Sidewalks of New York (2001)
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- R
- 1h 48min
- Comedy, Romance
- 30 Nov 2001 (USA)
- Movie
The interlocking lives and loves of six New Yorkers.
Director:
Writer:
Photos and Videos
Cast verified as complete
| Penny Balfour | ... |
Young Hooker
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| Edward Burns | ... |
Tommy
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| Michael Leydon Campbell | ... |
Gio / Harry
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| Nadia Dajani | ... |
Hilary
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| Rosario Dawson | ... |
Maria
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| Kathleen Doyle | ... |
Katy
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| Dennis Farina | ... |
Carpo
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| Heather Graham | ... |
Annie
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Leah Gray | ... |
Dental Hygienist
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Timothy Jerome | ... |
Dr. Lance
(as Tim Jerome)
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| David Krumholtz | ... |
Ben
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| Libby Langdon | ... |
Make-up Girl
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Alicia Meer | ... |
Elevator Girl
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| Brittany Murphy | ... |
Ashley
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Ted Neustadt | ... |
Doctor
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| Callie Thorne | ... |
Sue
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| Stanley Tucci | ... |
Griffin
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| Aida Turturro | ... |
Shari
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| Rest of cast listed alphabetically: | |||
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Sara Colton | ... |
Fantasy woman (uncredited)
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| Jason Kirsch | ... |
Bartender (uncredited)
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| Brooke Marie Procida | ... |
Drunk Girl (uncredited)
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| Jennifer Yeager | ... |
Griffin's ex-wife (uncredited)
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Directed by
| Edward Burns | ||
Written by
| Edward Burns | ... | (written by) |
Produced by
| Margot Bridger | ... | producer |
| Brian Burns | ... | associate producer |
| Edward Burns | ... | producer |
| Aaron Lubin | ... | associate producer |
| Richard Patrick | ... | co-producer |
| Frank Prinzi | ... | co-producer |
| Cathy Schulman | ... | producer |
| Rick Yorn | ... | producer |
Cinematography by
| Frank Prinzi | ... | director of photography |
Editing by
| David Greenwald | ||
Editorial Department
| Don Ciana | ... | color timer |
| Stan Sztaba | ... | negative cutter: World Cinevision |
| Joe Violante | ... | dailies advisor |
| Kenneth Wachtel | ... | assistant editor |
| Patricia Sztaba | ... | negative cutter (uncredited) |
Casting By
| Ali Farrell | ||
| Laura Rosenthal | ||
Costume Design by
| Catherine Marie Thomas | ... | (as Catherine Thomas) |
Makeup Department
| Nicki Ledermann | ... | hair designer / makeup designer |
Production Management
| Jennifer Lane | ... | post-production supervisor |
| George Paaswell | ... | production supervisor |
| Richard Patrick | ... | unit production manager |
Second Unit Director or Assistant Director
| Richard Patrick | ... | first assistant director |
| Danielle Rigby | ... | second assistant director |
Art Department
| Elizabeth Schlitten | ... | prop master |
| Richard Tedesco | ... | product placement |
Sound Department
| Benjamin Cheah | ... | sound supervisor (as Ben Cheah) |
| Marko A. Costanzo | ... | foley artist (as Marko Costanzo) |
| Paul Koronkiewicz | ... | boom operator |
| George A. Lara | ... | foley supervisor |
| Skip Lievsay | ... | re-recording mixer |
| Marissa Littlefield | ... | adr editor |
| Kimberly R. McCord-Wilson | ... | dialogue editor (as Kimberly McCord) |
| Jamie Morris | ... | apprentice sound editor |
| Igor Nikolic | ... | assistant sound editor |
| Mathew Price | ... | production sound mixer |
| Paul Urmson | ... | sound effects editor |
| James Ziegler | ... | stereo sound consultant: Dolby |
| Jesse Ehredt | ... | sound recordist (uncredited) |
Camera and Electrical Department
| Paul Candrilli | ... | additional key grip |
| John Clifford | ... | still photographer |
| Fred Cohen | ... | best boy |
| Scott Fleischer | ... | lighting and grip equipment: Panavision New York |
| Andrew Priestley | ... | first assistant camera (as Andrew Priestly) |
| Kurt Rimmel | ... | key grip |
| Marc Rogers | ... | gaffer |
| Arthur Szefer | ... | second assistant camera |
Costume and Wardrobe Department
| Mickey Carleton | ... | wardrobe supervisor |
Location Management
| Christine Leaman | ... | location assistant |
| Stuart Nicolai | ... | additional assistant location manager |
| Diana Norwood | ... | location manager |
| Evan Perazzo | ... | assistant location manager |
Music Department
| Monica Ciafardini | ... | additional music clearances |
| Patrick Mullins | ... | music editor |
| Laura Ziffren | ... | music consultant |
| Aaron Kant | ... | musician: drums (uncredited) |
Script and Continuity Department
| Christine Gee | ... | script supervisor |
| Phil Rodowsky | ... | continuity and spotting |
| Todd Rodowsky | ... | continuity and spotting |
Transportation Department
| Jim Buckman | ... | transportation coordinator |
| Kerry Clark | ... | parking coordinator |
| Billy McFadden | ... | driver |
Additional Crew
| Leslie Angle | ... | assistant: Ms. Graham |
