The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.
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Featured reviews
We gorge on the binaries prophesied once again, through an ever increasing bandwidth, as we exponentially widen our dietary desire to become what everyone wants us to be without thought for who or what we really are or could be.
And in the end it all comes down to difference and a right to choose.
And in the end it all comes down to difference and a right to choose.
It is hard to believe that the original Matrix's philosophical subtlety came from the same authors of the two sequels.
It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.
One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!
Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.
I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.
All in all, the Matrix is just a retread of the movie TRON. TRON at least had some insight into what the machine mindset and motivation for domination might be, e.g. tyrannical game addiction, much like the decadent Roman emperors. The Matrix, after the first film, gives no thought to any subtle motivations of the machine culture, preferring the tired cliché of 'alien villain = mindless unrelenting violence'.
It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.
One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!
Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.
I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.
All in all, the Matrix is just a retread of the movie TRON. TRON at least had some insight into what the machine mindset and motivation for domination might be, e.g. tyrannical game addiction, much like the decadent Roman emperors. The Matrix, after the first film, gives no thought to any subtle motivations of the machine culture, preferring the tired cliché of 'alien villain = mindless unrelenting violence'.
The Matrix Revolutions (2003) is very underrated trilogy of the mythology to understand. I know for a lot of people is not that good and it is terrible movie to watch. The first time I watch it, I couldn't finish it because I did not understand it and I felt bored with the movie. The second time I kept watching I just enjoyed the movie and I wanted to know more, what will happen next. I think the movie end perfectly the trilogy, tough it did lack on a story and on the action, there very barely in it, that it was in the original and the second movie. It is one of my personal favorite Keanu Reeves movies amd I love this movie to death I don't care what anyone says.
The movie it self's focus more on the humans and the battles against the machines on the planet Zion, more than they are in the phone line of Matrix. I think this was a brilliant end to a brilliant trilogy. If you didn't understand what the matrix was by the end of the film, then you're never going to get it!
Many viewers preferred Revolutions to Reloaded, thinking it was a simpler, more straight-ahead action movie. Though it may have appeared that way, nothing could be further from the truth. Revolutions was a mind-blowing layered ending that honored and respected the plot threads and themes introduced in the first two movies. The character arcs were satisfying and true to the characters introduced in The Matrix. The creators continued to challenge our understanding of the Matrix and its purpose, avoiding the temptation to serve us a bunch of "their" answers on a platter. That, to us, would have been a sellout of the vision they've been constructing, and wouldn't have been fair to us. Nor would it have been true to the spirit of the previous movies - they've never told us what things meant, they've only shown us the door.
Everything that has a beginning has an end. In this explosive final chapter of the Matrix trilogy, Neo, Morpheus and Trinity battle to defend Zion, the last real-world city, against the onslaught of the machines that have enslaved the human race. And, now as Neo learns more about his heroic powers--including the ability to see the codes of things and the people, he faces the consequences of the choice made in The Matrix Reloaded. For Neo, that means going where no human has dared - into the heart of Machine City and into a cataclysmic showdown with the exponentially more powerful renegade program Smith. The revolution is now: The Matrix Revolutions.
I wish they made more films about the Matrix. The fighting, story and the conspiracy theories that emerged from these movies created a new world for millions of people out there. Some of the conspiracy theories even created a new "religion", the CGI was at the time freaking impressive, the fighting in slow-mo were even more epic and the story itself captured a lot of hearts. Just saying to all who think this movie (and/or the first two) sucked balls,- you are a minority. Movie is great, second one being the best in the trilogy. It is my second favorite film in the trilogy because it ends the story and answers what happened with Neo (Keanu Reeves), he saved Whole planet and defeat Smith (Hugo Weaving) on the end of the movie. This movie may not be the best in storyline, but hell it knows how to make action! That end fight and emotional ending leaving behind a plot for sequel ...Second really expanded the meaning of matrix and the whole idea so I don't understand the hate.
There is a lot of memorable moments the Smith vs Neo climax rain scene is one of my favorite movies scenes of all time. Anyway I love this movie it is not good as the greatest or the best movie or that good, but it is still a worthy sequel to watch and a good end to the trilogy. It is one of my personal Keanue Reeves favorite movies and I love this movie to death. I am giving this 9/10 and only because one of the characters dies in this movie not telling which one.
The movie it self's focus more on the humans and the battles against the machines on the planet Zion, more than they are in the phone line of Matrix. I think this was a brilliant end to a brilliant trilogy. If you didn't understand what the matrix was by the end of the film, then you're never going to get it!
