Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet's power problems.
In a futuristic world, a strict regime has eliminated war by suppressing emotions: books, art and music are strictly forbidden and feeling is a crime punishable by death. Cleric John Preston (Bale) is a top ranking government agent responsible for destroying those who resist the rules. When he misses a dose of Prozium, a mind-altering drug that hinders emotion, Preston, who has been trained to enforce the strict laws of the new regime, suddenly becomes the only person capable of overthrowing it.Written by
Some of the tank-like vehicles seen driving along the streets are, in fact, white-painted airport tugs, the kinds used for pushing very large aircraft such as 747s. See more »
In the pistol whipping sequence, two sets of spikes come out of the magazines. When you see Preston's pistol in slow motion about to hit a guards faceplate, there are no spikes present. Also you can clearly see that it is a stuntman in the reflection of the visor. See more »
In the first years of the 21st century, a third World War broke out. Those of us who survived knew mankind could never survive a fourth; that our own volatile natures could simply no longer be risked. So we have created a new arm of the law: The Grammaton Cleric, whose sole task it is to seek out and eradicate the true source of man's inhumanity to man - his ability to feel.
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Worth seeing twice in two consecutive days (which I did.)
I went in to see "Equilibrium" with no knowledge of the movie other than a two line synopsis from a local newspaper and the movie poster in the theater lobby. As usual, I was practicing my theory of "lowered expectations." I expect a movie to be horribly awful ahead of time, so I can not be disappointed. I was not disappointed. At the end of the film I could not sit still in my seat. I felt the urge to go out into the world and proclaim the utter awesomeness of "Equilibrium." Such words as "Sweet," "Crazy," and "Righteous" sprang forth from my lips in rapid succession when I talked about the movie with my friends. Not since the "Fellowship of the Ring" have I desired to sing a movie's praises. And I mean literally SING. "Equilibrium" could, and should, be the sleeper hit of the year. The film's action sequences stir up the blood and pump the adrenaline as if you were riding a roller-coaster. The art style, while minimalistic, and thus maybe confused for low-budget by some, is actually quite successful in portraying a totalitarian and emotionless society. The acting is excellent as well, and quite possibly the best I have seen in an action film in long time. While the nay-sayers will say that the film is too unoriginal, borrowing elements of its story and premise from "Fahrenheit 451" and "Brave New World," these complaints can be disregarded as the movie adds enough of its own style and story to make the comparisons plausible in basic premise only. In the end, like any movie, "Equilibrium" is meant as entertainment. And entertain it does. It does it so very well. It mixes action and with substantial plot and original style to make an excellent whole. Go see it. Go see it twice. Go see "Equilibrium," Cleric.
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