This movie continues in the same vein as F.O.D. 1 with short scenes of death related material. Mortuarys, accidents, police work are filmed by TV crews and home video cameras. Some of the ... See full summary »
Faces of Death VI is a direct-to-video compilation of the highlights of the earlier films in the Faces of Death series. It features many of the same scenes shown in Faces of Death 1 and 4, ... See full summary »
Traces of Death is a collection of archive film and borrowed stock footage, notorious for its pointless exploitative content. In its opening you see the death of a woman named Maritza ... See full summary »
Maritza Martin Munoz,
Join your fiendish host, Dr. Vincent van Gore, as he leads you into the forbidden world of the dead. Only the most disgusting and horrifying car crashes, suicides and murders are presented.... See full summary »
This annoying little time-waster begins with flashbacks to the opening credits of the first film. Oh, good. We're doing that flashback padding thing again, just like "The Worst of ...", and FOD part 5, and at least two versions of FOD part 6 did. So we are watching the exact same footage for about the ninth time here, in this bogus documentary about a bogus documentary, written by "Richard Head and Johnny Getchakokov," and produced by "S. Pew" and Thomas Jefferson, co-starring bug-eyed Louis Flellis, with a cameo appearance by his goofy as ever glowing red lava lamp.
There is a difference between *satirical* and *stupid*.
This is a bogus documentary detailing supposed life story of director Conan LeCilaire, played by writer/ director/ producer Alan Black, his voice distorted and his face nothing more than a silhouette in a darkened television studio. Like the supposed sniper from the first film, if they tell his name, why bother to distort his image and voice? That doesn't add "realism" or mystery to the proceedings, it just makes it annoying to watch and listen to.
Mockumentary purports to tell the story of the making of Faces Of Death, but amounts to nothing more than yet another flashback-padded rehash of it, trying to cash in on the late 1990s reality TV craze.
The wash-effect with lifeguard's white jeep with a surfboard on roof on the beach leading to end credits, was that supposed to be a segway? Did they plan on them driving in front of the camera like that?
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