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The Man Who Wasn't There (2001)

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A laconic, chain-smoking barber blackmails his wife's boss and lover for money to invest in dry cleaning, but his plan goes terribly wrong.

Directors:

Joel Coen, Ethan Coen (uncredited)

Writers:

Joel Coen, Ethan Coen
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Popularity
3,943 ( 273)

A Guide to the Films of the Coen Brothers

From Blood Simple to the new The Ballad of Buster Scruggs, we take a look at the offbeat stylings of Academy Award-winners Joel and Ethan Coen.

Dude, let's go bowling

Nominated for 1 Oscar. Another 24 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
Billy Bob Thornton ... Ed Crane
Frances McDormand ... Doris Crane
Michael Badalucco ... Frank
James Gandolfini ... Big Dave Brewster
Katherine Borowitz ... Ann Nirdlinger Brewster
Jon Polito ... Creighton Tolliver
Scarlett Johansson ... Birdy Abundas
Richard Jenkins ... Walter Abundas
Tony Shalhoub ... Freddy Riedenschneider
Christopher Kriesa ... Officer Persky
Brian Haley ... Officer Krebs
Jack McGee ... P.I. Burns
Gregg Binkley ... New Man
Alan Fudge ... Dr. Diedrickson
Lilyan Chauvin ... Medium
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Storyline

1949, Santa Rosa, California. A laconic, chain-smoking barber with fallen arches tells a story of a man trying to escape a humdrum life. It's a tale of suspected adultery, blackmail, foul play, death, Sacramento city slickers, racial slurs, invented war heroics, shaved legs, a gamine piano player, aliens, and Heisenberg's uncertainty principle. Ed Crane cuts hair in his in-law's shop; his wife drinks and may be having an affair with her boss, Big Dave, who has $10,000 to invest in a second department store. Ed gets wind of a chance to make money in dry cleaning. Blackmail and investment are his opportunity to be more than a man no one notices. Settle in the chair and listen. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

The last thing on his mind is murder.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for a scene of violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | UK

Language:

English | Italian | French

Release Date:

16 November 2001 (USA) See more »

Also Known As:

The Barber Project See more »

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Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

£419,609 (United Kingdom), 28 October 2001, Limited Release

Opening Weekend USA:

$664,404, 4 November 2001, Limited Release

Gross USA:

$7,494,849, 24 February 2002
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

In the director's commentary and in interviews, Billy Bob Thornton states that filming this movie helped him quit smoking, because he would be constantly chain-smoking during shooting, and would then have a cigarette of his own in his trailer, and this served to put him off the habit. However, he can be seen smoking in the documentary 'Lemmy' made a few years later, so it would seem he took it up again later. See more »

Goofs

The telephones seen in Big Dave's office and in Crane's home are early 60s models. The big giveaways are the curly handset cords and the more modern shape of the base and receiver. See more »

Quotes

[first lines]
Ed Crane: Yeah, I worked in a barbershop, but I never considered myself a barber. I stumbled into it. Or married into it, more precisely.
See more »

Crazy Credits

Special thanks to citizens and merchants of Orange, CA and The Bungalow Heaven Neighborhood - City of Pasadena, CA. See more »

Alternate Versions

Though original intended to be released in black and white, the movie was originally shot in color. Some countries released the movie in color (e.g. Japan) for marketing reasons. Both versions are released on home media. See more »

Connections

References Phantom Lady (1944) See more »

Soundtracks

Piano Sonata No.25 in G major, Op.79
(1809)
Written by Ludwig van Beethoven
See more »

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User Reviews

an interesting contribution to the Coen's ouvre
31 October 2001 | by crow-13See all my reviews

I found this to be a pretty interesting film by the Coens'. I was well aware of the ability to do noir, as evidenced by 'Blood Simple', as well as many-layered, dialogue-driven narratives as in 'Miller's Crossing.' But what I found intriging about this movie was that it was about inconsequence. Billy Bob Thornton's character, Ed Crane, is similar to William H. Macy's in 'Fargo.' Both have unsatisfying positions in lowly lives. Both had received their jobs by "marrying" into them- Ed at the Barber Shop, and William's at the car dealership. The difference is, whereas the kidnapping plot is sought out in "Fargo", the blackmailing plot falls into Ed's lap by sheer choice (luck? fate?)

Ed's just a guy who wants to improve his lot in life- nothing too different then you or me. His wife's affair simply gives him the opportunity to do so. He didn't mind the infidelity, it is after all " a free country." But, of course, if she was faithful, there would be no noirish plot to pursue, correct? Quiet ambition drives Ed. After the dry-cleaning attempt goes sour, he sets his sights of Scarlett Johansenn's (who is quite remarkable) character's piano playing ability, in hopes of becoming her manager and "making enough to get by."

Thornton's "Ed Crane" really is the man who wasn't there. He sits- nearly brooding- quietly, observing life laconically. I actually found this movie quite sad. In the end, the only one who cares about his story is a men's magazine. And that's another big difference from 'Fargo" in which the pregnant Frances McDormand curls up with her husband, and you feel as if everything is just right in the world. That feeling is definitely lacking from "The Man Who Wasn't There."

Some viewers in the theater I saw it at said it was "the funniest movie they've seen all year." Sadly, I think they're missing it. Most of the humor is typical Coen's deadpan, but it is mostly generated from a tone of unease and tension. It's clever, but you waon't be slapping your knees like in "Raising Arizona" or "The Big Lewboski."

Instead, you'll just be intrigued by the wonderful story that the Coens- who have become quite the master of their craft- have weaved in this beautifully textured, perfectly cast, and incredibly nuanced film.


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