Many viewers preferred Revolutions to Reloaded, thinking it was a simpler, more straight-ahead action movie. Though it may have appeared that way, nothing could be further from the truth. Revolutions was a mind-blowing layered ending that honored and respected the plot threads and themes introduced in the first two movies. The character arcs were satisfying and true to the characters introduced in The Matrix. The creators continued to challenge our understanding of the Matrix and its purpose, avoiding the temptation to serve us a bunch of "their" answers on a platter. That, to us, would have been a sellout of the vision they've been constructing, and wouldn't have been fair to us. Nor would it have been true to the spirit of the previous movies - they've never told us what things meant, they've only shown us the door.
Everything that has a beginning has an end. In this explosive final chapter of the Matrix trilogy, Neo, Morpheus and Trinity battle to defend Zion, the last real-world city, against the onslaught of the machines that have enslaved the human race. And, now as Neo learns more about his heroic powers--including the ability to see the codes of things and the people, he faces the consequences of the choice made in The Matrix Reloaded. For Neo, that means going where no human has dared - into the heart of Machine City and into a cataclysmic showdown with the exponentially more powerful renegade program Smith. The revolution is now: The Matrix Revolutions.
I wish they made more films about the Matrix. The fighting, story and the conspiracy theories that emerged from these movies created a new world for millions of people out there. Some of the conspiracy theories even created a new "religion", the CGI was at the time freaking impressive, the fighting in slow-mo were even more epic and the story itself captured a lot of hearts. Just saying to all who think this movie (and/or the first two) sucked balls,- you are a minority. Movie is great, second one being the best in the trilogy. It is my second favorite film in the trilogy because it ends the story and answers what happened with Neo (Keanu Reeves), he saved Whole planet and defeat Smith (Hugo Weaving) on the end of the movie. This movie may not be the best in storyline, but hell it knows how to make action! That end fight and emotional ending leaving behind a plot for sequel ...Second really expanded the meaning of matrix and the whole idea so I don't understand the hate.
There is a lot of memorable moments the Smith vs Neo climax rain scene is one of my favorite movies scenes of all time. Anyway I love this movie it is not good as the greatest or the best movie or that good, but it is still a worthy sequel to watch and a good end to the trilogy. It is one of my personal Keanue Reeves favorite movies and I love this movie to death. I am giving this 9/10 and only because one of the characters dies in this movie not telling which one.
'The Matrix Revolutions' is the much-anticipated conclusion to the Wachowski Brothers' cultic sci-fi trilogy, whose previous entries were 'The Matrix' and 'The Matrix Reloaded.' In the series' final installment, the messiah figure, Neo, does battle with the diabolical forces that have imprisoned most of humanity in a world of cyber unreality via a massive computer program known as The Matrix.
Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.
It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.
Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.
Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.
It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.
Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.
...that this film is not getting the credit it deserves. It is in my opinion one of the most underrated films of all time along with The Matrix Reloaded. Revolutions is undoubtedly different from the previous films both in general and in terms of tone but why is that necessarily a bad thing? I won't be so arrogant as to say that the people who don't like this film are unintelligent. Whether or not people like a film or not is a subjective matter but I can't help feeling that the people who dislike (or even hate) this film are missing something because Revolutions is an intelligent, entertaining, beautiful, sad and moving picture.
The acting of all three films have been a mixed bag and although I usually join in the bashing of Keanu Reeves I find him strangely fitting for the part of Neo. His voice is not the perfect voice due to its monotonous tone but his body language is very good and sometimes even great and that is the case in Revolutions as well. Carrie-Anne Moss plays her character like she did in film two and that is neither particularly good or bad but a decent performance. Laurence Fishbourne's character has been reduced somewhat for the final part of the series but I found that the lines he did have were delivered with conviction and experience. As most people know Gloria Foster died before finishing her scenes for Revolutions and thus a different actress was cast to take over. The choice fell on Mary Alice and while she is no where near as good as Foster she is decent enough. Ian Bliss gets a chance to show his worth in the third film and personally I found his scenes to be among the most interesting of the film and his uncanny imitation of Weaving was spot on. Most of the secondary cast from Reloaded returns in their parts in Revolutions and they all do decent jobs with their characters. Harry J. Lennix (Lock) improved his character tremendously in spite of limited screen time. Hugo Weaving still provides the best acting in the film and steals every one of his regrettably limited number of scenes. He is probably my all time favorite screen bad guy. He manages to show the change in his character remarkably well considering how limited his screen time is. Agent Smith exhibits an increasing amount of human traits including anger, hatred, jealousy and even a sly sense of humor. This change happens to mirror Neo's growing understanding of the machines. Neo and Smith are linked in that way as well.
