A TV station employee takes a camera crew out to an abandoned factory to investigate a purported snuff film that was made there, only to end up running for her life when a small, fetus-like creature murders her crew.
After the death of their father, a brother and his sister return to their family home on a secluded island. They are accompanied by the brother's girlfriend. Problems arise when it becomes ... See full summary »
Once Yue, being still a young schoolgirl, was subjected to brutal rape on the roof of her own school. Slightly matured, she became a prostitute and began to cruelly avenge all members of the masculine gender, for her sadistic pleasure.
A boy, abandoned by the whole family - torn apart by obsessions, perversions and problems of every kind-start looking at everything around him through the eye of the camera, so that nothing... See full summary »
The story follows a female artist who attends a meditation center that advertises a relaxation session in a large tank filled with water. She is drugged by the clinic's doctor who rapes her in the tank and film's the act.
After escaping from an insane asylum, a medical student assumes the identity of a mysterious dead man, who appeared to be his doppelganger, and gets lured to a sinister island ruled by a mad scientist and his malformed men.
This is a story about a pretty psychologist (Megumi Ozawa) who is raped, murdered, and dismembered while trying to avenge the suicide of a patient who was raped by a Yakuza gangster. Buried along with the remains of a rival gangster, Ozawa somehow melds with his corpse and comes back from the grave as a hermaphrodite zombie. A bloody and sadistic revenge is ahead.Written by
Kazuo Komizu, who hasn't made one decent film, directed this "notorious" shocker and should be ashamed that it was a hit upon its Japanese release.
Yes, it does feature scenes of rape, gore and dismemberment, but so what? It has the style of a bad American porn film shot and badly photographed by Ed Powers ("Dirty Debutantes") and is incredibly slow.
It seems to have earned its notoriety based on its roster of anti-social acts.
There is a huge difference between this and horror that is well produced.
Just because someone likes their cinema a little wet does not mean they'll accept crap like this. On the contrary, that kind of fan (myself, for example) tolerates even less crap than the average punter out there because he's seen so much and has become overly discerning. It's a shame production companies don't realize that.
One reviewer here (ZombieKilla81) commented that the film's "near obsession with gang rape" is one of the factors that killed it. I disagree. The subject matter is never the issue. The issue is how that subject matter is treated. In ENTRAILS OF A BEAUTIFUL WOMAN, it is treated so unimaginatively that it is boring.
Personally, I like graphic depictions of psychopathic behavior (with an intriguing context) if the material is well directed, freshly photographed and aesthetically pleasing. This Nikkatsu horror/pink hybrid is woeful.
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