| Joshua A. Bell | ... | accountant |
| Andrea F. Cannistraci | ... | production legal services: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein LLP (as Andrea Cannistraci) |
| Armando Fente | ... | film conform assistant |
| Maria Goretti | ... | production intern |
| Delphine Hou | ... | production intern |
| Victoria Kuhne | ... | production intern |
| Rafael Lopez-Ivern | ... | production intern |
| Patrick McDonald | ... | craft service production assistant |
| Ross Miller | ... | production insurance: D.R. Reiff |
| Kip Myers | ... | production intern |
| Murphy Occhino | ... | set production assistant |
| Alexandra Raby | ... | assistant: Mr. Burns / production coordinator |
| Lisa Rico | ... | coordinator: Ms. Ziffren |
| Robert Stulberg | ... | legal services: Armstrong Hirsch Jackoway Tyerman & Wertheimer |
| Amy Sultan | ... | assistant: Avenger Entertainment |
| Maddy Ungar | ... | office assistant |
| Doug Webster | ... | set production assistant |
| Andrew Weisblum | ... | film conform assistant |
| Thomas Maxwell | ... | production assistant (uncredited) |
Thanks
| Cynthia Biamon | ... | thanks (as Cynthia Diamon) |
| Constantin Costa | ... | thanks (as Dr. Constantin Costa) |
| Kristy Fitts | ... | thanks (as Kristi Fitts) |
| Jere Hausfater | ... | thanks |
| Jud Hudgins | ... | thanks |
| Kevin Loew | ... | thanks |
| Colette Malouf | ... | thanks |
| Peter Muldavin | ... | thanks: Metro Weather Service |
| Paige Novick | ... | thanks |
| Karen Parvino | ... | thanks: Laminique |
| Benny Perkins | ... | thanks |
| Jim Price | ... | thanks |
| Gina Rankin | ... | thanks |
| Brad Slater | ... | thanks |
Production Companies
Distributors
- Paramount Classics (2001) (United States) (theatrical)
- Redbus Film Distribution (2001) (United Kingdom) (theatrical)
- Vértigo Films (2001) (Spain) (theatrical)
- Eagle Pictures (2002) (Italy) (theatrical)
- Kinowelt Filmverleih (2002) (Germany) (theatrical)
- Mars Distribution (2002) (France) (theatrical)
- Paramount Classics (2002) (Australia) (theatrical)
- Arthaus (2002) (Germany) (DVD) (and VHS)
- Egmont Entertainment (2002) (Finland) (DVD)
- Egmont Entertainment (2002) (Finland) (VHS)
- Paramount Classics (2003) (Japan) (theatrical)
- Buena Vista Pictures (Non-US)
- Europa Filmes (Brazil) (DVD)
- Europa Filmes (Brazil) (VHS)
- LK-TEL (Argentina) (VHS)
- Paramount Classics (Canada)
- Paramount Classics (New Zealand)
- Paramount Home Entertainment
Special Effects
Other Companies
- Armstrong, Hirsch, Jackoway, Tyreman & Wertheimer (legal services)
- Atlantic Recording Corporation (album cover: "Led Zeppelin 1" courtesy of)
- Axium Entertainment Group (payroll services)
- Banana Republic (wardrobe: Heather Graham)
- Buena Vista Film Sales (thanks)
- C5 (sound post-production)
- Canali (wardrobe: Stanley Tucci)
- City of New York (thanks)
- Coast Council of I.A.T.S.E. (East) (thanks)
- Coast to Coast Catering (catering)
- Columbia Records (album covers: "Greetings from Asbury Park" and "Exile on Main Street" courtesy of)
- D.R. Reiff & Associates (production insurance)
- Directors Guild of America (DGA) (acknowledgement)
- Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (production legal services)
- Film Finances (bond company)
- Manhattan Audio Playground (audio synching)
- Manhattan Transfer (video dailies)
- New York Daily News (permission given for use of)
- New York Police Department (NYPD) (thanks)
- Newmarket Capital Group (production financing provided by)
- On-Core Productions (combined dialogue)
- Post Production Playground (dailies supervision)
- Redken (thanks)
- SAG-AFTRA (thanks)
- T.H.E. Tools (avid post-production facilities)
- The New York City Mayor's Office of Film, Theatre & Broadcasting (thanks)
- World Cinevision Services (negative cutting)
- Writers Guild of America (WGA) (acknowledgement)
Storyline
| Plot Summary |
Six New Yorkers have an interrelated series of relationships. TV producer Tommy, who's just broken up with his girlfriend, has a short relationship with commitment-phobe Maria, who he meets in a video store, and also hooks up with married real-estate agent Annie, who he meets while apartment hunting. Annie is open to a relationship because her husband, Griffin, is cheating on her, which she slowly comes to realize through talking to her friend/co-worker who's gone through the same thing. Griffin, a 39-year-old dentist, is cheating with 19-year-old waitress Ashley, who he picked up in a park; she realizes she can do better when Ben, a hotel doorman and aspiring musician, tries to pick her up, in a belated attempt to recover from his divorce a year ago from schoolteacher Maria (the same Maria from the video store). Most of these relationships seem driven more by a desperate need to be in a relationship than actual love.
Written by Jon Reeves |
| Plot Keywords | |
| Taglines | In a city of 8 million people, what are the odds the perfect two will meet? See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $1,000,000 (estimated) |
| Opening Weekend United States | $545,132, 25 Nov 2001 |
Did You Know?
| Trivia | Was shot in only 17 days. See more » |
| Goofs | When Ben is sitting in the bathroom strumming his guitar, the chords change but the fingers of his left hand clearly do not. See more » |
| Movie Connections | Featured in Harry Potter and the Sorcerer's Stone/Heist/Shallow Hal/Maze (2001). See more » |
| Soundtracks | When You Sleep See more » |
| Crazy Credits | MADE WITH PRIDE IN THE U.S.A. See more » |
| Quotes |
Carpo:
I'm going to tell you something, I'm speaking from experience here. I am about the biggest dog there is. But it is not a good idea to fool around with married women. It's bad karma, kid. See more » |