| Cast overview, first billed only: | |||
| Charlotte Rampling | ... | Marie Drillon | |
| Bruno Cremer | ... | Jean Drillon | |
| Jacques Nolot | ... | Vincent | |
| Alexandra Stewart | ... | Amanda | |
| Pierre Vernier | ... | Gérard | |
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Andrée Tainsy | ... | Suzanne |
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Maya Gaugler | ... | German woman |
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Damien Abbou | ... | Chief lifeguard |
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David Portugais | ... | Young lifeguard |
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Pierre Soubestre | ... | Policeman |
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Agathe Teyssier | ... | In charge of luxury store |
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Laurence Martin | ... | Apartment seller |
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Jean-François Lapalus | ... | Paris doctor |
| Laurence Mercier | ... | Paris doctor's secretary | |
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Fabienne Luchetti | ... | Pharmacist |
Marie, a professor of English literature in a Paris university, has been happily married to Jean for 25 years, although they have no children. During their summer vacations in the southwest of France, Jean leaves Marie sunbathing on the beach and goes to swim in the sea. When Marie turns back, she cannot find Jean. Has he left her? commited suicide? drowned? With no clue and no body to mourn over, Marie acts as her husband was still alive. Written by Loic Henry-Greard
Mental illness as a lifestyle option seems to be the theme of this work. Very potent in examining the reality and meaning of loss and acceptance (or lack thereof). The always captivating Charlotte, (great to see Dirk Bogarde's little girl all growed up) looking elegant as a woman of a certain age in a very Anglo-Parisian sheath dress-wearing kind of way, is wonderful in her ability to convey contained confusion struggling to make sense of a pain too great to bear. Also noteworthy, stylistically, is a rare instance of unease being effectively evoked in spite of sunlit sets and daytime outdoor shots. No doom and gloom here, she gets to suffer in the light of day. A film that will remain with the moviegoer long after viewing because of its painful emotions and its visually powerful final shot.