It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl witnesses tragedy as her ayah (nanny) is caught between the love of two men and the rising tide of political and religious violence.
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
The movie tells the story of the bandit queen Phoolan Devi who was sent to prison in 1983 and got free in 1994. During five years she was prosecuted by the Indian police and turned into a ... See full summary »
Says Noemi Weis, President of Filmblanc: "Deepa Mehta is a master of the exposé. As a documentary director, she has elevated the issue of domestic violence in such a way that we can no ... See full summary »
23-year-old Nikhil comes to Canada from India to find his fortune and is convinced by his uncle to work as a companion and care-giver to Sam, an elderly Jewish man. An unlikely friendship ensues, which gives both men new insight into life.
Four friends (Luke, Murgi, Joy and Pondy) wasted by youth and self destruction play together in a band along with a fifth female member (Shiuli). Luke the lead singer and self-imposed ... See full summary »
Kay Kay Menon,
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all?Written by
Was shot back to back in both Hindi and English. Only the Hindi Version was released in theaters, but the English version can be seen on the 2-Disc Special Edition DVD set. See more »
Kalyani's dog appears older in the scene in which it escapes than the next time it is shown. See more »
'Learn to live like the lotus untouched by the filthy water it grows in.' Krishnaji said it in the Geeta
Krishna was a god. Not everyone can live like the lotus flower.
Yes, they can.
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In addition to the Hindi language version, an English language version was also shot (back-to-back). See more »
I just wanted to say that the symbolism of water in this movie was incredible. There was rain and rivers as well as drinking water. You could really specify that it was in terms to purify the characters and wash away negativities that they had lived through. Water was really a wonderful movie by my favorite director of all time, Deepa Mehta. She is honestly brilliant and I was amazed by the beauty and cinematography of this movie. It surpassed that of any other movie shes done and it shows. However, I believe that Deepa Mehta really drew a lot of lines in the script because it was not her familiar work. Her first movie in the trilogy, Fire, was very controversial because she did not censor it at all. You can really tell that she took out some parts from fear of the idiotic fundamentalists and political parties. Though she did that, it still had a meaninful moral that was gracious and the entire movie really was a refreshing burst of water.
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