After nearly fifteen years behind bars, lefty revolutionary Bruno escapes and heads back to Grenoble, France. His plan? Settle some old scores, hook up with his foxy ex-lover, and avoid the... See full summary »
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ... See full summary »
In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School ... See full summary »
Black comedy about two best friends, one a budding playwright and the other a motorbike freak, who spend their time annoying their girlfriends and getting into various scrapes. Things turn ... See full summary »
Based on the true story of acclaimed music icon "Dalida" born in Cairo, who gained celebrity in the 50s, singing in French, Spanish, Arabic, Hebrew, German, Italian, playing in awarded ... See full summary »
The final installment in director Lucas Belvaux's trilogy follows Pascal, a cop who sees a return to credibility in the capture of escaped convict Bruno--who in turn is harbored by Pascal's morphine-addicted wife Agnes. Pascal's already precarious ties to Agnes are strained further when he meets and falls for her fellow schoolteacher friend Cecile. With Pascal focused on Bruno and Cecile, Agnes is forced to find a fix on her own.Written by
Sujit R. Varma
Forms a trilogy along with Cavale (2002) and Un couple épatant (2002), the main characters of this one being the supporting actors in the other ones, and vice versa. The three movies have some scenes in common which are shown from a different point of view according to the storyline we're following. See more »
In the credits, Catherine Frot is credited for playing Jeanne Costes, and Ornella Muti for playing Cécile Rivet. During the movie, Frot's character is caller Jeanne Rivet, and Muti's character is called Cécile Costes. See more »
Lucas Belvaux's trilogy of films is meant to be taken as one multi-faceted unit, and is best viewed as such. The first (as I saw them), "On the Run," was a `thriller,' with Lucas Belvaux as a terrorist escaped from prison to settle scores and look up an old flame (Catherine Frot). In that film, there were the first glimpses of events in the romantic comedy, "An Amazing Couple." The trilogy ties up with this character study (or `melodrama'), "After the Life" ("Après la vie"), about the relationship between a pathetic and suffering drug-addicted teacher (Dominique Blanc) and her down on his luck and co-dependent cop husband (Gilbert Melki). The thriller was hobbled a bit by it's involvement with the other interwoven stories, but the romantic comedy and `melodrama' work fine as stand alones, and are even enriched by the angles explored and explained by the other films. All three should be seen together. Or, as a friend of mine has supposed, maybe I should just rent Kieslowski's `Three Colors' trilogy instead ?
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