Sensitive, somewhat effeminate farm-boy Duncan Mudge can barely cope with grim, since Ma's death even gloomier father Edgar's manly expectations, and seeks comfort in petting a chicken he ... See full summary »
In mid-1970s Savannah, two bright but rebellious boys, Francis Doyle and Tim Sullivan, fight boredom, hormones and harsh teachers as they struggle to find something meaningful beyond the walls of their parish school. Francis, an exceptional artist whose imaginative forays into a fictional universe of good and evil fill his notebooks with comic-book imagery, creates a netherworld of superhero alter egos for the two boys. When the ultra-strict Sister Assumpta seizes their artwork one day, the boys embark upon an obsessed trail of revenge that ultimately changes their lives.Written by
Sujit R. Varma
An extended scene of Sister Assumpta and Father Casey erasing things from the school's books while the boys dangle the statue outside.
The scene where the newsie gives Francis and Tim the angel dust is longer. The original scene ends with the newsie smoking the pot and saying "Tastes like one, too." The new addition to the scene shows Francis and Tim actually taking the drug and we see the newsie's wife come out and try some too. The aftermath of their drug use is slightly longer (the spinning trees).
Tim tells Francis angel dust is animal tranquilizer. Francis asks Tim why angel dust isn't called animal tranquilizer to which Tim responds, "They probably wanted people to try it. That's why they call them sisters and not permanent virgins."
Group of Catholic schoolboys in the mid-1970s are obsessed with comic books, girls, and wreaking havoc on their most hated teacher, Sister Assumpta (Jodie Foster, in a nun's habit, somewhat uneasily cast but still quite good). A surprisingly rich, rewarding film about adolescence puts other, more popular films in this genre to shame. The scruffy, nostalgic era is captured nicely, and the young players really shine. Spiked with wonderful animated sequences, the film failed to catch on with its target audience yet is otherwise intelligently crafted and often very moving. Foster also served as co-producer. *** from ****
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