6.5/10
9,784
87 user 124 critic

Fat Girl (2001)

À ma soeur! (original title)
Not Rated | | Drama | 7 March 2001 (France)
Two sisters confront their sexual attitudes and experiences while on a family holiday.

Director:

Catherine Breillat
4 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anaïs Reboux ... Anaïs Pingot
Roxane Mesquida ... Elena Pingot
Libero De Rienzo ... Fernando
Arsinée Khanjian ... Mother
Romain Goupil Romain Goupil ... François Pingot / Father
Laura Betti ... Fernando's Mother
Albert Goldberg Albert Goldberg ... The Killer
Odette Barrière Odette Barrière ... Friend at Residence
Ann Matthijsse Ann Matthijsse ... Friend at Residence
Pierre Renverseau Pierre Renverseau ... Friend at Residence
Jean-Marc Boulanger Jean-Marc Boulanger ... Friend at Residence
Frederick Bodin Frederick Bodin ... Waiter
Michel Guillemin Michel Guillemin ... Janitor
Josette Cathalan Josette Cathalan ... Saleswoman
Claude Sésé Claude Sésé ... Police Officer (as Claude Sese)
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Storyline

A Ma Soeur! is a provocative and shocking drama about sibling rivalry, family discord and relationships. Elena is 15, beautiful and flirtatious. Her less confident sister, Anais, is 12, and constantly eats. On holiday, Elena meets a young Italian student who is determined to seduce her. Anais is forced to watch in silence, conspiring with the lovers, but harbouring jealousy and similar desires. Their actions, however, have unforeseen tragic consequences for the whole family. Written by Blackstar

Plot Summary | Add Synopsis

Taglines:

A new provocation from the director of "Romance"

Genres:

Drama

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Italy

Language:

French | Italian | English

Release Date:

7 March 2001 (France) See more »

Also Known As:

Fat Girl See more »

Filming Locations:

France See more »

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Box Office

Opening Weekend USA:

$31,237, 14 October 2001

Gross USA:

$725,854

Cumulative Worldwide Gross:

$765,705
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In South Korea, this is the first movie to be passed containing sex scenes with nudity. Previously due to strict censorship, all sex scenes that included nudity had to be edited or deleted. See more »

Goofs

[All goofs for this title are spoilers.] See more »

Quotes

Anaïs Pingot: I want my first time to be with someone I don't love.
See more »

Alternate Versions

When released on home video in the UK, this title was cut by 1 minute and 28 seconds to cut down a scene of sexual assault. See more »


Soundtracks

J'ai mis mon coeur a pourrir
Lyrics and music by Catherine Breillat
See more »

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User Reviews

Sets Us Aside
9 November 2005 | by tedgSee all my reviews

Brelliat drives me a little crazy. She is an observer of one small corner of life and seems incidentally a filmmaker. You get different editions of her observations on the distance of young sex across which we throw ropes.

So the question is which is the best and whether each one that follows adds something new, worthwhile.

The best to my mind was "A Real Young Girl" of thirty years ago. It had an honesty that everything subsequently lacks. By this I mean you could feel the filmmaker's emotions quite apart from whatever was happening on screen.

What we have here are two scenes. The first is hugely promising: a pretty girl loses her virginity while witnessed by her much younger sister. Drawn out circling of the boy. Set up in a way that we share in the discomfort as witness and some of the charm of the situation. We are seducer, voyeur, victim.

Brelliat knew this well enough to build a whole different movie about the nature of this voyeurism, "Sex is Comedy." You need to see the two together to get the folding.

The problem with Brelliat is that she has these emotional insights and she can pose scenes. But she has no skill at all in seeing the larger shape of the narrative. She doesn't understand the long form and the structure of a story. Lacking this, we get only scenes, and here we have only two. The second one is brutal, as if the first demanded the second.

The only thing to recommend this is the effect you get from watching the first scene. You quickly realize that because you are watching, you are part of the damage she sketches.

Ted's Evaluation -- 2 of 3: Has some interesting elements.


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