The true story of Whitey Bulger, the brother of a state senator and the most infamous violent criminal in the history of South Boston, who became an FBI informant to take down a Mafia family invading his turf.
A boy named George Jung grows up in a struggling family in the 1950's. His mother nags at her husband as he is trying to make a living for the family. It is finally revealed that George's father cannot make a living and the family goes bankrupt. George does not want the same thing to happen to him, and his friend Tuna, in the 1960's, suggests that he deal marijuana. He is a big hit in California in the 1960's, yet he goes to jail, where he finds out about the wonders of cocaine. As a result, when released, he gets rich by bringing cocaine to America. However, he soon pays the price.Written by
While the closing scene claims Kristina never visited George in prison, there have since been unconfirmed reports that the two have reconciled. She is even billed as "Clerk," although her scene did not make the final cut. See more »
When they first go to Mexico, a VW Beetle in the background has turn signal lights on the front bumper. VW signal lights were on top of the fenders from the 1940s to the 1970s. The lights moved to the bumpers in the 1980s. See more »
That's a nice boy. Go get 'em, Dulli.
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A photograph of the real George Jung appears at the end of the film, as the credits start to roll. See more »
Written by Leadbelly (as Huddie Ledbetter)
Performed by Ram Jam
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
Published by Folkways Music Publishers Inc. (BMI) See more »
Based on a true story of how the American cocaine market was founded, this is a lot more funky than I had expected. A thumpingly good soundtrack right from the start and Johnny Depp cruising in to be a convincingly laid-back big-shot - almost like a graduate from Boogie Nights. Penelope Cruz manages to be blisteringly erotic in a few well-crafted scenes and without removing a stitch of clothing. Later, instead of following the usual pattern of despair in the second half where most drug movies home in on drug dependency, Blow refreshingly focuses on the emotional losses suffered by the characters. A film that just about manages to be more than the sum of its parts, it would have made a nice sort of pre-quel to Traffic, but it stands alone in fine form. And it's moving rather than depressing.
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