Young siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it initially appears to be.
Michael Harding (Penn Badgely) returns home from military school to find his mother Susan (Sela Ward) happily in love and living with her new boyfriend David (Dylan Walsh). As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
FBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase becomes more personal.
a stirring drama focusing on the emotional, moral and practical impact on the decision of bringing children into today's world. It is a story that follows three groups of individuals, each ... See full summary »
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
When Nicole met David; handsome, charming, affectionate, he was everything. It seemed perfect, but soon she sees that David has a darker side. And his adoration turns to obsession, their dream into a nightmare, and her love into fear.
A couple with jobs and apartment in NYC, decide to move to his mom's farm, get married and have the baby there. They can also make the changes to get a better price for the farm. However, there's something seriously wrong with his mom.
When Ruby Baker's parents are killed in a car accident, she and her brother, Rhett, must travel to Malibu, to live with Terrence and Erin Glass, their former neighbors. At first, all seems well. Ruby is making new friends at school and Rhett is getting more video games and flashy toys than he's ever had in his life. When Ruby speaks to her family's estate lawyer, he tells her that her parents have left Rhett and her $4 million. Suddenly, Ruby begins to notice odd behavior from Terry and Erin.Written by
Robert Rosado <firstname.lastname@example.org>
Although it is not the first film January Jones appeared in (that film was indie film All the Rage (1999)), this film was her first that was properly released worldwide making this film her proper cinematic debut. See more »
When the kids are in the police car, Ruby's position in the back seat changes between shots. See more »
Scared the living crap out of me!
Meryl Streep, that girl was not.
Who's Meryl Streep?
Oh, Zoe, she's like Katie Holmes to our parents, okay?
So, what's next ladies?
I have to go home.
Yeah, make... make that a that a block from home. I can't have another close encounter with my parents. They think I'm home in bed...
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The first few images of the film appear as if they are made of glass. See more »
The DVD includes two cut scenes from the fim:
After Ruby faints when she finds the cops at her house, she wakes up the next morning thinking her parents' accident was a dream. When she heads downstairs, the neighbors are there to tell her it wasn't. Ruby sits at the table and cries sadly as the camera slowly pans away from her.
Another scene has Ruby and Rhett at the funeral burying their parents' ashes at the cemetary.
The trailer tells you that the Glass family is evil. The movies tries to play with you for the first 30 minutes or so, letting you think that maybe it's just a misunderstanding, but the movie's not really about "are they or aren't they?" it's clear that they are.
We are meant to sympathize with young Ruby (Leelee Sobieski) because she is the underdog and no one believes her, even when we, the audience, know she is telling the truth. The script seems rather sloppy. There is an attempt at justifying Terry Glass's (Stellan Skarsgärd) evil by putting him in conflict with someone more evil than him. All this serves to do is dilute the main conflict and at times make you almost sympathize with Terry. I had to remind myself "oh yeah, the guy committed murder."
After being seen in the beginning, Ruby's friends have a single scene in the middle where they talk about having not heard from her but then are never heard from again. Why? Why was this scene here? So we wouldn't wonder what happened to them? Or to answer the question the screenwriter thought we might be asking "why haven't they tried to get in touch with her and/or why hasn't Ruby confided in them?" either way, the scene only reminds of them when we hadn't been thinking of them and highlights their absence for the remainder of the film.
"The Glass House" does have some suspenseful moments but taken as a whole, there are simply to many contrived moments and people doing stupid things because they have to to further the plot to make this a truly enjoyable or worthwhile thriller. Not an utter waste of 2 hours but you can do better.
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