Sidewalks of New York (2001)

The interlocking lives and loves of six New Yorkers.

Director:

Edward Burns

Writer:

Edward Burns

Stars:

Edward Burns, Heather Graham, Penny Balfour

Cast

Cast overview, first billed only:
Penny Balfour	...	Young Hooker
Edward Burns	...	Tommy
Michael Leydon Campbell	...	Gio / Harry
Nadia Dajani	...	Hilary
Rosario Dawson	...	Maria
Kathleen Doyle	...	Katy
Dennis Farina	...	Carpo
Heather Graham	...	Annie
Leah Gray	...	Dental Hygienist
Timothy Jerome	...	Dr. Lance (as Tim Jerome)
David Krumholtz	...	Ben
Libby Langdon	...	Make-up Girl
Alicia Meer	...	Elevator Girl
Brittany Murphy	...	Ashley
Ted Neustadt	...	Doctor

Storyline

Six New Yorkers have an interrelated series of relationships. TV producer Tommy, who's just broken up with his girlfriend, has a short relationship with commitment-phobe Maria, who he meets in a video store, and also hooks up with married real-estate agent Annie, who he meets while apartment hunting. Annie is open to a relationship because her husband, Griffin, is cheating on her, which she slowly comes to realize through talking to her friend/co-worker who's gone through the same thing. Griffin, a 39-year-old dentist, is cheating with 19-year-old waitress Ashley, who he picked up in a park; she realizes she can do better when Ben, a hotel doorman and aspiring musician, tries to pick her up, in a belated attempt to recover from his divorce a year ago from schoolteacher Maria (the same Maria from the video store). Most of these relationships seem driven more by a desperate need to be in a relationship than actual love.

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Plot Keywords:

date | love interest | sexual intercourse | casual sex | kiss | 

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Taglines:

In A City Of 8 Million People - What Are The Chances Of Meeting The Right One?

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Genres:

Comedy | Romance

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Motion Picture Rating (MPAA)

Rated R for sexual content and language

Details

Country:

USA

Language:

English

Release Date:

30 November 2001 (USA)

Also Known As:

Sidewalks of New York

Filming Locations:

New York, USA

Box Office

Budget:

$1,000,000 (estimated)

Opening Weekend USA:

$545,132, 25 November 2001

Gross USA:

$2,402,652

Cumulative Worldwide Gross:

$3,520,373

Company Credits

Production Co:

Artists Production Group (APG), Marlboro Road Gang Productions, Newmarket Capital Group

Technical Specs

Runtime:

108 min

Sound Mix:

Dolby SR

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The painting in Tommy's (Edward Burns) home office is of the house Ed Burns grew up in on Long Island.

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Goofs

When Ben is sitting in the bathroom strumming his guitar, the chords change but the fingers of his left hand clearly do not.

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Quotes

Carpo: I'm going to tell you something. I'm going to talk to you like a son. Chicks don't brush guys off. Guys brush chicks off. It's just the way it works, Tommy.

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Crazy Credits

Thanks to Peter Muldavin and the staff at Metro Weather Service.

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Connections

Referenced in You Stupid Man (2002)

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Soundtracks

You Turn the Screws
Instrumental - John McCrea (as J. McCrea)
Stamen Music / EMI Blackwood Music Inc. (BMI)
Performed by Cake
Original version from the album "Prolonging the Magic"
Capricorn Records, L.L.C.

User Reviews

Interesting, but fell a little short

Like many other commentators here, I got that Woody Allen feeling while watching this movie. "Sidewalks of New York" had some likeable and some dislikeable elements. It did provide plenty of interesting commentary on the rather sad state of modern relationships, but at the same time, this relationship banter included a preponderance of sex talk, to the point where I wanted to yell at half the characters, "All right, we get it! Stop whining already." The acting was fairly good, even from Heather Graham, surprisingly enough. Brittany Murphy, as well. The "documentary" feel, despite jittery camera shots, gave the film a refreshingly different atmosphere, that saved it from descending even farther into the depths of melodrama. My final complaint is one that I have about a lot of movies, so it isn't entirely specific to this one: Why New York? Why is it always New York? Of course, I understand the budget concern here, but the story would have worked in any city of appreciable size. Let me say, I would lay down my money at a theater if I knew a movie was set in a place such as Denver, St. Louis, Kansas City, Dallas, Atlanta, Chicago, Detroit, Seattle, or practically any city outside of L.A/S.F or the Boston-DC region. (For movies set in NYC, though, I liked "The Bone Collector" because it showed the seedy, older sides of the city, not just the glitzy Manhattan Skyline)