The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
While pursuing a suspect one night, Chicago Police officer Sharon Pogue nearly becomes the victim of a fatal ambush. A mysterious stranger, Catch intervenes, disarms the assassin and saves Sharon's life. Is it a stroke of luck? A twist of fate? Or just a concerned citizen who happened to pass by at the right time and wasn't afraid to get involved? Maybe, but Sharon and Catch have met once before. As the two fall in love, they discover the truth about each other and are forced to deal with the secrets from their past.Written by
When Catch sits to play trumpet in bar a musician can be seen turning to approach him twice. See more »
We have multiple vehicles. Possible DOAs, multiple injuries. In contact major accident. We're gonna need some more ambulances over here.
All units have been deployed. I don't have an ETA.
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Credits list Connor McAuley's character as Max Pogue instead of Max Lambert. See more »
All UK versions were cut to obtain a 15-rating. Warner Brothers had to remove the aggressive use of the word "cunt", or the film would have been rated 18. See more »
Surprisingly moving film with Lopez proving she is more than just her looks for a change. It's an early chance to see the guy who was later to play Jesus Caveziel. The director creates a touching scene when they are at the relative's graveside. Lopez plays a woman alone in Chicagio with no real friends until the shy man (Cavaziel) comes into it. They form a rapport over their shared insomnia. They start a disastrous relationship as it is afflicted with a cat and mouse game with both playing hot and cold. Because of their isolation and loneliness, the film is concerned with the need with forgiveness of self and others, reconciliation and redemption through a relationship. This is demonstrated through Cavaziel's previous secret life which he is running away from like the Lopez character. I can recommend this movie as I really enjoyed an intelligent and psychological work that had the courage to direct Lopez in something more challenging than popcorn liked Anaconda. Prior to this the most convincing thing I'd seen her in was in a couple of sketches by the actor Stephen Armourae and that was just pencil, paper and pastel. I hope she continues to be cast in these more demanding roles.
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