Chris Nielsen dies in an accident, and enters Heaven. But when he discovers that his beloved wife Annie has killed herself out of grief over the loss, he embarks on an afterlife adventure to reunite with her.
Cuba Gooding Jr.,
Young Trevor McKinney, troubled by his mother's alcoholism and fears of his abusive but absent father, is caught up by an intriguing assignment from his new social studies teacher, Mr. Simonet. The assignment: think of something to change the world and put it into action. Trevor conjures the notion of paying a favor not back, but forward--repaying good deeds not with payback, but with new good deeds done to three new people. Trevor's efforts to make good on his idea bring a revolution not only in the lives of himself, his mother and his physically and emotionally scarred teacher, but in those of an ever-widening circle of people completely unknown to him.Written by
Jim Beaver <firstname.lastname@example.org>
In the book, the teacher is a black man named Reuben St. Clair. The role of Reuben was originally offered to Denzel Washington but was turned down, due to other commitments. When Kevin Spacey agreed to the movie, the character was changed to a white man named Eugene Simonet. See more »
During the interview at the end, the camerawoman suddenly changes from the left side to the right side of the camera. See more »
[Arlene, and then Eugene, feeling very emotional, have left the room in which Trevor was being interviewed by Chris for television. Trevor admits that he thinks "pay it forward" will not work, because people are too afraid]
Arlene, I don't want to be one of those people he's talking about. And I've become one. I don't want to spend another second of wasted air. Please, don't make me stay trapped in here forever.
See more »
Just the Sort of Treacle I Wrote When I Was Eleven
This was not a bad film; in fact, it was fairly well done, for what it was. Unfortunately, what it was was emotionally manipulative. Child abuse survivors, cute kids, recovering alcoholic mom working two jobs, this movie had it all. Above all, the director's vision was muddled. "Life is sh*t," says Trevor (Osment); by the end of the film, we can see that life is not sh*t after all. Or is it? The dramatic twist at the end (I won't spoil it for you) seemed to revoke the entire message of the movie. It had no apparent purpose, other than to lead up to the buy-the-world-a-coke, faux-heartwarming finale. The movie was not a total wash, however, as the genuinely solid performances from everyone involved lifted it above the sappy little mess it could have been. Osment is a gifted actor who manages to be a scared, vulnerable kid, without resorting to overt cuteness; he has a wary toughness which makes his performances very believable. Although I am admittedly ambiguous about Helen Hunt, she did turn in a very strong, thoughtful performance in a role that could easily have been one-sided or overplayed. Final analyss: If you like sentimentality, "Pay it Forward" is worth the effort, but it falls far short of a classic.
15 of 19 people found this review helpful.
Was this review helpful to you?
| Report this