It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl witnesses tragedy as her ayah (nanny) is caught between the love of two men and the rising tide of political and religious violence.
The movie tells the story of the bandit queen Phoolan Devi who was sent to prison in 1983 and got free in 1994. During five years she was prosecuted by the Indian police and turned into a ... See full summary »
Says Noemi Weis, President of Filmblanc: "Deepa Mehta is a master of the exposé. As a documentary director, she has elevated the issue of domestic violence in such a way that we can no ... See full summary »
The boy Krishna is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he ... See full summary »
Four friends (Luke, Murgi, Joy and Pondy) wasted by youth and self destruction play together in a band along with a fifth female member (Shiuli). Luke the lead singer and self-imposed ... See full summary »
Kay Kay Menon,
A thesis picture. In 1938, Gandhi's party is making inroads in women's rights. Chuyia, a child already married but living with her parents, becomes a widow. By tradition, she is unceremoniously left at a bare and impoverished widows' ashram, beside the Ganges during monsoon season. The ashram's leader pimps out Kalyani, a young and beautiful widow, for household funds. Narayan, a follower of Gandhi, falls in love with her. Can she break with tradition and religious teaching to marry him? The ashram's moral center is Shakuntala, deeply religious but conflicted about her fate. Can she protect Kalyani or Chuyia? Amid all this water, is rebirth possible or does tradition drown all?Written by
Shooting was disrupted by extremist forces in 2000. See more »
In the scene when Chuiya is first running up the steps after Kaalu, she is barefoot. When the camera switches perspectives, she has a pair of sandals on. In the next frame, she is barefoot again. See more »
'Learn to live like the lotus untouched by the filthy water it grows in.' Krishnaji said it in the Geeta
Krishna was a god. Not everyone can live like the lotus flower.
Yes, they can.
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One of the most powerful movies I have ever seen! The actors were fearless. The story was honest, raw and moving. I feel changed by it. Deepa Mehta' created something out of love, vision and fearlessness and it shows. I was brought to tears by the end of the film, not because of pity for the characters but rather out of pride. Though the film deals with heavy issues the actors carried it with dignity. The script articulates the tragedy and hypocrisy these women must bare but it also illustrates the quiet revolution we must all experience in order to grow, in order to change. I have seen Earth, Fire and now Water and Mehta has done justice to all of them.
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