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The Mexican (2001)

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2:45 | Trailer

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A man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways.

Director:

Gore Verbinski

Writer:

J.H. Wyman
3 wins & 1 nomination. See more awards »

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Director: Barry Levinson
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Cast

Cast overview, first billed only:
Brad Pitt ... Jerry Welbach
Julia Roberts ... Samantha Barzel
James Gandolfini ... Winston Baldry
J.K. Simmons ... Ted Slocum
Bob Balaban ... Bernie Nayman
Sherman Augustus ... Well Dressed Black Man
Michael Cerveris ... Frank
Gene Hackman ... Arnold Margolese
Richard Coca ... Car Thief #1
David Krumholtz ... Beck
Castulo Guerra ... Joe the Pawnshop Owner
Mayra Serbulo Mayra Serbulo ... Emanuelle (as Maira Serbulo)
Salvador Sánchez ... Gunsmith
Alan Ciangherotti Alan Ciangherotti ... Gunsmith's Assistant (as Alan Cianguerotti)
Melisa Romero Melisa Romero ... Gunsmith's Daughter
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Storyline

Jerry Welbach is given two ultimatums. His mob boss wants him to travel to Mexico to get a priceless antique pistol called "The Mexican" or he will suffer the consequences. The other ultimatum comes from his girlfriend Samantha, who wants him to end his association with the mob. Jerry figures that being alive, although in trouble with his girlfriend is the better alternative so he heads south of the border. Finding the pistol is easy but getting it home is a whole other matter. The pistol supposedly carries a curse - a curse Jerry is given every reason to believe, especially when Samantha is held hostage by the gay hit man Leroy to ensure the safe return of the pistol. Written by ck

Plot Summary | Plot Synopsis

Taglines:

love with the safety off


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Dreamworks SKG

Country:

USA | Mexico

Language:

English | Spanish

Release Date:

2 March 2001 (USA) See more »

Also Known As:

La mexicana See more »

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Box Office

Budget:

$57,000,000 (estimated)

Opening Weekend USA:

$20,108,829, 4 March 2001, Wide Release

Gross USA:

$66,808,615, 27 May 2001

Cumulative Worldwide Gross:

$81,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | SDDS | Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This was originally set to be a David Fincher project. See more »

Goofs

The first time Jerry tucks his revolver beneath the dash of the El Camino (while Beck is relieving himself outside the bar), the orientation of the gun would indicate that the right side of the firearm is being shown to the audience; however, the cylinder release is clearly visible, indicating that this is actually the left side of the gun and the shot has been reversed. (Also note that he uses his right hand to stow the revolver but the orientation of the hand, especially the thumb, would indicate a left hand. This is further evidence of a flopped shot.) See more »

Quotes

Leroy: Kevlar is for pussies
See more »

Crazy Credits

At the very end of the credits, Samantha whispers "I love you, Jerry". See more »


Soundtracks

You're Nobody 'til Somebody Loves You
Written by James Cavanaugh, Russ Morgan, and Larry Stock
Performed by Dean Martin
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
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Frequently Asked Questions

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User Reviews

A chaotic, messy but brilliant commentary on relationships
12 October 2004 | by paddyolguinSee all my reviews

I'm genuinely surprised at the number of people who disliked this movie. Perhaps because it was a bit disjointed, chaotic, uneven, unpredictable and even incoherent at times. And that's just why I loved it. It's life. Yes, it's the crazy, seedy, shady lives of these people (the main characters being Pitt's and Roberts' characters), but at least it's honest... and darned funny. I thought the self-deprecating jabs at how most Gringos view Mexico/Mexicans were priceless. Raul!! The grainy flashbacks had my sides splitting.

People, this is a classic melodrama told in today's yucky, dirty, gritty, ugly times. A beautiful (if you look closely) story that doesn't take it self seriously at all. This is anything but formula Hollywood hype. It is a genius inside-joke that sandbagged most of the people hoping to come out and see a Pitt/Roberts version of Sleeping in Seattle or some similar chick-flick dreck.

When is enough enough? Never.


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