Johnny Graham, raised by the Torino crime family after the death of his parents, is repeatedly torn between loyalty to his adoptive family and his conscience. When Anthony Torino, the ... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
Samuel Peters once an ordinary man, dabbles within the laws of voodoo to bring his wife back from the grave, he soon encounters the God of malevolence 'Kalfu', where he makes a pact with ... See full summary »
After a tied 1st place in a local stunt race, two drivers start a contest to decide who of them will own the prize, a dune buggy. But when a mobster destroys the car, they are determined to get it back.
A headstrong animal-rights activist group plans a raid on a bio-tech company to stop the cruelty. They discover the true nature of the experiments that are really taking place. As they ... See full summary »
The mortician is a lone-wolf, emotionally cold and distant to the outside world and it's inhabitants. But then a boy shows up at his doorstep after witnessing his mother's murder and his world of solitude is turned upside down.
This almost monumental film by Pupi Avati boosts beautiful locations, convincing protagonists (especially Thomas Kretschmann and Raoul Bova) and a very interesting take on the age-old legend of Jesus Christ's shroud (it's a catholic movie in a way, but it wasn't bothersome for me at all although I'm not a religious person). Even though the film has its fantasy elements, it's rather a pseudo-historical movie about the medieval age, convincingly depicting the possible conditions of living at that time. The few battle scenes are quite graphic (which could irritate average fantasy and historical drama fans), but only depict how atrocious violence is and what effects it has on victims (which should be shown in every film where violence happens!).
Although the movie runs over 140 minutes, it never becomes boring and constantly keeps the viewer interested. Riz Ortolani's score is wonderfully pompous and matches the heroic quest of the title's knights. The only flaw probably is that in the English language version, there are some small characters that talk so muddled one can hardly understand them.
All in all a pleasing experience (the climax is quite dark, though), and it's cool that the movie distinguishes itself from the usual pseudo-historical fodder that is just pompous and delivers no surprises.
6 of 8 people found this review helpful.
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