When a writer for a porn magazine, watches a "rape" porn that is set in a school, he becomes obsessed with the lead actress, Nami, and tries to find her. He meets her by chance as he arrives for a shoot at a hotel.
A sexy temptress no man can resist and a local police officer who falls hard for her become embroiled in a complicated intrigue of passion and jealousy in Radley Metzger's boldly original erotic update of the opera Carmen.
Sabrina è bella, Sabrina possiede gambe bellissime, Sabrina ha sette nei sulla coscia che formano la costellazione dell'Orsa Minore, Sabrina è anche una ladra e di lei la polizia tedesca sa... See full summary »
Mamie Van Doren,
The light-headed Bobby Elkins, son of a famous dermatologist and his wife Gloria, is a young man who carelessly deals with his sex drive. He spends his days in bars and bars and has sex with several women.
Hans D. Bove
This is the third film in the Angel Guts series. It tells the story of Nami, a young female journalist. As she investigates the brutal stories of rape victims, she finds herself becoming ... See full synopsis »
Kawashima, Kajima, and Sadakuni spend their days riding motorcycles and terrorizing/raping young girls. Kawashima is overly protective of his little sister, Megu, who does not know about her brother's terrible activities.
Nami is a staff member at an exclusive department store. Her libido is chiefly satisfied alone, until a co-worker talks her into subbing on a porno modeling job. Her appearance in the magazine Red Porno has no end of complications for her.
Passionately directed fifth installment, ANGEL GUTS: RED VERTIGO (aka RED DIZZINESS), possesses the Takashi Ishii edge and is a solid exhibit of the talent for provocative imagery that this fine director also brought to GONIN and FREEZE ME.
Nami, a dreamy nurse (Mayako Katsuragi), is raped, cheated on by her photographer boyfriend, struck by a car and molested by the driver (Naoto Takenaka), a pathetic loser who is on the run from businessmen he ripped off. This unlikely duo discover a twisted shade of love.
It's the director who makes or breaks these films because the plots are merely serviceable. Though some critics consider the eroticizing of sexual violence in cinema questionable, I am not one of them. Sex and violence are strong cinematic staples and hold a power that only a courageous filmmaker can adequately convey.
In every scene, Ishii tries hard. He never retreats to bland, conventional coverage and extracts maximum erotic potential from the sexually charged scenarios. Ms. Katsuragi delivers a strong, believable performance as the unfortunate victim of male lust and opportunism. She conveys vulnerability and strength and suggests that she lives a life beyond the film's immediate framing.
An early scene, in which Nami's boyfriend takes erotic photographs of his mistress, which uses stark lighting and harsh sound effects, radiates an anarchic, raw sexuality.
This is solid, sensual, exciting cinema.
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