A look at a group of girl friends coming-of-age during their senior year of high school in urban America. Nikki and Emma have a heart to heart talk one evening about how much they'll miss ... See full summary »
This feature takes us into the world of "boosters" or shoplifters where a charismatic, intelligent young female booster from a dysfunctional family, notably her mother and grandmother, ... See full summary »
Chantel Mitchell (Ariyan Johnson), a hip, articulate, black high-school girl in Brooklyn, is determined not to become "just another girl on the IRT" (the IRT is one of NYC's subway lines). ... See full summary »
Ariyan A. Johnson,
Focusing on the bonding between three female (an African American female, a half African American half Latino American female, and a Latino American female) high school members of Brooklyn's "Jackie Robinson Steppers Marching Band" and the choices the girls face once their school closes down because of the need for asbestos removal. This film is about a host of topics, not least of which is the hard-work involved in maintaining friendships.Written by
Doo Wop (That Thing)
Written by Lauryn Hill (ASCAP), Vada Nobles (ASCAP), Resheem Pugh (ASCAP), Johari Newton (ASCAP),
Teyunold Newton (ASCAP)
Sony/ATV Tunes LLC (ASCAP)
Performed by The Jackie Robinson Steppers Marching Band
Special Thanks to Jason Jackson See more »
one of a kind, unique film about young women today
After seeing this film at the SF Independent Film Festival, I couldn't wait to hear about how to get a copy. Jim McKay gave a talk (Q&A) about the film afterward which presented his ironic situation: how to get distribution for a film which portrays minorities (women, non-whites) working on resolving controversial issues (teen pregnancy, teen motherhood, racial identity, single-mother households), and how to write a faithful script on all of these topics being a mid-thirties white male. The multi-racial, multi-gendered audience of mostly-adults raved about the film's fantastic storyline, detailed characters, and fantastic portrayal of "real teen life." Most of the teens, however, had left the building--leading me to think this is a film best seen by adults with kids, as a starting point for discussion rather than, as many adults there felt, "a film teens should see because it's about them." Hence, distribution questions--how do we get our hands on it? The Internet (retail) would be a great path--this is a film that will be buried, like "Pups" or other radical modern teen films--and McKay seemed responsive. As for his credits as a writer/director, McKay was _extremeley_ sensitive and detailed in his work--allying himself to the Crown Heights neighborhood in which the film is set, working with actors to portray characters in their own vision of what they think should be--with the results being disarmingly realistic.
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