5.8/10
924
11 user 6 critic

Girl from Rio (2001)

Chica de Río (original title)
Discovering your wife is sleeping with your boss can make a man do strange things. For a Samba-obsessed London clerk, robbing a bank and boarding the first flight to Rio are just the beginning.

Director:

Christopher Monger

Writers:

Juan Carlos Guerrero Torres (idea), Julián Ibáñez (screenplay) (as Julian Ibañez) | 2 more credits »
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1 win. See more awards »

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Cast

Cast overview, first billed only:
Hugh Laurie ... Raymond
Vanessa Nunes Vanessa Nunes ... Orlinda
Santiago Segura ... Paulo
Patrick Barlow Patrick Barlow ... Strothers
Lia Williams ... Cathy
Nelson Xavier ... Bichero
Hugh Lloyd ... Albert
John Junkin ... Mr. Bigelow
Julio Levy Julio Levy ... Copacabana Concierge (as Julio Levi)
Paul Jerricho Paul Jerricho ... Inspector
Kacey Ainsworth ... Sales Assistant
Glynis Brooks Glynis Brooks ... Mrs. Grace
Arthur Cox ... Bank Customer
Ann Morrish Ann Morrish ... Bank Customer
Paul Mari Paul Mari ... Larry
Edit

Storyline

Raymond is a bank clerk that dream on Rio de Janeiro and the beautiful and exotic samba dancer Orlinda. He has a secret class of samba at night, where he teaches the rhythm and how to dance samba to British persons. One day, he finds that his wife is cheating him with his boss and he decides to rob the bank and go to Rio de Janeiro to meet his passion. In the arrival, he meets the cab driver Paulo, an authentic 'malandro carioca' (smart guy born in Rio) and he crosses the way of the powerful 'bicheiro' (owner of an illegal and popular Brazilian lottery, called 'jogo de bicho' - translating, would be animal lottery), getting into trouble. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

When in doubt...Samba! See more »

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

Spain | UK

Language:

English | Portuguese

Release Date:

13 July 2001 (Spain) See more »

Also Known As:

A Garota do Rio See more »

Filming Locations:

London, England, UK See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Quotes

Raymond: [drunkenly singing] Silent night... all is shite
See more »

Crazy Credits

At the end of the credits we see the last of said crime lords cash being blown out of the vault and into the ventilation system See more »

Connections

Featured in La noche de...: El vuelo del Fenix (2008) See more »

Soundtracks

Opening titles
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User Reviews

The "S" Word
19 July 2003 | by family1See all my reviews

It's hard for me not to like a movie that: A) takes place in an exotic tropical country B) has the protagonist sleeping with his dream girl after knowing her an hour, and C) has a happy ending. These qualities nearly compensate for the weaknesses of The Girl From Rio.

The plot of this Hollywood Film Festival winner is pedestrian and slack. You gotta like this Raymond guy, though.

Raymond (Hugh Laurie) is a bank clerk with a thoroughly unlikable boss, a cuckolding wife, and an endearing passion for Salsa dancing. Laurie's is the film's only real nuanced performance. No matter what he's saying or doing, his eyes betray him. His ubiquitous fear that the world is a dangerous and scary place has become his reality. It's clear, however, that beneath his pitifully polite and feckless British demeanor is a simmering frustration. Whatever you do, don't confuse Salsa with Bossa Nova. That makes Raymond really angry.

Raymond quietly endures his mostly comfortable life until, quite suddenly, the machinations of his wife and boss render him alone and disconsolate. A coworker commiserates, `It could be worse,' and Rodney does his best to prove his friend right by filling a duffle bag with all the bank's cash on Christmas Eve and hopping a flight to Rio de Janeiro.

Enter The Girl. `S' words come to mind. Sultry. Sensual. Sizzling. Steamy. Vanessa Nunes's Orlinda is a famous Brazilian Samba dancer whose mere picture fuels Raymond's first-class flight from sanity. Then it's this pesky plot stuff again. Paulo, the taxi driver (Raymond's seedy, hapless Sancho Panza) just happens to know Orlinda. They meet, they dance down a Brazilian calle accompanied by a thousand musicians and acolytes, they go to his room, they make love. As much as I was rooting for old Raymond, I felt vaguely ripped off.

Not nearly as ripped off as Raymond, however.

Everyone in this film has a secret. Raymond. Olinda. (`You're just a thief like me,' she tells him.) His boss. His wife. Paulo. Even the painfully anachronistic villain.

As I mentioned, everything turns out just fine. Even the obscene economic disparity of Rio (better portrayed in 1999's Orfeu) is corrected in authentic Robin Hood fashion.

Did I mention the villain? They made him carry a little dog.


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