7.7/10
721
2 user 3 critic

The Vampires of Poverty (1977)

Agarrando pueblo (original title)
Not Rated | | Comedy, Short
Fictional film that simulates being a documentary about filmmakers who exploit the misery with mercantilist purposes. It is a scathing criticism "porno-misery" and the opportunism of the ... See full summary »

Writer:

Carlos Mayolo
Reviews
1 win. See more awards »

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Cast

Cast overview:
Luis Alfonso Londoño Luis Alfonso Londoño
Carlos Mayolo
Ramiro Arbeláez Ramiro Arbeláez
Eduardo Carvajal Eduardo Carvajal
Javier Villa Javier Villa
Fabián Ramírez Fabián Ramírez
Astrid Orozco Astrid Orozco
Jaime Ceballos Jaime Ceballos
Dudman Adolfo Murillo Dudman Adolfo Murillo
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Storyline

Fictional film that simulates being a documentary about filmmakers who exploit the misery with mercantilist purposes. It is a scathing criticism "porno-misery" and the opportunism of the dishonest documentary making "socio-political documentaries" in the third world to sell them in Europe and win prizes. Written by Diego Alvarez

Plot Summary | Add Synopsis

Genres:

Comedy | Short

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Colombia

Language:

Spanish

Also Known As:

Os Vampiros da Miséria See more »

Filming Locations:

Cali, Valle del Cauca, Colombia

Company Credits

Production Co:

SATUPLE See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Goofs

Many scenes appear to be carried out in slums of Cali, but as they say it the image of "La Rebeca" fountain appears. This fountain is located in Bogota's Downtown. See more »

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User Reviews

 
Reality on Colombian cinema even today
29 August 2008 | by elderesekSee all my reviews

This short film reflects a satirical vision on how the so-called master film-makers in Colombia are just a bunch on fools whose ambition goes beyond a real narrative but leading to black propaganda of the country.

Desperated looking for poverty where there's not too much, a couple of film directors try to make a documentary on homeless, ignorant, mindless people, giving themselves to the extreme option of contracting actors to make a fake poor family when failed to capture that inexistent reality.

It's curious to note that even today the same tendency is still alive on some Colombian directors (but today on themes such as guerrilla, violence, kidnapping, etcetera), giving this masterpiece a renewal concept.


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