A man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways.
Death, who takes the form of a young man, asks a media mogul to act as a guide to teach him about life on Earth, and in the process, he falls in love with his guide's daughter.
In the early 1900s, three brothers and their father living in the remote wilderness of Montana are affected by betrayal, history, love, nature, and war.
After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized. Thirteen years later, they get their chance for revenge.
A movie publicist deals with the messy public split of his movie's co-stars while keeping reporters at bay while a reclusive director holds the film's print hostage.
Jackie Cogan is an enforcer hired to restore order after three dumb guys rob a Mob protected card game, causing the local criminal economy to collapse.
An unemployed single mother becomes a legal assistant and almost single-handedly brings down a California power company accused of polluting a city's water supply.
Director:
Steven Soderbergh
Stars:
Julia Roberts,
Albert Finney,
David Brisbin
Jerry Welbach is given two ultimatums. His mob boss wants him to travel to Mexico to get a priceless antique pistol called "The Mexican" or he will suffer the consequences. The other ultimatum comes from his girlfriend Samantha, who wants him to end his association with the mob. Jerry figures that being alive, although in trouble with his girlfriend is the better alternative so he heads south of the border. Finding the pistol is easy but getting it home is a whole other matter. The pistol supposedly carries a curse - a curse Jerry is given every reason to believe, especially when Samantha is held hostage by the gay hit man Leroy to ensure the safe return of the pistol.Written by
ck
Despite the fact that this was filmed in Super 35, "Filmed in Panavision" is listed in the end credits. See more »
Goofs
The film opens with a car crash at an intersection clearly labeled "Laurel Terrace", but when Samantha explains the story later in the film she says that it was by "Laurel Canyon and Ventura". However, she wasn't present at the accident, which was five years earlier, and it's understandable that she'd misremember it as the major street Laurel Canyon instead of the more obscure Laurel Terrace. Further, even if she knew it was Laurel Terrace, she may have used the nearest major street for clarity. See more »
Quotes
Leroy:
Don't you love him?
Samantha:
I think that's the problem. We love each other too much.
See more »
Crazy Credits
At the very end of the credits, Samantha whispers "I love you, Jerry". See more »
I'm genuinely surprised at the number of people who disliked this movie. Perhaps because it was a bit disjointed, chaotic, uneven, unpredictable and even incoherent at times. And that's just why I loved it. It's life. Yes, it's the crazy, seedy, shady lives of these people (the main characters being Pitt's and Roberts' characters), but at least it's honest... and darned funny. I thought the self-deprecating jabs at how most Gringos view Mexico/Mexicans were priceless. Raul!! The grainy flashbacks had my sides splitting.
People, this is a classic melodrama told in today's yucky, dirty, gritty, ugly times. A beautiful (if you look closely) story that doesn't take it self seriously at all. This is anything but formula Hollywood hype. It is a genius inside-joke that sandbagged most of the people hoping to come out and see a Pitt/Roberts version of Sleeping in Seattle or some similar chick-flick dreck.
When is enough enough? Never.
68 of 86 people found this review helpful.
Was this review helpful to you?
| Report this
I'm genuinely surprised at the number of people who disliked this movie. Perhaps because it was a bit disjointed, chaotic, uneven, unpredictable and even incoherent at times. And that's just why I loved it. It's life. Yes, it's the crazy, seedy, shady lives of these people (the main characters being Pitt's and Roberts' characters), but at least it's honest... and darned funny. I thought the self-deprecating jabs at how most Gringos view Mexico/Mexicans were priceless. Raul!! The grainy flashbacks had my sides splitting.
People, this is a classic melodrama told in today's yucky, dirty, gritty, ugly times. A beautiful (if you look closely) story that doesn't take it self seriously at all. This is anything but formula Hollywood hype. It is a genius inside-joke that sandbagged most of the people hoping to come out and see a Pitt/Roberts version of Sleeping in Seattle or some similar chick-flick dreck.
When is enough enough? Never.