After losing interest in immortality, vampire Lestat goes to sleep, awakening after a long time to the sounds of punk rock. Taking up as the leader of an undead band, Lestat gains fame but exposes vampires, drawing the attention of vampire enthusiast Jesse. His music also awakens the queen of the damned, Akasha the first vampire, who decides to make Lestat her king. After learning of her bloodlust, and designs to take over humankind, Lestat teams with the other vampire nobility to take her down. Lestat then turns Jesse into his undead mistress to spend eternity together.Written by
David says to Jessie near the end, declining her offer, that he is too old to live forever. David plays another character that effectively lives forever in some fashion, the 8th Doctor on Doctor Who (2005). See more »
The girl playing young Jesse has bright blue-grayish eyes, but older Jesse seemingly has brown eyes. See more »
There comes a time for every vampire when the idea of eternity becomes momentarily unbearable. Living in the shadows, feeding in the darkness with only your own company to keep, rots into a solitary, hollow existence. Immortality seems like a good idea, until you realize you're going to spend it alone. So I went to sleep, hoping that the sounds of the passing eras would fade out, and a sort of death might happen. But as I lay there, the world didn't sound like the place ...
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DVD release includes full unedited versions of Lestat's music videos for "Redeemer," "Forsaken" and "System", and Lestat's full concert performances for "Not Meant For Me" and "Slept So Long". DVD also features deleted scenes:
"Original Opening Sequence with Timelapse" - The idea of this opening scene was to show the passing of the decades to which Lestat slept. However, the production team was not pleased with the prelimenary visuals created for the scene, and ultimately, decided to skip the scene altogether.
"Original Jesse Dream Sequence and Meeting Roommate on the Street" - Jesse's encounter with a vampire in her dream was cut due to the fact that it raised too many questions as to wether Jesse herself was a vampire. The roommate scene, featuring Pia Miranda, came right after she watched Lestat on MTV, and before the first visit to the Admiral's Arms. It was deemed expendable.
"Marius talks with Lestat on the Beach" - The scene was trimmed to improve pacing. In it Marius tells Lestat that what keeps him going is seeing what human beings are going to do next.
"Jesse goes to Admiral's Arms #1" - The filmmakers shot a scene where Jesse visits the Admiral's Arms prior to her Talamasca presentation, but cut for pacing purposes. In it we just see Jesse getting off the subway and then walking down a dark alley towards the Admiral's Arms. Footage of vampires entering the Admiral's Arms is used later in the film when Jesse returns for a second visit.
"Band Plays in Admiral's Arms" - The instrumentalists are a who's who of Australian alternative rock. Aimee Nash is a rising young actress and singer. Robin Casinader composed the music. Although the filmmakers loved every second of the footage, they knew they couldn't show much of it in the movie, again because of pacing and timing.
"Groupies with 'Garlic' End" - This scene was cut because the garlic joke was thought to be tonally off. In it, after Lestat's manager, Roger, brings him two groupies Lestat discovers garlic in Roger's coat pocket.
"Jesse on Plane, Lestat in L.A. Mansion, Jesse Dreams of Akasha, Band Watching Videos" - The filmmaker's dropped the scene of Jesse's flight to Los Angeles because they weren't satisfied with the shock dream, featuring Akasha's attack on Jesse. Meanwhile, the scene with the band was trimmed because the filmmakers decided it didn't make much sense to dwell on them here.
"The Ancients Rise" - The scene was originally part of Lestat's satellite dish montage. It was cut as a part of the overall de-emphasis of the Ancients.
"Ancients at Hollywood Sign" - The Ancients storyline was reduced during the course of production because filmmakers felt that there were too many conflicting vampire agendas in the movie. In the final cut of the film, the Ancients are more in the background, and simply serve as allies of Maharet and Marius. In this scene we are introduced to Pandora, Armand, Mael, Khayman and Maharet as they first approach Marius next to the Hollywood sign, and we are given some insight into their relationships with each other. In this scene we hear a line that was used in the trailers, Khayman says "Akasha takes pleasure in only one thing: Destroying life."
"Akasha Dances" - Basically an extended version of the scene where Akasha kills all the vampires at the Admiral's Arms. Despite the fact that the filmmakers loved every second of Akasha's original dance as well as her closing words to Lestat, this scene was trimmed to heighten tension. In this scene Akasha speaks the famous line which was used in the trailers, "Lestat. Come out, come out, wherever you are."
"L.A. Mansion, Jesse Talks with Lestat, Extended Flying Sequence" - The filmmakers felt the dialogue between Jesse and Lestat was unnecessarily long, and tightened it considerably by cutting out a part where Jesse tells Lestat about her dreams. However, they regret trimming the flying sequence, as it establishes a suitably romantic mood.
"Jesse Writes her Aunt and Goes to the Concert" - Originally, Jesse was abducted by Mael at Griffith Park after her encounter with Lestat, and taken to Maharet. After their conversation, Jesse writes a farewell note, and goes to the concert. The scene where Jesse first meets up with Maharet now plays after the concert. After Jesse writes the note she goes out into a desert highway and hitches a ride with some friendly goths on their way to Lestat's concert.
"Band Backstage at Concert, Jesse Walks Through Crowd, Ancients Watch" An extended version of the scene where Jesse arrives at the concert where we see the band hanging out backstage as the Ancients arrive in search of Jesse. As the Ancients watch the partying concert-goers, Khayman notes "Akasha will not be able to resist this."
Written by Sunny Phillips and Christian
Performed by Candyhateful
Courtesy of Church City Nine Records See more »
Don't expect a lot from this one.
Despite a few acceptable adaptations of the books' main themes, QUEEN OF THE DAMNED/THE VAMPIRE LESTAT did not stay true to Anne Rices's complicated story telling. The deep layers that build up all the characters were shredded apart to only their surface, if not a completely different identity. The chronological order of the major events in the movie seemed warped and uneven.
However, there were quite a few things the movie did to deserve my rating of 7. One was that the film strongly captured the affect that Lestat (among other vampires)had to the public, especially young girls. The movie also did a fairly good job focusing on the importance of heredity and history that the vampires took pride in. The scenes of sensuality were also atmospherically satisfying.
The acting in QUEEN OF THE DAMNED was moderate, if disappointing. Stuart Townsend and Aaliyah have a surprising chemistry, though it only shows when the acting is at its best (not very often). The characters are nothing compared to the ones established in INTERVIEW WITH A VAMPIRE. It also lacks the emotional intelligence of THE FEAST OF ALL SAINTS, which is a shame because Rice's Queen of the Damned book had that, and more.
This movie doesn't give all that it appears to be. The effects are dull and very disappointing. The extravagance needed in many scenes is not given, and the dialog is tiring. The settings for many scenes are not how I pictured them in the book, and I think that many of them weren't even taken from the story. There are only a few areas of incoherence near the beginning and middle of the movie, but it wraps itself up fairly neatly, giving the viewer a full story (if they had not read the book).
Somethings that I feel the movie needed include a good original score (Howard Shore or Elmer Bernstein), instead of the mix of rock music; though I had no problem with some of the songs. Another thing that would have made the movie better is better set direction. The scenery was boring as well as unclear, which is important in a story that moves around quite frequently.
Overall, QUEEN OF THE DAMNED was an unevenly disappointing yet somewhat satisfying adaption of the important novel. With a few simple changes, it may have been a very successful piece of film work. I'd recommend this movie for people who has seen INTERVIEW or have read the books, so that they can make their own opinion on the adaption.
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