A group of longtime friends converge on a fatal course with destiny when they cross paths with Alexander Tatum, a mercenary surgeon. He is a hunter with the keen skill of one who has also ... See full summary »
In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
A woman named Grace retires with her two children to a mansion on Jersey, towards the end of the Second World War, where she's waiting for her husband to come back from battle. The children have a disease which means they cannot be touched by direct sunlight without being hurt in some way. They will live alone there with oppressive, strange and almost religious rules, until she needs to hire a group of servants for them. Their arrival will accidentally begin to break the rules with unexpected consequences.Written by
Near the end of the movie when Anna and Nicholas are walking away from the house they are moving away from it and this is clarified by Anna's line "We're not at the end of the garden yet" but when they stand before the grave stones a few shots afterwards, the house is behind the graves. We know for earlier on when Grace has been talking to the gardener that the graves are near the end of the garden. See more »
Now children, are you sitting comfortably? Then I'll begin... This story started many thousands of years ago, and it was all over in just 7 days. All that long long time ago, none of the things we can see now, the sun, the moon, the stars, the earth, the animals and plants, not a single one existed. Only God existed. And so only he could have created them. And he did.
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Before the opening credits or music begin, we hear Grace's voice over a black screen; she says (in the manner of a mother about to tell a bedtime story), "Are you sitting comfortably? Then I'll begin." See more »
The Others is a very remarkable film from more than just one viewpoint. In an era where you can only impress young horror fanatics with bucket-loads of blood and gross-out effects, Amenábar actually re-teaches his audience that fear is especially caused by suggestion and the absence of explicit images. The Others is the first intelligent horror film in years, completely relying on atmosphere and eerie set pieces. It's such a relief to finally see a subtle film that is also effective! I'm normally not much of Nicole Kidman fan but she's very convincing as the prudish, over-concerned mother who desperately tries to protect her children from the outside world (daylight in particular). She lives in a remote mansion and waits, along with her 2 children, for WWII to be over. With the arrival of 3 servants, strange events star to occur in the old house and the daughter spots 'intruders' everywhere. The screenplay - by Amenábar himself - is not totally unique (filmfreaks who're familiar with expressionism highlights from the 60's will quickly guess the hidden plot twist) but it's filled with ingenious findings and sublime dialogues. The Others reminds you of 'The Innocents' and there are far worse films to get compared with, if you ask me! What also is rather amazing about this production is that Amenábar seems so confident! This is his first giant Hollywood adventure with stars in the cast and American money and yet he has total control over everything. The acting is great, the plot actually scares you and the directing is solid. The Others is a total winner and easily one of the greatest genre-films of the last few decades.
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