A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. ... See full summary »
Paris. 1830. In the heart of the town, Vidocq, a famous detective, disappeared as he fights the Alchemist, an assassin that he has been pursuing for a few months. His young biographer, ... See full summary »
In 1765 something was stalking the mountains of central France. A 'beast' that pounced on humans and animals with terrible ferocity. Indeed they beast became so notorious that the King of France dispatched envoys to find out what was happening and to kill the creature. By the end, the Beast of Gevaudan had killed over 100 people, to this day, no one is entirely sure what it was, wolf? hyena? or something supernatural? Whatever it was, shepherds had the same life-expectancy as the red-suited guys in 'Star Trek'. The Beast is a popular myth in France, albeit one rooted firmly in reality; somewhat surprisingly it is little known to the outside world, and perhaps incredibly it has never been made into a movie. Until now... Based on the true story of the Beast of the Gevaudan that terrorized France in the mid-XVIIIth century, the movie aims to tell first and explain afterwards. In the first part, a special envoy of the King of France, altogether biologist, explorer and philosopher, arrives...Written by
There actually was a Beast of Gévaudan (La Bête du Gévaudan) which was a real wolf-like creature that prowled the Auvergne and South Dordogne regions of France during the years 1764 to 1767, killing about 100 people, often in bizarre circumstances. See more »
The young woman in the water pit goes from holding a nubby horned baby goat to holding a lamb (without nubs), then to holding a baby goat again. See more »
All women have the same color when the candle is out.
See more »
However some of the scenes from the 'Director's Cut' are added into the UK version:
A long steadicam shot from Jean-Francois' POV as he sneaks through the brothel and into Sylvia's room, where he finds a sketch of Sylvia naked that Fronsac has drawn. He laughs because it's just what he needs to drive Marianne away from Fronsac.
Fronsac arrives at the De Morangias' castle to see Marianne one last time before returning to Paris. The guards tell him he is no longer welcome on orders of the Countess and that Marianne is sick. Jean-Francois turns up and tells the guards and his mother to let Fronsac in. Jean-Francois leads him into the great hall where Marianne waits. She tells Fronsac she doesn't want to see him again and tosses the naked sketch of Sylvie onto the floor. Fronsac storms out, knocking Jean-Francois to the floor on his way.
After the second girl is killed down in the pit there is a scene inside the Church where Sylvia kneels down next to Marianne as she prays. She tells Marianne the Fronsac truly only loves her. Sardis watches Sylvia suspiciously as she leaves.
A scene on the docks as Fronsac and Mani are loading supplies for the trip to Africa. Thomas D'Apacher turns up and tells Fronsac that the beast continued attacking after he and De Beauternes left. D'Apacher cannot find anyone to go on the hunt with him and he wants to try to hunt this time using Mani's methods. At first Fronsac refuses, but D'Apacher provides him with a love letter from Marianne in which she asks for the secret meeting at her nanny's house. Fronsac agrees to return.
I am very pleased to see French cinema depart from the "if you don't understand my movie, then you are not an intellectual" approach to film making. More often then not, French films have been explorations of relationships or psychological dramas. And they have generally been very difficult to sit through. Take "Place Vendome" for instance. It won all sorts of awards at Cannes, but is basically a very boring, unwatchable arthouse movie. This film is nothing like that. It is exceptionally well-made, it is exciting, horrifying, and will keep you glued to your seat. I have rarely been so impressed with a film. The plot is a little far-fetched, but it is based on a folkloric creature that stalked people in the 18th century in southern France. Therefore, if the movie gets a little bit super-natural, than I can accept it. After all, the "real" wolf was supposed to have killed over 100 people during it's reign of terror 200 years ago, and there must have been something odd about a wolf capable of such carnage.
Christophe Gans is the same person who directed "Crying Freeman", still one of the best action movies of all time (in my humble opinion). Mark Dacascos of "Crying Freeman" is equally in "Le Pacte des Loups", playing an Iroquois warrior, a traveling companion to the French protagonist. Where an Iroquois learned to fight like that, I will never know, but then again, I wasn't around during the French-Indian wars to verify how they fought:) Suffice it to say that the action sequences are terrific, the beast is terrifying, and the story is engrossing. This movie cannot be simply branded a horror film, nor an action film. It is a fantastic escape into pre-French Revolution France with a very large wolf thrown in. I loved it when I saw it in France in French. I bought the DVD as soon as it was out and watched it again. I am very pleased to say that it did not disappoint the second time around. I would highly recommend this film to anyone, providing they understand that : a) it is an action movie b) it has elements of a horror movie c) there are some supernatural elements to it d) it is set in 1780 in France e) it was originally filmed in French
If you can handle all of these points, you will love this film. Truly superb film-making. This is the only film I have rated to which I have accorded a ranking of 10.
41 of 64 people found this review helpful.
Was this review helpful to you?
| Report this