Fifteen years after the events of The Boys of St. Vincent took place, the various boys involved are brought in to testify against the brothers, now finally standing trial, who assaulted ... See full summary »
THIS SPECIAL FRIENDSHIP tells of the tender relationship between a twelve-year-old boy and the upperclass man who is the object of his desire. All set in the rigid atmosphere of a ... See full summary »
Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
The two brothers Aske (17 years old) and Bastian (12 years old) live with their father, Lasse. Their mother died seven years earlier. Every day they live in a world where fear, violence and... See full summary »
Christopher Friis Jensen,
A woman is reunited with her kidnapped son after five years, but sadly she finds out that he has a near-infantile mindset and apparent mental problems. Will she give up on Andrew, or try to help him work through the abuse he suffered?
Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own.Written by
Sujit R. Varma
Brian Cox took the part of Big John Harrigan against the advice of most of his colleagues and his agent. See more »
When Marty parks his car to confront Howie and Gary in the parking lot, he obviously parks it in a vacant lot (no other cars are around). However, when he returns to his car a few moments later, several cars have now appeared in the parking lot although there hasn't been time for them to arrive and park. See more »
L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
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The uncut version (originally rated NC-17) is available on DVD. It features a longer sex scene near the beginning. See more »
I Can't Give You Anything But Love
Lyrics by Dorothy Fields and music by Jimmy McHugh
Performed by Tom "Wolf" Morrell
Courtesy of Western Jubilee Recording Company, LLC
Shanachie Entertainment Corporation See more »
This is a great little film about consequences. Howie is a typically confused but bright middle class kid with a one dimensional father and lug-nuts for friends. This film explores the soft underbelly of middle class Long Island, as well as the consequences that are borne as a result. Howie's explorations for attention lead him dangerously close to a pedophile who is more than willing to play "dad" to the affection starved teen. The low-budget aspects of this movie are not distracting, and though the subject matter is raw, the scenes are handled with taste. The film is kept honest through some thoughtful provocation, and the audience is kept honest as well. This film should be seen by parents of teens, and especially seen by anyone who is a father.
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