Queen of the Damned

Centuries ago, Lestat grew weary of eternity alone and decided to go to sleep and hope that it would serve as a sort of death. The years turn to centuries and something changes to the point where Lestat decides to get up (well, after five more minutes maybe). The sound that awakens him is not the industrial revolution, not the invention of the engine nor world wars but a rather bland collection of heavy metal music. Seeing how their fans worship the musicians, Lestat becomes one, however his fame brings the attention of a group of paranormal investigators – in particular the curious Jesse. However Lestat's problems are not them but the other vampires who do not appreciate the publicity he has brought to their kind, not to mention the original Queen of the vampires, Akasha, who wishes to make Lestat her new king.

This film struggles because it opens with a silly idea (that Lestat only returns because of formulaic heavy metal music) that it cannot get over for the majority of the time because it just doesn't scan at all. With this as its main narrative thrust (it never gets away from it) it is no surprise to find that the film fails to engage on more than a "trashy movie" level. It provides enough in the way of entertainment to be watchable but only if you're in an undemanding mood because it doesn't have anything that interesting in it and is consistently just quite bland. It doesn't help that the film feels cheap in many areas. The special effects consist of a blurring effect whenever anyone moves and this gets old very, very quickly. The use of rather basic metal music also makes it feel cheap – I'm not sure why but it just doesn't work.

Not meaning to be unkind but you can't help feel the film is smaller when you compare this cast with the cast that were originally in "Interview". Townsend cannot help but send out low-rent vibes; he was enjoyable in League of Extraordinary Gentlemen but here he cannot carry the depth of the character (not that the script helps him out much) and he just does OK but nothing more. Aaliyah's death was a loss to the world of r'n'b but, on the basis of this film, she was no loss to the world of acting as she is terrible throughout. Behind a horrid accent, she seems to think that all she has to do is slink around the screen and, while that works in music videos, it is nowhere near enough for a film. In contrast Moreau is at least interesting even if her character makes no sense – she is sexy when she has to be but is also vulnerable at the same time. Perez is dull, Olin is underused and McGann just floats around the edges of the film.

Overall this is a pretty average film. If it is Saturday night and you are just looking for something brief and noisy to pass the time then this might do but there isn't really that much to it. A basic story based on an absurd idea is delivered with poor direction, low-rent actors and a lack of anything special in any aspect – very few viewers will be satisfied with this.

I had 3 hours to kill so I went to the nearest movie theatre and saw this movie. i was blown away by the beautiful (music video-like) artistry. I really hate scary movies, but this was focused more on the actual characters, rather then effects. the story played out like poetry, taking emotions of love, hate, and hope, and peace, to a whole new level, with characters that pull you in to their world.

I'm notorious among my loved ones for my love of movies that most people wouldn't like. I'm blessed with a gift to appreciate them, I guess. And I'm also blessed with the ability to take movies as totally separate from their book counterparts. Die hard Ann Rice fans might not like this movie because it slams two books (The Vampire Lestat and The Queen of the Damned) into one to make a relatively short film. So, obviously, a lot of the story was changed or left out. Which makes it understandable why some were upset. I mean, come on, Interview With the Vampire was over two hours long, and it was the movie version of just one book.

However, taken as it's own story, the movie is actually very good. Well, in my opinion. Stuart Townsend's portrayal of Lestat is wonderful. And it doesn't hurt that he takes off his shirt quite a bit (he has a really nice, defined, if lean, body) and wears leather pants quite a bit. He also has the rock star quality that is often missing when most actors play musicians. You can see how into the music he is. He also is able to project Lestat's arrogance and loneliness very well.

Vincent Perez, who plays Marius, also does a wonderful job. Though quite popular in Europe, he is sadly under-appreciated in the U.S. I can't honestly say that his portrayal was dead on (so to speak) because I haven't read any of the books the character appears in, but I thought he was quite good. (Another one that is good-looking, ladies.)

Akasha, unfortunately, displays very few emotions, so Aaliyah didn't get a chance to really showcase her acting talents in her final performance, but she did play the evil vampire convincingly. Since she was said to be quite pleasant in real life, I'd say her performance was excellent.

Most of the remaining cast were also enjoyable, if not impressive in their performances.

There are also interesting special effects.

I loved this movie.

If nothing else, you should at least check out the soundtrack. The songs are well penned and preformed by a number of talented musicians. My advice? At least give this movie a chance. Despite the bad reviews, you may find yourself pleasantly surprised.

If vampire tales are your cup of blood, then this Goth-fest based on the Anne Rice Vampire Chronicles should prove to be a satisfying experience. A veritable consortium of the undead in a contemporary setting, `Queen of the Damned,' directed by Michael Rymer, is a story of shadows and darkness, and of the unfortunate souls who dwell therein for eternity.

