Directed by
| Robert Dyke | ||
Writing Credits (WGA)
| Robert Dyke | ... | (written by) |
Cast (in credits order)
Produced by
| Gary Bloom | ... | executive producer |
| Charles F. Cirgenski | ... | executive producer |
| Ron Cook | ... | executive producer |
| James A. Courtney | ... | executive producer |
| Mary Petryshyn | ... | producer |
| Tom Van Scyoc | ... | executive producer |
Music by
| Daniel Peter Kolton | ... | (as Dan Kolton) |
Cinematography by
| Lon Stratton | ||
Editing by
| Joseph Kleinman | ||
Casting By
| Donna DeSeta | ||
Production Design by
| Larry Fox | ||
Set Decoration by
| Eric Seppi | ||
Costume Design by
| Scarlett Jade | ||
| Chrissy Pavlick | ||
Makeup Department
| Carol Branston | ... | key makeup artist |
Production Management
| Mary Petryshyn | ... | production manager |
Second Unit Director or Assistant Director
| Jason Baker | ... | second assistant director |
| Charles F. Cirgenski | ... | first assistant director |
| David Nielsen | ... | second second assistant director |
Art Department
| Kristen Anthony | ... | assistant art director |
| Robert E. Donley Jr. | ... | carpenter |
| Brett Allen Eckhart | ... | carpenter |
| Michael Faba | ... | assistant art director |
| Genesis Garza | ... | construction coordinator |
| David Lingle | ... | graphic designer |
| James Nikolic | ... | second assistant weapons property master |
| Melissa Provenzano | ... | scenic artist (as Mimi Provenzano) |
| Tyler Q Rosen | ... | lead carpenter |
| David Waszak | ... | weapons property master |
Sound Department
| Mark Beck | ... | supervising sound editor |
| John Bracco | ... | foley engineer |
| John Dykstra | ... | adr recordist |
| John Elliot | ... | foley assistant |
| John Gare | ... | re-recording mixer |
| Steve Hammond | ... | foley artist |
| Jonas Kuhnemann | ... | supervising dialogue editor |
| Danielle McBride | ... | adr editor |
| David Moffat | ... | sound effects editor (as Dave Moffat) |
| Marcus Ricaud | ... | boom operator |
| Jamie Scarpuzza | ... | production sound mixer |
| Paul Williamson | ... | re-recording mixer |
Special Effects by
| David Waszak | ... | weapons |
Visual Effects by
| Dale Jones | ... | visual effects |
| Tim Montijo | ... | digital artist |
| Kurt Rauer | ... | digital artist: Air Force One Sequences |
| Stacy Sacco | ... | digital effects coordinator: Air Force One Sequences |
Stunts
| Danny Ray Cook | ... | stunt double |
Camera and Electrical Department
| Kevin 'Vinnie' Campbell | ... | gaffer |
| William Eichler | ... | first assistant camera: "a" camera |
| Nickolas Gilbert | ... | best boy electric |
| Matt Molitor | ... | first assistant camera: "b" camera |
| J. Owen Rogers | ... | second assistant camera / swing grip |
| Robert Skates | ... | camera operator: "b" camera |
| Shawn Stone | ... | key grip |
Costume and Wardrobe Department
| Matthew Simonelli | ... | wardrobe intern |
Editorial Department
| Chris Blacklock | ... | colorist |
| Ed Ham | ... | on-line editor |
| Scot Marshall | ... | assistant editor |
Additional Crew
| Cynthia Blaise | ... | dialect coach |
| April Campbell | ... | set medic |
| Steven Enwright | ... | legal counsel |
| Alisa Lomax | ... | production coordinator |
| Brian McMahon | ... | helicopter pilot |
| Nick McMahon | ... | helicopter pilot |
| Marty Shea | ... | key set production assistant |
| Nicole Sylvester | ... | production coordinator |
Thanks
| Walter Koenig | ... | thanks |