The effects are of course extraordinary which was to be expected after the stellar effects in the second film. Although there weren't as many scenes inside The Matrix this time around I still found the effects of the "real" world to be awe inspiring at the least and the battle for Zion was an incredible display of special effects. Of course the directors never lost sight of the people involved in the battle making it more tense had it only been effects. The climactic battle between Neo and Smith is quite simply stunning. It takes roughly 15 minutes and I for one hardly breathed in those 15 minutes. All three Matrix films have been inspired by Japanese animé comics and that is very visible in the final battle as one can't help but think of Dragonball for instance. The action in that particular scene is frighteningly well done and I got the chills when I watched it in the cinema. Very well done.
The story is darker in this film than in either of the previous films but that is to be expected as the first film was about birth and the second about life. Obviously that means that the third is about the inevitable end that must come to us all: Death. This does that the tone of the film becomes much darker and I felt that was good. This did that the film distanced itself from the previous films in the series and rather than become another rerun the film becomes its own entirely and that is both its weakness and its strength. I think it is its strength as it increases the originality of the film but apparently a lot of people didn't like the interpretation that the third film represents as is clear from the bashing the film has gotten from audiences and critics alike. The film does still have great symbolic value and you can interpret the film in a great number of ways like the previous films. For me this improves the film(s) greatly as you can watch it again and again and still find new things that will renew your interest.
Sadly I cannot make you love this film as much as I do because that would defeat the purpose of the film which is to make people think for themselves. My conclusion about Revolutions is that you will either love or you will hate it but in my opinion Revolutions is almost as good as the first one and one of the best films I have ever seen.
9/10 - On my top 10 of best films.
The acting of all three films have been a mixed bag and although I usually join in the bashing of Keanu Reeves I find him strangely fitting for the part of Neo. His voice is not the perfect voice due to its monotonous tone but his body language is very good and sometimes even great and that is the case in Revolutions as well. Carrie-Anne Moss plays her character like she did in film two and that is neither particularly good or bad but a decent performance. Laurence Fishbourne's character has been reduced somewhat for the final part of the series but I found that the lines he did have were delivered with conviction and experience. As most people know Gloria Foster died before finishing her scenes for Revolutions and thus a different actress was cast to take over. The choice fell on Mary Alice and while she is no where near as good as Foster she is decent enough. Ian Bliss gets a chance to show his worth in the third film and personally I found his scenes to be among the most interesting of the film and his uncanny imitation of Weaving was spot on. Most of the secondary cast from Reloaded returns in their parts in Revolutions and they all do decent jobs with their characters. Harry J. Lennix (Lock) improved his character tremendously in spite of limited screen time. Hugo Weaving still provides the best acting in the film and steals every one of his regrettably limited number of scenes. He is probably my all time favorite screen bad guy. He manages to show the change in his character remarkably well considering how limited his screen time is. Agent Smith exhibits an increasing amount of human traits including anger, hatred, jealousy and even a sly sense of humor. This change happens to mirror Neo's growing understanding of the machines. Neo and Smith are linked in that way as well.
The effects are of course extraordinary which was to be expected after the stellar effects in the second film. Although there weren't as many scenes inside The Matrix this time around I still found the effects of the "real" world to be awe inspiring at the least and the battle for Zion was an incredible display of special effects. Of course the directors never lost sight of the people involved in the battle making it more tense had it only been effects. The climactic battle between Neo and Smith is quite simply stunning. It takes roughly 15 minutes and I for one hardly breathed in those 15 minutes. All three Matrix films have been inspired by Japanese animé comics and that is very visible in the final battle as one can't help but think of Dragonball for instance. The action in that particular scene is frighteningly well done and I got the chills when I watched it in the cinema. Very well done.
The story is darker in this film than in either of the previous films but that is to be expected as the first film was about birth and the second about life. Obviously that means that the third is about the inevitable end that must come to us all: Death. This does that the tone of the film becomes much darker and I felt that was good. This did that the film distanced itself from the previous films in the series and rather than become another rerun the film becomes its own entirely and that is both its weakness and its strength. I think it is its strength as it increases the originality of the film but apparently a lot of people didn't like the interpretation that the third film represents as is clear from the bashing the film has gotten from audiences and critics alike. The film does still have great symbolic value and you can interpret the film in a great number of ways like the previous films. For me this improves the film(s) greatly as you can watch it again and again and still find new things that will renew your interest.
Sadly I cannot make you love this film as much as I do because that would defeat the purpose of the film which is to make people think for themselves. My conclusion about Revolutions is that you will either love or you will hate it but in my opinion Revolutions is almost as good as the first one and one of the best films I have ever seen.
9/10 - On my top 10 of best films.
Did you know
- TriviaThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of The Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- GoofsWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Quotes
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Crazy creditsThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Alternate versionsWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnectionsEdited into The Matrix: Path of Neo (2005)
- SoundtracksThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Matrix: Revoluciones
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $139,313,948
- Opening weekend US & Canada
- $48,475,154
- Nov 9, 2003
- Gross worldwide
- $427,344,325
- Runtime2 hours 9 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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