Once again on the lam, Matsu is helped by a strip club worker who holds a grudge against the detective who's trying to find her.
The acclaimed actor discusses working with Keanu Reeves in John Wick and how he says the name of detective "Bosch."
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Title: Female Prisoner Scorpion: #701's Grudge Song (1973)
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Edit
Cast
| Credited cast: | |||
| Meiko Kaji | ... | Nami Matsushima (The Scorpion) | |
 |
Masakazu Tamura | ... | Yasuo Kudo |
|
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Yumi Kanei | ... | Kinuyo Kodama |
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Hiroshi Tsukata | ... | Detective Hirose |
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Yayoi Watanabe | ... | Midori |
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Sanae Nakahara | ... | Akiko Inagaki |
| Akemi Negishi | ... | Prison guard Minamimura | |
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Toshiyuki Hosokawa | ... | Takeshi Kodama |
| Rest of cast listed alphabetically: | |||
|
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Junko Andô | ... | Prison guard Mazaki |
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Kotoe Hatsui | ... | Tome Kudô |
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Hiroshi Hijikata | ||
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Hiromi Kishi | ... | Bride |
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Toshie Kokabu | ... | Female Prisoner B |
|
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Akiko Kuji | ... | Prison Guard A |
|
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Kaoru Kusuda | ... | Prison director Nakasone |
Edit
Plot Summary
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Add Synopsis
Storyline
Once again on the lam, Matsu is helped by a strip club worker who holds a grudge against the detective who's trying to find her.
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Details
Country:
JapanLanguage:
JapaneseRelease Date:
29 December 1973 (Japan) See more »Also Known As:
Female Prisoner Scorpion: #701's Grudge Song See more »Company Credits
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Technical Specs
Sound Mix:
MonoColor:
ColorAspect Ratio:
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This begins well enough and has enough going on, a male helper this time, to maintain the interest until the most exciting scenes come along. It is a good idea that Meiko's seeming saviour here has had history with the police already from his days of 60s student rebellion. Flashbacks enable stand-in director Hasebe to double his violent police demonstrations with current and b/w past. This is number four in the series, however, and needed more not less in the way of interesting action and visuals. Gone are the stylish sequences and gone the surrealism. The endings, both false and actual are fun and if this is a disappointment it is no disgrace and while not the greatest of finales, probably a much better fourth episode than many might have expected. Worth seeing.