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Gianni Da Campo
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Truls Krane Meby
Anders T. Andersen,
Aske (17) and Bastian's (12) mother died in a traffic accident seven years earlier while trying to save Aske from a rape by a friend of her husband's. The two brothers live with their ... See full summary »
Christopher Friis Jensen,
Martin (14) is forced to deal with confused sexuality and the loss of a mother in a provincial setting in the mid-seventies, where the famed Danish liberation of porn has had its influence on the grownups.
Niels Arden Oplev
Anders W. Berthelsen,
Sidse Babett Knudsen
Fifteen-year-old Howie loses just about everything and everyone in the space of a single week, but ends up finding himself in the process. His mother has just died. His father, a building contractor, can barely keep tabs on his young girlfriend, let alone his own son. Thusly, the teen must navigate his adolescence virtually unsupervised. Floating towards an ill-behaved existence, Howie and his crowd begin robbing houses in the middle-class neighborhoods off the Long Island Expressway. Together, he and his best friend Gary break into a place belonging to an old guy named Big John, a local man who is a respected pillar of the community. When Big John fingers Gary for the crime, Howie learns that his pal has been leading a secret, dangerous but also alluring double life. Subsequently, we also discover that Big John has secrets of his own.Written by
Sujit R. Varma
L.I.E. Long Island Expressway. You got the lanes going east, and you got the lanes going west. And you also got the lanes going straight to hell. Lot of people died on it. Harry Chapin, Alan Pakula, the movie director. You probably heard of them. But you never heard of Sylvia Blitzer, my mom. She died on a crash on Exit 52. I really miss her. It's taken a lot of people and I hope it doesn't get me.
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The uncut version (originally rated NC-17) is available on DVD. It features a longer sex scene near the beginning. See more »
This is a great little film about consequences. Howie is a typically confused but bright middle class kid with a one dimensional father and lug-nuts for friends. This film explores the soft underbelly of middle class Long Island, as well as the consequences that are borne as a result. Howie's explorations for attention lead him dangerously close to a pedophile who is more than willing to play "dad" to the affection starved teen. The low-budget aspects of this movie are not distracting, and though the subject matter is raw, the scenes are handled with taste. The film is kept honest through some thoughtful provocation, and the audience is kept honest as well. This film should be seen by parents of teens, and especially seen by anyone who is a father.
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