The vampire Lestat (Stuart Townsend), bored with a world that no longer excites him, has been `asleep' for many years; but suddenly, the sounds of that world he hears from his extended slumber change, and liking what he hears, he ventures forth to investigate. What he finds is a world filled with new sounds, a new kind of music-- driving and penetrating-- sounds that assault the senses and make him feel alive and welcome. And he knows that at long last his time has come, that it is time for him and those like him to come out into the open and face the world on their terms. Toward that end he becomes the front man for a band-- a singer and performer unlike any the world has ever known. He presents himself as a vampire, and very quickly amasses a following that extends far beyond London (where it all begins), and will ultimately take him to Death Valley, California, where he plans to give a concert that promises to be beyond anything anyone has ever seen or experienced.

Lestat is powerful, without question, but there are those of his kind who do not take favorably to the fact that he has revealed them, one of whom is Marius (Vincent Perez), a vampire powerful in his own right-- the vampire, in fact, who `made' Lestat so many years before-- and they are gathering, coming together and making their plans to meet Lestat at the concert. And they are not going for the music. But there is something else, as well: At one point Lestat has inadvertently awakened the `Mother' of them all, the most powerful of all the vampires, Akasha (Aaliyah), who is about to make her presence known to all, and especially to the one she has chosen to rule by her side as her King: Lestat. And at the concert, rest assured, Akasha will be in attendance, without fail.

Make no mistake, this is Lestat's story, and Rymer presents it amid a setting rich with atmosphere and with some exquisite moments, though his film has less bite to it than say, `Interview With the Vampire,' or `Bram Stoker's Dracula.' He sets a good pace, and there are some scenes that provide some real thrills, but overall the film isn't as soaked in menace as it could be, or as much as one might expect. In the final tally, in fact, the amount of flesh that is incinerated wins out over actual blood-letting, though there is more than a taste of gore, and more than a fair share of lips and mouths dripping with the red stuff. There's some good F/X on hand, too, especially in the sequences that accentuate the speed of the vampires, as they move and hurtle through the air faster than the naked eye can discern. It's a decent job by Rymer, but he could have put more teeth into it had he played up the alienation hinted at by Lestat; as it is, you get a sense of his detachment, but not enough to get you totally involved.

In `Interview With the Vampire,' Tom Cruise brought some charismatic star power to the role of Lestat, but Townsend is even more effective, with a look and an attitude that captures Lestat perfectly. He plays him with a sense of acceptance, and under closer scrutiny you may even find a hint of remorse and longing. It's a good performance, and one that sells his character convincingly.

As Marius, Vincent Perez does a nice job, too-- he is, in fact, one of the strengths of the film-- though his character is a bit ambiguous; that, however, has more to do with the way he was written than with Perez's performance, which is quite good.

Turning in noteworthy performances, as well, are Marguerite Moreau, as Jesse, a young woman too curious for her own good; and the gorgeous Lena Olin as Maharet, Jesse's Aunt, who ultimately plays a pivotal role in the outcome of the drama involving Lestat and Akasha.

And as Akasha, Aaliyah is an absolutely riveting presence. What more can one say about her other than she is a gifted performer, with tremendous talent and beauty. And, tragically, she has left us much too soon.

The supporting cast includes Paul McGann (David), Christian Manon (Mael), Claudia Black (Pandora), Bruce Spence (Khayman), Matthew Newton (Armand), Tiriel Mora (Roger) and Megan Dorman (Maudy). With a much stronger story than the usual offerings of this particular genre, Anne Rice fans, especially, will be pleased with `Queen of the Damned,' a film nicely crafted and delivered by director Rymer and his engaging cast. By focusing attention on the drama of the story-- and the way it's presented-- rather than concentrating on merely providing some cheap thrills, Rymer has succeeded in turning out a true horror film that is definitely a cut above, and one that just may whet your appetite for more of the same. And that's the magic of the movies. I rate this one 7/10.

Ok, so this is not a brilliant movie. Its not even a very good movie. But it is a bit of a guilty pleasure. Kind of half vampire movie, half rock video.

The reason I like Queen of the Damned? Stuart Townsend as Lestat - he is utterly beautiful in this film. Sexy, seductive, with model-looks. The man looks the part and he plays the part very well too. You can understand why characters are seduced by him. He totally oozes that kind of sexy rockstar charm.

I know the movie is literally nothing like the novel, and it garnered a LOT of criticism for that, as well as it generally not being a particularly great movie even if you treat it as stand-alone.

I tend to put this movie on when I fancy watching something a little silly that doesn't require an awful lot of thinking about. Its kind of early 2000s trash at its finest.