| Cast overview, first billed only: | |||
| Adrian Grenier | ... | Alan Jensen | |
| Sarah Michelle Gellar | ... | Cindy Bandolini | |
| Joey Lauren Adams | ... | Chesney Cort | |
| Eric Stoltz | ... | Teddy Carter | |
| Rebecca Gayheart | ... | Kelly Morgan | |
| Gianni Russo | ... | Andrew Bandolini | |
| Ray Allen | ... | Marcus Blake | |
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Mike Vetere | ... | Russell (as Michael Aparo) |
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Scottie Epstein | ... | Mario |
| John Neville | ... | Dr. Reese | |
| Polly Shannon | ... | Juliet | |
| Phillip Jarrett | ... | Coach Preston | |
| Adam Bloch | ... | Kenner | |
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Lauren Collis | ... | Connie |
| Landy Cannon | ... | Butch | |
College has always been a time for experimentation, sexual, cultural and otherwise. "Harvard Man" plays out against a background of love, sex, basketball, crime and experimentation. Action and philosophy in young people's quest to discover their true identity. Written by Anonymous
It's a pity Toback doesn't do more directing as 2 of his previous films, "Fingers" and "The Gambler" were, in my opinion, definitive works on the conflict experienced by intelligent, driven characters, whose fatal flaw is gambling. In Fingers, Harvey Keitel auditioned as a concert pianist at Carnegie Hall, moments after collecting a past due debt for his bookmaker father. In "The Gambler" James Caan is a Philosophy Professor at Columbia, who loses so much betting football, that he must steal from his mother and convince one of his students to shave points during a basketball game. "Harvard Man" takes facets of these previous films, entwines them in sex and hallucinagenic drugs and the result is an exceptional film. The contrasts throughout the film are many and exist on a variety of levels, as is the film's musical score, which consists of works by Bach played concurrently with Hip Hop. The last third of the film is a combination of sex, drugs, rock n roll, gambling and gangsters, which even though somewhat flawed, puts a finishing touch on Toback's most challenging film.