A fencing master in pre-revolution Spain is hired to teach fencing to a beautiful young woman. Although he has never taught a woman before, he is fascinated by her and agrees. She wishes to... See full summary »
Joaquim de Almeida
In this romantic drama featured at the Cannes Film Festival, a couple, Sophia and Daniel, find their passionate romance taking a shocking turn when they visit the Bulgarian seaside. As they... See full summary »
Thanks to the law of 1948 and to her grandmother, the nominal tenant who is always absent, Francesca Cigalone and all her tribe (thoughtless husband, orphan sister, self-centered film maker... See full summary »
When Jeff unexpectedly shows up on Ben's doorstep at 2am, the two buddies immediately fall into each other's arms. Since their college days, they've taken very different paths. Jeff is ... See full summary »
Francis and Claudia are good friends . He is a lawyer, she is veterinary doctor. Among them there are no secrets , until John arrives. Claudia decides to marry him. Francis realizes that ... See full summary »
Fabio De Luigi,
Coy (Carmelo Gómez) está en Madrid, sin un duro. Pronto averiguaremos que es un marino que no puede navegar durante dos años. Al no tener dinero, se va a ver una subasta pública de ... See full synopsis »
Javier García Gallego,
Flamenco Film Noir, with stars in front and behind the camera
With two actors from the world of glamour, Dance-hero Joaquin Cortes and super-model Laetitia Casta (not a Miss France but Madama Marianne) you'll wonder what this film will turn out to be.
A Film Noir is nothing more than a chain of clichés which might become a string of pearls. In this case the chain is of 24 karat gold.
The cinematographer, Hans Burmann, is great with light, using it crude and clever, creative and beautiful. And the camera-movements (crane-shots; steadycam) are a delight. It gives something extra to the already beautiful locations and sets of Anton Laguna. The editing is nicely nervous and the story is thin but swift, with some nice touches. Atmosphere is everywhere and that must be the work of director Manuel Palacios.
There is a lot of music in this film (Tomatito for instance, and Rosario and many others). Too much? Well, in the culture GITANO portrays, music is a last stronghold, an anchor with perhaps a chain that's an inch too short... Beautiful & warm-blooded entertainment.
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