6.6/10
28
3 user 2 critic

You Can't Escape (1957)

An up and coming young writer accidentally kills his ex-girlfriend then tries to cover it up but just tangles up a web of lies he weaves. The more he tries to hide, the deeper he digs the hole.

Director:

Wilfred Eades

Writers:

Robert Hall, Alan Kennington (novel) | 1 more credit »
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Cast

Credited cast:
Noelle Middleton ... Kay March
Guy Rolfe ... David Anstruther
Robert Urquhart ... Peter Darwin
Peter Reynolds ... Rodney Nixon
Elizabeth Kentish Elizabeth Kentish ... Claire Segar
Barbara Cavan Barbara Cavan ... Aunt Sue
Martin Boddey ... Insp. Crane
Thorley Walters ... Chadwick
Jacqueline Mackenzie Jacqueline Mackenzie ... Mrs. Baggerley
Rest of cast listed alphabetically:
Maureen Connell ... 1st Peasant blouse
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Storyline

An up and coming young writer accidentally kills his ex-girlfriend then tries to cover it up but just tangles up a web of lies he weaves. The more he tries to hide, the deeper he digs the hole.

Plot Summary | Add Synopsis

Plot Keywords:

british noir | based on novel | See All (2) »

Genres:

Thriller

Certificate:

See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

8 August 1957 (Australia) See more »

Company Credits

Production Co:

Forth See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »

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User Reviews

 
Engrossing tale of a Mr Everyman being drawn into crime
14 September 2015 | by crossradSee all my reviews

This film is based on a theme I find intriguing, in which someone ordinary, in this case a young author, is drawn into crime through events. You can continue to debate with yourself throughout the film whether Peter Darwin was really a criminal; would he have received a fair trial in 1950's Britain; if he had gone to the police would he have been believed. Right through the film new facets are revealed about the characters Kay Murch and Peter Darwin as the plot presents them with successive dilemmas. The film stands up well even after the change in public attitudes to morality over the last sixty years, yet it is also interesting to see the attitudes of the time revealed through the reactions of the bit players.

I would say the acting was very good from all players, with camera- work and lighting presenting it very well. Sound is good, with the excellent diction you expect in films of that age. Well worth a watch to see the locations of the time in London and in the countryside, as well as an absorbing crime drama told from the perspective of the people involved, not the police investigating.


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