During a Parisian night, Paul plans to strangle Colette. In the morning, he fled.
A very Parisian night. Paul plans to strangle Colette because she doesn't inspire him a single, damn camera shot. Early in the morning, he takes flight because the future is for those who get up early. Was it too late? It's too early to say.
Taking part in a poll for the best films of 1980, I decided to take a glance at French films which came out that year. Having enjoyed (and reviewed) his first three works,I was happy to spot Leos Carax's first movie,leading to me heading out on a Parisian night.
View on the film:
Years before he would hit the big screen with his indie Rock-scored Boy Meets Girl (1984-also reviewed) debut writer/directing auteur Leos Carax plays closer to the French New Wave rather then Cinema du Look, with Carax & cinematographer Bertrand Chatry following Paul on the streets with fluid FNW-style hand-held camera moves captured in grainy black and white.
Displaying a interest in disillusioned youth which would become a major theme in his later works, the screenplay by Carax tightly blends a poetic stream of consciousness with a nervousness over brutal crime,as Paul gets strangulation blues.