A Photographer has a single evening to find ten magical photographs or else he stands to lose everything that is important to him.A Photographer has a single evening to find ten magical photographs or else he stands to lose everything that is important to him.A Photographer has a single evening to find ten magical photographs or else he stands to lose everything that is important to him.
IMDb RATING
5.1/10
329
YOUR RATING
- Awards
- 1 win & 1 nomination
Joseph Mosso
- Officer #1as Officer #1
- (as Joe Mosso)
Michael Shannon
- Mauriceas Maurice
- (as Mike Shannon)
Chris Bauer
- Paulas Paul
- (as Christopher Bauer)
- Director
- Writer
- All cast & crew
Storyline
A year after becoming the toast of New York City's art scene, photographer Max Martin has lost his ability to take a decent picture. On the night before his make-or-break gallery opening, surrounded by the trappings of success but devoid of inspiration, Max embarks on a bizarre trek through the city in search of ten mysterious photographs that could save his career. Shot in brilliant color and dramatic black and white, first-time director Jeremy Stein's industrial New York City is a wonderland, roamed by witches and magical creatures, where survival hinges on the completion of a simple quest. Accompanied by an unlikely crew of strangers he meets along the way, Max trips through a modern-day Oz and rediscovers the easily forgotten value of seeing magic reflected in everyday life. —<stein80@aol.com>
- Genres
- Motion Picture Rating (MPAA)
- Rated R for language and brief drug use
- Parents guide
Did you know
- TriviaThe photographs seen in the movie are from the series "HOMELESS: Portraits of Americans in Hard Times". They were taken by Howard Schatz.
- SoundtracksMidbar Sinai
Performed by Angel Tears
Written by Momi Ochion
Courtesy of LoveCat Music
Published by Big Tiger Music (BMI)
Top review
Poor Execution of a Potentially Good Premise
Jeremey Stein's maladroit "The Photographer" is one of those films that has an uneven balance of good and bad qualities where the bad outweigh the good. This is a film filled with some lyrical magic, but the direction is just so inept. "The Photographer" feels shallow, although the characters are relatively well-written and the story is thorough. When the film should draw you in, it turns you off with a constant feel of unintentional silliness. Stein should consider choosing a director for his scripts.
"The Photographer" is something of a modern day fairy tale about a, you guessed it, photographer who luckily finds success with a collection of beautiful stills that make him eminent. A year later, he looks through the art he has preserved for his follow-up and finds that it is all less than satisfactory. Later he goes to a bar only to find gorgeous photographs sitting next to him, belonging to a strange man he had been speaking with. Then he helps a man being mugged on the street, gets knocked unconcious, finds his pictures are gone as well as the parts of his car. He begins a late night journey to find the missing stills.
The problems arise when more and more and more unappealing characters join him on his quest. They are all ultimately annoying in their own ways, irritating, distracting and fatally pointless. For some it's the acting, but others just a bland feel of nothingness. Not even Maggie Gyllenhaal can save the dorkiest of characters.
The long night isn't terribly paced or aimless, it's just where it ends up. The film has an all too Hollywood conclusion not seen in many indie films these days. I liked some of the style used in this film, like cleverly placed clocks seen as the night goes on and a fun use of yellow, but the the bad qualities fastly eat away at a potentially good premise.
There are better films in this sub-genre. I would not reccomend watching "The Photographer" even if the premise is as intriguing to you as it was to me. I would recommend the other films, like John Shear's "Urbania" or Kubrick's "Eyes Wide Shut".
"The Photographer" is something of a modern day fairy tale about a, you guessed it, photographer who luckily finds success with a collection of beautiful stills that make him eminent. A year later, he looks through the art he has preserved for his follow-up and finds that it is all less than satisfactory. Later he goes to a bar only to find gorgeous photographs sitting next to him, belonging to a strange man he had been speaking with. Then he helps a man being mugged on the street, gets knocked unconcious, finds his pictures are gone as well as the parts of his car. He begins a late night journey to find the missing stills.
The problems arise when more and more and more unappealing characters join him on his quest. They are all ultimately annoying in their own ways, irritating, distracting and fatally pointless. For some it's the acting, but others just a bland feel of nothingness. Not even Maggie Gyllenhaal can save the dorkiest of characters.
The long night isn't terribly paced or aimless, it's just where it ends up. The film has an all too Hollywood conclusion not seen in many indie films these days. I liked some of the style used in this film, like cleverly placed clocks seen as the night goes on and a fun use of yellow, but the the bad qualities fastly eat away at a potentially good premise.
There are better films in this sub-genre. I would not reccomend watching "The Photographer" even if the premise is as intriguing to you as it was to me. I would recommend the other films, like John Shear's "Urbania" or Kubrick's "Eyes Wide Shut".
helpful•24
- Nick_Dets
- Jul 23, 2003
Details
- Release date
- Country of origin
- Language
- Also known as
- O fotografos
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
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