After many years of sleeping in his coffin, the vampire Lestat awakens only to find that the world has changed and he wants to be a part of it. He gathers a following and becomes a rock star only to find that his music awakens the ancient Queen Akasha and she wants him to become her king...Written by
The concert scenes are set in Death Valley, California, but were actually filmed in Werribee, Australia. See more »
When the gypsy girl is lying dead on the pyre, you can see the pulse at the base of her neck. See more »
There comes a time for every vampire when the idea of eternity becomes momentarily unbearable. Living in the shadows, feeding in the darkness with only your own company to keep, rots into a solitary, hollow existence. Immortality seems like a good idea, until you realize you're going to spend it alone. So I went to sleep, hoping that the sounds of the passing eras would fade out, and a sort of death might happen. But as I lay there, the world didn't sound like the place ...
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Dedicated to Aaliyah Dana Haughton 1979 - 2001 See more »
DVD release includes full unedited versions of Lestat's music videos for "Redeemer," "Forsaken" and "System", and Lestat's full concert performances for "Not Meant For Me" and "Slept So Long". DVD also features deleted scenes:
"Original Opening Sequence with Timelapse" - The idea of this opening scene was to show the passing of the decades to which Lestat slept. However, the production team was not pleased with the prelimenary visuals created for the scene, and ultimately, decided to skip the scene altogether.
"Original Jesse Dream Sequence and Meeting Roommate on the Street" - Jesse's encounter with a vampire in her dream was cut due to the fact that it raised too many questions as to wether Jesse herself was a vampire. The roommate scene, featuring Pia Miranda, came right after she watched Lestat on MTV, and before the first visit to the Admiral's Arms. It was deemed expendable.
"Marius talks with Lestat on the Beach" - The scene was trimmed to improve pacing. In it Marius tells Lestat that what keeps him going is seeing what human beings are going to do next.
"Jesse goes to Admiral's Arms #1" - The filmmakers shot a scene where Jesse visits the Admiral's Arms prior to her Talamasca presentation, but cut for pacing purposes. In it we just see Jesse getting off the subway and then walking down a dark alley towards the Admiral's Arms. Footage of vampires entering the Admiral's Arms is used later in the film when Jesse returns for a second visit.
"Band Plays in Admiral's Arms" - The instrumentalists are a who's who of Australian alternative rock. Aimee Nash is a rising young actress and singer. Robin Casinader composed the music. Although the filmmakers loved every second of the footage, they knew they couldn't show much of it in the movie, again because of pacing and timing.
"Groupies with 'Garlic' End" - This scene was cut because the garlic joke was thought to be tonally off. In it, after Lestat's manager, Roger, brings him two groupies Lestat discovers garlic in Roger's coat pocket.
"Jesse on Plane, Lestat in L.A. Mansion, Jesse Dreams of Akasha, Band Watching Videos" - The filmmaker's dropped the scene of Jesse's flight to Los Angeles because they weren't satisfied with the shock dream, featuring Akasha's attack on Jesse. Meanwhile, the scene with the band was trimmed because the filmmakers decided it didn't make much sense to dwell on them here.
"The Ancients Rise" - The scene was originally part of Lestat's satellite dish montage. It was cut as a part of the overall de-emphasis of the Ancients.
"Ancients at Hollywood Sign" - The Ancients storyline was reduced during the course of production because filmmakers felt that there were too many conflicting vampire agendas in the movie. In the final cut of the film, the Ancients are more in the background, and simply serve as allies of Maharet and Marius. In this scene we are introduced to Pandora, Armand, Mael, Khayman and Maharet as they first approach Marius next to the Hollywood sign, and we are given some insight into their relationships with each other. In this scene we hear a line that was used in the trailers, Khayman says "Akasha takes pleasure in only one thing: Destroying life."
"Akasha Dances" - Basically an extended version of the scene where Akasha kills all the vampires at the Admiral's Arms. Despite the fact that the filmmakers loved every second of Akasha's original dance as well as her closing words to Lestat, this scene was trimmed to heighten tension. In this scene Akasha speaks the famous line which was used in the trailers, "Lestat. Come out, come out, wherever you are."
"L.A. Mansion, Jesse Talks with Lestat, Extended Flying Sequence" - The filmmakers felt the dialogue between Jesse and Lestat was unnecessarily long, and tightened it considerably by cutting out a part where Jesse tells Lestat about her dreams. However, they regret trimming the flying sequence, as it establishes a suitably romantic mood.
"Jesse Writes her Aunt and Goes to the Concert" - Originally, Jesse was abducted by Mael at Griffith Park after her encounter with Lestat, and taken to Maharet. After their conversation, Jesse writes a farewell note, and goes to the concert. The scene where Jesse first meets up with Maharet now plays after the concert. After Jesse writes the note she goes out into a desert highway and hitches a ride with some friendly goths on their way to Lestat's concert.
"Band Backstage at Concert, Jesse Walks Through Crowd, Ancients Watch" An extended version of the scene where Jesse arrives at the concert where we see the band hanging out backstage as the Ancients arrive in search of Jesse. As the Ancients watch the partying concert-goers, Khayman notes "Akasha will not be able to resist this."
More music-video cinema, in this case eye-candy Korn.
I can do without Anne Rice's purple prose, meself, so whether this follows the book or not ain't my big concern. The real problem here is that "Queen" just doesn't build the sense of grandiose vampire mythology that the filmed "Interview" did, nor does it work much as a straight-up horror film--a "boo!" jump-cut or two aside, there are no real scares here. Which leaves the nicely shot and designed film as just another CGI pretty-picture fest sans any great narrative momentum, let alone character development. Stuart Townsend has a nice insolent-sexy vibe as Lestat, and Vincent Perez seems to be enjoying himself as Marius. Aaliyah mostly acts with her hips--you'll know what I mean when you see the film--though in her defense it should be said she's not required to do much more than be an FX-assisted slinky image. It's nice to see Paul McGann and Lena Olin in a mainstream film, undistinguished though their roles are. A major minus, however, is Marguerite Moreau as mortal ingenue Jesse--she's so lacking in charisma and personality you might suspect she was cast through some sort of behind-the-scenes nepotism. (Presumably it wasn't because her work in all three "Mighty Ducks" films was so memorable...not that I'd know, anyway.) By not taking itself too seriously (while on the other hand resisting outright camp), the movie does get away with the potentially hypersilly vampire-as-rock-star conceit; at a first listen, the Jonathan Davis-penned/sung songs are serviceable. But in the end this is just another good-looking piecing together of music-video-like setpieces that are amusing enough in themselves yet never add up to potent storytelling or a cogent atmosphere. It'd give it a 5--not bad, not good.
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