Paris, 1830: Vidocq is killed by a mirror masked man. A thief turned investigator, he was working on a case of men hit by lightning, burning up. A beautiful woman was involved. After Vidocq's death, his biographer tries to solve the case.
Ex-Special Forces soldier Louis Stevens returns to Miami to find his former high school overrun by drugs and violence. A master of the Brazilian martial art, capoeira, Stevens pledges to ... See full summary »
In 1764 something was stalking the mountains of central France. A 'beast' that pounced on humans and animals with terrible ferocity. Indeed they beast became so notorious that the King of France dispatched envoys to find out what was happening and to kill the creature. By the end, the Beast of Gevaudan had killed over 100 people.To this day, no one is entirely sure what it was, a wolf? a hyena? or something supernatural? The Beast is a popular myth in France, albeit one rooted firmly in reality; somewhat surprisingly it is little known to the outside world, and perhaps incredibly it has never been made into a movie. Until now. Based on the true story of the Beast of the Gevaudan that terrorized France in the eighteenth century, the movie aims to tell first and explain afterwards. In the first part, a special envoy of the King of France, altogether biologist, explorer and philosopher, arrives in the Gevaudan region, in the mountainous central part of France. The Beast has been ...Written by
All the primary characters, except the Native American Mani, actually existed and lived during reign of King Louis XV. See more »
Mani would not have been called a "Mohawk", even by the Chevalier De Fronsac, as this tribe had not yet been granted this official unique name. In French, he would have been called an "Agnier", "Iroquois" or simply "Indian". See more »
However some of the scenes from the 'Director's Cut' are added into the UK version:
A long steadicam shot from Jean-Francois' POV as he sneaks through the brothel and into Sylvia's room, where he finds a sketch of Sylvia naked that Fronsac has drawn. He laughs because it's just what he needs to drive Marianne away from Fronsac.
Fronsac arrives at the De Morangias' castle to see Marianne one last time before returning to Paris. The guards tell him he is no longer welcome on orders of the Countess and that Marianne is sick. Jean-Francois turns up and tells the guards and his mother to let Fronsac in. Jean-Francois leads him into the great hall where Marianne waits. She tells Fronsac she doesn't want to see him again and tosses the naked sketch of Sylvie onto the floor. Fronsac storms out, knocking Jean-Francois to the floor on his way.
After the second girl is killed down in the pit there is a scene inside the Church where Sylvia kneels down next to Marianne as she prays. She tells Marianne the Fronsac truly only loves her. Sardis watches Sylvia suspiciously as she leaves.
A scene on the docks as Fronsac and Mani are loading supplies for the trip to Africa. Thomas D'Apacher turns up and tells Fronsac that the beast continued attacking after he and De Beauternes left. D'Apacher cannot find anyone to go on the hunt with him and he wants to try to hunt this time using Mani's methods. At first Fronsac refuses, but D'Apacher provides him with a love letter from Marianne in which she asks for the secret meeting at her nanny's house. Fronsac agrees to return.
"Brotherhood of the Wolf" is so over the top, so manifestly ridiculous, that it simply defies criticism. Once you have seen 18th century French peasant women engaging in kung-fu, as you do in this film's first quarter hour, any qualms about lapses in plot or historical innacuracy become somewhat redundant.
If that wasn't enough for you, it also contains an Iracois warrior done up in 21st century tatoos, who also, for some reason, is a kung-fu expert, a naturalist who can fire two guns at once, an evil, hatchet faced villain who can wield a wicked knife-chain, and one big armoured cyborg wolf.
Did I mention all this takes place in pre-revolutionary France? So in addition the film manages to include a classic tale of the wiles and trials of aristocratic courtship.
Got all that? No? well it doesn't really matter. A film already straining to contain a reference to virtually every kind of film ever made (action, martial-arts, werewolf, monster, period romance) was never going to be very credible, and it would die if it took itself seriously. Fortunately, "Brotherhood" does not; it just pushes ahead full throttle distracting our attention with some excellent fight scenes and, of course, this being France, naked women (A dissolve in which Monica Bellucci's breasts become mountain peaks tells you everything you need to know about this film's style). As long as it entertains, "Brotherhood"'s rather obvious flaws can be ignored, however, this film is a ludicrous 140 minutes long and after a while tedium does begin to set in. Still, all in all an enjoyable experience.
4 of 5 people found this review helpful.
Was this review helpful to you?
| Report this