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The Mexican (2001)

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A man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways.

Director:

Gore Verbinski

Writer:

J.H. Wyman
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Popularity
4,201 ( 380)
3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Brad Pitt ... Jerry Welbach
Julia Roberts ... Samantha Barzel
James Gandolfini ... Winston Baldry
J.K. Simmons ... Ted Slocum
Bob Balaban ... Bernie Nayman
Sherman Augustus ... Well Dressed Black Man
Michael Cerveris ... Frank
Gene Hackman ... Arnold Margolese
Richard Coca ... Car Thief #1
David Krumholtz ... Beck
Castulo Guerra ... Joe the Pawnshop Owner
Mayra Serbulo Mayra Serbulo ... Emanuelle (as Maira Serbulo)
Salvador Sánchez ... Gunsmith
Alan Ciangherotti Alan Ciangherotti ... Gunsmith's Assistant (as Alan Cianguerotti)
Melisa Romero Melisa Romero ... Gunsmith's Daughter
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Storyline

Jerry Welbach is given two ultimatums. His mob boss wants him to travel to Mexico to get a priceless antique pistol called "The Mexican" or he will suffer the consequences. The other ultimatum comes from his girlfriend Samantha, who wants him to end his association with the mob. Jerry figures that being alive, although in trouble with his girlfriend is the better alternative so he heads south of the border. Finding the pistol is easy but getting it home is a whole other matter. The pistol supposedly carries a curse - a curse Jerry is given every reason to believe, especially when Samantha is held hostage by the gay hit man Leroy to ensure the safe return of the pistol. Written by ck

Plot Summary | Plot Synopsis

Taglines:

love with the safety off


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Dreamworks SKG

Country:

USA | Mexico

Language:

English | Spanish

Release Date:

2 March 2001 (USA) See more »

Also Known As:

La mexicana See more »

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Box Office

Budget:

$57,000,000 (estimated)

Opening Weekend USA:

$20,108,829, 4 March 2001, Wide Release

Gross USA:

$66,808,615, 27 May 2001

Cumulative Worldwide Gross:

$81,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | SDDS | Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In the scene where Jerry (Brad Pitt) is amusingly attempting to speak Spanish (widely spoken in Mexico) when saying to some men, "I need a lift in your El trucko to the next towno", there is also a reference to Robert De Niro. Pitt and De Niro co-starred in Sleepers (1996). See more »

Goofs

When Jerry and Sam are driving from the airport to the Mexican hotel towards the end of the film, parts of a camera are reflected in the car window. See more »

Quotes

Leroy: Kevlar is for pussies
See more »

Crazy Credits

In the middle of the credits, when the first or second song ends, you hear the guy from the car rentals shout "RAOUL !!" See more »

Connections

Referenced in Tosh.0: Banned from Walmart (2014) See more »

Soundtracks

Fifty Yards of Soul
Written by Jan Weissenfeldt and Maximillian Weissenfeldt
Performed by The Whitefield Brothers
Courtesy of Instinct Records
See more »

Frequently Asked Questions

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User Reviews

Lackluster.
31 March 2004 | by MovieAddict2016See all my reviews

What do you get when you combine two of Hollywood's most famous sex symbols, the director of "Pirates of the Caribbean" and Mexico? Apparently, an overlong, boring mix of comedy, romance and violence -- which, in this case, is a rather lackluster result considering the potential.

Jerry (Brad Pitt) is one of the most inept criminals in history. Five years ago he crashed into the back of a crime lord's car and, as a result, found himself working off the accident by running errands. Jerry's last retrieval before retirement involves skipping the border into Mexico, finding a rare and beautifully crafted pistol (The Mexican), returning it to Margolese (Gene Hackman) and walking away from everything happily. But Jerry's girlfriend, Samantha (Julia Roberts), is tired of Jerry's continual lying and criminal feats, so she dumps him and heads for Las Vegas.

After arriving in Mexico unscathed, Jerry soon finds himself at the wrath of thugs, murderers and hit men intent on stealing The Mexican from him. Meanwhile, Samantha finds herself taken hostage by a gay hit man with a heart named Leroy (James Gandolfini of "Get Shorty" and TV's "The Sopranos"), who -- by following all of the Hollywood cliches -- is an amiable, likable guy who wouldn't harm a fly.

The advertising for "The Mexican" had it all wrong. The studios advertised it as a sweet, funny comedy starring two of Hollywood's biggest stars. The major cop-out is that Pitt and Roberts share most of the film far apart from each other -- which isn't a huge problem anyway, as it provides a pleasant twist on the repetitive buddy formula. But the movie's twisting, turning, violent, harsh style soon grows weary -- especially as the second hour draws nearer. The end almost redeems the rest of the film, but not quite.

"The Mexican" is primarily interested in doing things that have already been done before, such as culture clashing. Take, for instance, the scene where Jerry spends a good minute or so trying to tell a band of traveling hombres that he needs a ride to the nearest town. Somehow, Jerry confuses "carro" for "deniro" and the driver's eyes suddenly light up. "Robert De Niro?" he asks with a big gap-toothed grin. Another joke that indicates foreign countries know more about Hollywood than actual language. Har-har. It'd be funny if it hadn't been done before.

If you're looking for something harsh, "The Mexican" may very well be too sweet. And vice versa. The movie is too wish-washy -- sometimes it wants to be the next gritty comedy ("Trainspotting") and sometimes it's aiming for cute gimmicks and completely silly characters.

And then, even worse than trying jokes and failing, "The Mexican" never even strives to give us funny moments. In that scene where Jerry tries to hail a ride to the next town, the punchline is never delivered. All road travel movies are about confusion, usually resulting in two people misunderstanding each other. What should have happened is this: Jerry has a hard time explaining to the Mexican driver that he wants a ride. Finally, they both understand each other, and Jerry thinks everything is OK, but soon finds himself being left in the dust by the car, which continues driving on. Because confusion is funny, and "The Mexican" never understands this. That is one of its most fundamental flaws.


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