biafra | ... | special thanks (as Jello Biaffra) |
Chris Cush | ... | special thanks |
Roger Ehlers | ... | special thanks |
Hank D. Evans Jr. | ... | special thanks |
William Harris | ... | special thanks |
Jim Hunt | ... | special thanks |
Roman Ostrowski | ... | special thanks (as Dr. Roman Ostrowski) |
Jack Telian | ... | special thanks |
Lee Vilensky | ... | special thanks |
Production Companies
Distributors
- Artistic License (2001) (United States) (theatrical)
- Jack Stevenson Film Distribution (2003) (Europe) (theatrical)
- Facets Multimedia Distribution (2005) (United States) (DVD)
Special Effects
Other Companies
- AKME Sound (sound edited at)
- Atlantic Video (lab services)
- Axium/Avalon Entertainment Services (payroll)
- Balsmeyer and Everett (special thanks)
- Barbizon Lighting Company (special thanks)
- Bay View Studios (score & music & effects & adr recorded at)
- Bono Film & Video (lab services)
- Camera Service Center (cameras and lenses provided by)
- Camera Service Center (grip and lighting equipment)
- Coast to Coast Catering (catering)
- D.R. Reiff & Associates (insurance)
- Dollar Rent a Car (special thanks)
- Dredge Tone Audio (special thanks)
- Egads! Computer Rental (special thanks)
- Eureka Pictures (post-production facility)
- Film Arts Foundation (financed in part through a production grant from)
- Goldman & Kagon Law (legal counsel)
- GreeneStreet Films (special thanks)
- JFA (post-production accounting)
- Kodak Motion Picture Imaging (film stock)
- M-A-C (make-up provided by)
- Mojo Guitars (special thanks)
- New Jersey Film Commission (special thanks)
- Ocean Engineering Enterprises (special thanks)
- Open Frame (editing facility)
- Raw Space and the Armory Owner's Inc. (special thanks)
- Republic National Bank of New York (special thanks)
- Richard Mader Sound Services (special thanks)
- SoHo Photo Lab (special thanks)
- Sound One Corporation (sound re-recording)
- Sound One/C5 (foley recorded at)
- Sundance Institute (developed with the assistance of)
- Technicolor (lab services)
- The Effects House (titles and opticals)
- The New York City Mayor's Office of Film, Theatre & Broadcasting (special thanks)
- World Cinevision Services (negative matching)
- World of Beauty (score & music & effects & adr recorded at)
Storyline
Plot Summary |
Space travel has become a dirty way of life dominated by derelicts, grease monkeys, thieves, and hard-boiled interplanetary traders such as Samuel Curtis, an astronaut from Earth who deals in a rare goods, living or otherwise. His mission begins with the unlikely delivery of a cat to a small outer-belt asteroid saloon where he meets his former dance partner, and renowned interplanetary fruit thief, the Blueberry Pirate. As payment for his delivery of the cat, Curtis receives a homemade cloning device already in the process of creating a creature most rare in this space quadrant... a Real Live Girl. At the suggestion of the Blueberry Pirate, Curtis takes the Real Live Girl to Jupiter where women have long been a mystery. There, he proposes a trade with the owner of Jupiter: the Real Live Girl clone for the Boy Who Actually Saw A Woman's Breast. The Boy Who Actually Saw A Woman's Breast is regarded as royalty on the all-male mining planet of Jupiter because of his unique and exotic contact with a woman. It is Curtis' intention to take The Boy to Venus and trade him for the remains of Johnny R., a man who spent his lifetime serving as a human stud for the Southern belles of Venus, a planet populated only by women. Upon returning Johnny R's body to his bereaved family on earth, Curtis will receive a handsome reward. It all seems simple enough. But while hashing out the plan with the Blueberry Pirate, Curtis is spotted by his nemesis, Professor Hess. Possessed by an enigmatic obsession with Curtis, Heiss is capable of killing without reason, unless his intended victim is someone with whom he has unresolved issues. Heiss has been pursuing Samuel Curtis throughout the solar system in order that he might forgive him, then kill him. Along the way, Heiss has executed each and every individual to come into contact with Curtis. Unaware of this danger, Curtis sets forth on his mission. After retrieving The Boy Who Actually Saw A Woman's Breast from Jupiter, Curtis is contacted by Professor Heiss, who makes his intentions known. Fearful, Curtis and The Boy look for a place to hide. They come across a primitive space station constructed by Nevada State silver miners from the late 1800s. Inside they discover a small group of miners still alive, their bodies crippled and deformed by space atrophy. Unable to return home for fear that Earth's gravity would kill them, two of the miners mated and give birth to a boy known as Bodysuit. He has been raised in a suit of hydraulics to simulate Earth's gravity with the intention of eventually sending him home. In trade for supplies and sanctuary, Curtis agrees to deliver Bodysuit to Earth. Once they land on the lush planet of Venus, the terrain dramatically changes, and Curtis is inspired by a plan. And it may just happen that in a solar system ruled by commerce and danger, sometimes good can prevail. Written by nathue |
Plot Keywords | |
Taglines | Space is a lonely town. See more » |
Genres | |
Parents Guide | View content advisory » |
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Additional Details
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Box Office
Opening Weekend United States | $6,206, 14 Oct 2001 |
Did You Know?
Trivia | Bill Buell's dance during "Love Smiles" was choreographed on the spot by director Cory McAbee by shouting things like "show us your karate, Bill!" and "the birds are attacking, Bill!" See more » |
Movie Connections | Referenced in Harmoncountry: Denver, CO (2013). See more » |
Soundtracks | The American Astronaut See more » |
Crazy Credits | We Remember Desmond Harvey See more » |
Quotes |
Old Man:
Hey. Is it just me, or do my balls itch? Samuel Curtis: I think it's you. Old Man: Good. For a minute, I thought my balls itched. See more » |