6.7/10
3,674
45 user 28 critic

An American Rhapsody (2001)

PG-13 | | Drama | 28 February 2002 (Hungary)
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2:23 | Trailer
A young Hungarian girl struggles to find her place in the world when she's reunited with her parents in the USA years after she was left behind during their flight from the communist country in the 1950s.

Director:

Éva Gárdos (as Éva Gardos)

Writer:

Éva Gárdos (as Éva Gardos)
5 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Scarlett Johansson ... Suzanne - at 15
Nastassja Kinski ... Margit
Raffaella Bánsági Raffaella Bánsági ... Suzanne - Infant
Tony Goldwyn ... Peter
Ágnes Bánfalvy Ágnes Bánfalvy ... Helen (as Ági Bánfalvy)
Zoltán Seress Zoltán Seress ... George
Klaudia Szabó Klaudia Szabó ... Maria - at 4
Zsolt Zágoni ... Russian Soldier
András Szöke András Szöke ... Istvan
Erzsi Pásztor Erzsi Pásztor ... Ilus
Carlos Laszlo Carlos Laszlo ... Boy on Train
Bori Kereszturi Bori Kereszturi ... Suzanne - at 3 (as Boru Keresztúri)
Péter Kálloy Molnár ... AVO Officer (as Péter Kállóy Molnár)
Zsuzsa Czinkóczi Zsuzsa Czinkóczi ... Teri
Balázs Galkó Balázs Galkó ... Jeno
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Storyline

In 1950, a Hungarian couple, Peter and Margit, are forced to flee from the oppressive communist country for the USA with their eldest daughter Maria, but are forced to leave behind their infant daughter Suzanne who is raised by kindly foster couple. 6 years later, Peter and Margit arrange for the American Red Cross to bring Suzanne to their new home in Los Angeles where the perplexed youth is forced to accept her sudden change in home and country which leads to a troubled growing up. At age 15, the rebellious and unsure-of-herself Suzanne tries to come to terms with her roots and decides to travel back to Budapest, Hungary to find her true identity. Written by matt-282

Plot Summary | Add Synopsis

Taglines:

One family struggles for survival, for justice, for freedom.

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for some violent content and thematic material | See all certifications »
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Details

Official Sites:

Paramount [United States]

Country:

USA | Hungary

Language:

English | Hungarian

Release Date:

28 February 2002 (Hungary) See more »

Also Known As:

Uma Rapsódia Americana See more »

Filming Locations:

Hungary See more »

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Box Office

Opening Weekend USA:

$40,200, 12 August 2001

Gross USA:

$850,255

Cumulative Worldwide Gross:

$970,676
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Éva Gárdos met actress Colleen Camp on the set of Apocalypse Now (1979), when she was a casting director for the film. During shooting breaks, Éva told Colleen her true story of her childhood as a Hungarian émigré and Colleen encouraged her to turn it into a film. Colleen Camp would ultimately help produce the film, and played a small role in it as a neighborhood housewife. See more »

Goofs

Suzanne first arrives in Los Angeles in 1955, one house has an eighteen-inch television satellite dish strapped to the chimney. See more »

Quotes

Margit: Do you know what your father and I had to go through...
Suzanne - at 15: Yeah, I know, you- you walked 20 kilometers and you- you climbed under barbed wire, right? Yeah, I know.
Margit: You don't know anything.
See more »

Crazy Credits

After the film is a black and white picture of Éva Gárdos with her parents circa 1955. See more »

Soundtracks

Primrose Lane
(1957)
Written by Wayne Shanklin / George 'Red' Callender (as George Callender)
Performed by Jerry Wallace
Courtesy of Window Productions & Gladys Music & Univeral-Polygram Int'l Publishing, Inc. (ASCAP)
See more »

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User Reviews

Moving examination of family and politically caused separation
28 March 2002 | by trpdeanSee all my reviews

I enjoyed this movie more than the author of the highlighted review. I found the separations of family (real or surrogate) which take place several times in the movie very emotionally powerful.

I assume the director's family did move to Los Angeles - in any event it does provide the greatest disparity with the rural Hungary for the young girl. As an Easterner, I kept wondering if they had moved to the New England countryside - or to any older rural area or city in much of the rest of the country - whether the differences for the young girl would have seemed so stark.

I disagree with the highlighted review that suburban America of the 1950s was shown as cold - to the contrary the film shows neighbors welcoming the new family (even if, as I think quite realistic, they don't pay too much attention to the country they're from), friends gathering for barbeques, strangers returning little lost girls to their homes, children from different countries easily making friends. I thought America was shown as a pretty warm friendly place.

One problem I did have was that instead of finding the adolescent girl "typical" or acting as a result of her past, I thought she was a horrid brat - sullen, routinely refusing to speak when spoken to, flagrantly disobedient in leaving through windows too stay out through the night, drinking through the night with older boys, etc.

I didn't sense that this WAS due to the long ago difficulty of adjustment, but was instead this girl's spoiled nature, her willfulness, her lack of obedience. (Nor do I think of it as a consequence of living in America). I was therefore completely sympathetic with Kinski's despair - only by Goldwyn's slowness to anger over her wretched behavior. I kept wondering why the family wasn't physically disciplining the child and treating the adolescent's "I hate you" statements" with the contempt they deserved.

I also disliked the withholding of information about the particular motivation for Kinski to leave Hungary for later dramatic effect. Even if the event is true, it was something that could have happened anywhere in the world - and therefore not particularly a reason to leave one country rather than another. Moreover, there was suficient reason for the family to wish to leave Hungary in any event.

Nastassia Kinski and Tony Goldwyn were wonderful - as was everyone - particularly the surrogate mother, the grandmother and the child at the heart of the movie.

This is a moving film - I do wish it had received more attention. It's well worth your time and rental fee.


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