Neo and the rebel leaders estimate that they have 72 hours until 250,000 probes discover Zion and destroy it and its inhabitants. During this, Neo must decide how he can save Trinity from a dark fate in his dreams.
A cybernetic warrior from a post-apocalyptic future travels back in time to protect a 25-year old drifter and his future wife from a most advanced robotic assassin and to ensure they both survive a nuclear attack.
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
Neo discovers that somehow he is able to use his powers in the real world too and that his mind can be freed from his body, as a result of which he finds himself trapped on a train station between the Matrix and the Real World. Meanwhile, Zion is preparing for the oncoming war with the machines with very little chances of survival. Neo's associates set out to free him from The Merovingian since it's believed that he is the One who will end the war between humans and the machines. What they do not know is that there is a threat from a third party, someone who has plans to destroy both the worlds.Written by
Neo takes a suitcase belonging to the Indian family when the Train Man takes them away. This suitcase is by Neo's side on the platform after they leave, but when Neo jumps to the track in attempt to run through the tunnel it is farther away from him. See more »
I got nothing, sir. No sign of Niobe or Ghost. Nothin' but blue pills.
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There are no opening credits beyond the production logos and the title. See more »
Going into this movie I had one wish: To leave feeling that it was a successful conclusion to a two-part film. Taking Reloaded/Revolutions as a single (very large) movie with an intermission is the best way to evaluate it. Viewed that way I think it succeeded. I thought Revolutions was the equal of Reloaded, yet I can see how many will think it failed. The ending gave us everything we needed to know, but did not show us all we wanted to see. I'm speaking of the last twenty minutes or so here. After a visually robust middle, in which I felt my eyes grow larger in their sockets more than once, the ending seemed like an anticlimax. It needed to be longer, and I would gladly have traded some of the fx flair used earlier to give the final part of the film it's justified due. It will be awhile before I can look at it more objectively (perhaps I'll have to wait to view the two parts as one on DVD). I only suggest now that anyone seeing it let it sink in completely before being too critical.
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