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I earini synaxis ton agrofylakon (1999)

This film takes place at a small village at the greek island of Chios, sometime around 1960. When the local field watchman dies, the agronomist must assign a new field watchman to be ... See full summary »


Dimos Avdeliodis
8 wins & 2 nominations. See more awards »


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Credited cast:
Angeliki Malanti Angeliki Malanti ... Eliso
Angelos Pantelaras Angelos Pantelaras ... Sitaras
Takis Agoris Takis Agoris ... Rural Guard 'Summer'
Yannis Tsoubariotis Yannis Tsoubariotis ... Matsaganos
Stelios Makrias Stelios Makrias ... Lavidas
Panagiotis Louros Panagiotis Louros ... Kolokythias
Ilias Petropouleas ... Rodokanakis
Markelos Poupalos Markelos Poupalos ... Yemelos
Giorgos Pavlidakis Giorgos Pavlidakis ... Sideris
Rest of cast listed alphabetically:
Dimitris Avgoustidis Dimitris Avgoustidis ... President of Tholopotamion
Vagelio Misailidou Vagelio Misailidou ... Rodokanakis' Wife
Marinos Mouzakis Marinos Mouzakis ... Michalis


This film takes place at a small village at the greek island of Chios, sometime around 1960. When the local field watchman dies, the agronomist must assign a new field watchman to be responsible for this village. We watch as four different people take this job and fail one after the other... Written by Chris Makrozahopoulos <makzax@hotmail.com>

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Release Date:

18 February 2000 (Greece) See more »

Also Known As:

The Four Seasons of the Law See more »

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User Reviews

6 November 2017 | by TarsitiusSee all my reviews

There are films with a bad screenplay, but good techniques. And films with a good screenplay, but with bad techniques. This film features a mediocre script combined with lousy technique:

  • the ubiquitous soundtrack (Vivaldi's Four Seasons) was not coincident with any scene. Even not with series of scenes, because that music was played across several scenes of quite different type. I would have liked to hear more Greek traditional music, especially when a corresponding landscape was shown. Seems that the director just wanted to impress with that impressive music, but to the expert, that does not work.

  • in landscape scenes, the immediate foreground was hardly seen, an average of 40% was dedicated to the blurry sky. So the spectator had the tendency to interpret what was invisible under the knees of the actors.

  • connected to that: the bad picture quality, too blurred. A pity, especially when nice landscapes were shown.

  • helpless inspectors: always in a thick uniform (is it never hot in Greece?), the rifle always hanging down by the side of the shoulder or in the hand. Not a good image especially when running through the bushes.

  • some animal inhumanity: indispensable in a film from the South from before 2000. Dogs kidnapped or shot, cats screaming, donkeys overcharged by two overweight inspectors.

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